Der Kardinal kämpft darum, das Unrecht der Vergangenheit zu korrigieren, das seine Ermittlungen zum Scheitern bringen und seine Karriere beenden könnte, da der Fall immer heftiger und verdre... Alles lesenDer Kardinal kämpft darum, das Unrecht der Vergangenheit zu korrigieren, das seine Ermittlungen zum Scheitern bringen und seine Karriere beenden könnte, da der Fall immer heftiger und verdrehter wird.Der Kardinal kämpft darum, das Unrecht der Vergangenheit zu korrigieren, das seine Ermittlungen zum Scheitern bringen und seine Karriere beenden könnte, da der Fall immer heftiger und verdrehter wird.
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Highly intriguing first episode, with a lot of Scandi vibes. Ominous music score, vast cold open spaces, lots of torches used, missing kids and an apparent clash of the sexes between Det.John Cardinal and his unwanted new assistant, Delorme whom he fobs off by giving her some B&E cases to occupy her while he tackles the more exciting homicide work. Apparently very routine but wait...is John Cardinal a dirty cop ? We discover that he is being discreetly investigated and suspected of being in cahoots with a local drug lord and...his innocent new assistant is a police snoop, planted to keep an eye on him. The main crime story is about missing children (reminiscent of The Killing) with searches in dark cold uncomfortable places where the need for torches is paramount. A very well directed and acted episode and having the transparently honest upright good guy Billy Campbell as a "dirty cop" is inspired casting. Karine Vanasse as his assistant Delorme catches the eye too. There are other subplots, mainly a spate of burglaries which look like an unconnected open-and-shut case, at this time..but are they. I have high hopes for this one
I came across this gem on Hulu and it's fantastic. The acting is excellent, the scenery in the show is great. And absolutely NO political nonsense (aka Wokeness).
The show may come across as plodding to people expecting an action series with a Hannibal Lector-like serial killer, but the show is a character-driven drama featuring a cast of flawed people very reminiscent of "Nordic Noir" shows such as "Wallander", but very unapologetic Canadian very with very good sense of place. Algonquin Bay on the show, and in the original novels, is quite clearly North Bay, Ontario in all but name (many of the same street names, located between the same lakes, and geographically in the same location), and the show, as with the novels, touches on the mix of English, French, and First Nations groups that form the culture of the area. And anyone who has lived in communities in northern Canada can sympathize with water lines freezing.
Billy Campbell does good work playing the troubled, but very good detective Cardinal, while Karinne Vanasse plays his partner Lise Delorme --also from the novels, lest people think they were casting a French-Canadian actress simply as a token--as equally competent, if not as experienced. The dynamic between is certainly not a copy of the Holmes-Watson relationship that people might be tempted to assume it is, and the pair do a very good job of portraying a detective paired up with a partner who is just as good as he is.
Overall, a very engrossing series again, as long as you aren't expecting shootouts or a serial killer leaving taunting clues.
Billy Campbell does good work playing the troubled, but very good detective Cardinal, while Karinne Vanasse plays his partner Lise Delorme --also from the novels, lest people think they were casting a French-Canadian actress simply as a token--as equally competent, if not as experienced. The dynamic between is certainly not a copy of the Holmes-Watson relationship that people might be tempted to assume it is, and the pair do a very good job of portraying a detective paired up with a partner who is just as good as he is.
Overall, a very engrossing series again, as long as you aren't expecting shootouts or a serial killer leaving taunting clues.
I have to say, Canadian shows are catching my attention. It's the pacing as much as the quality of the production. American editing is a real problem for me as the scenes flick so fast I don't have time to take in the images and process to enjoy the emotions before you have to absorb the next image, and the next and next in split second action. I like lingering on a face (as long as you hired a real actor that is trained in the arts, not the couch) in order to capture what they are feeling. A technique that compensates for some lost book context if you have the right scene played out so you feel like you get inside their head. Non-American movies have always been attractive to me because of the more relaxed pacing that relies more upon acting. It's good to see this Canadian TV offerings as it captures you with a good story, moodiness and good character development. Except the young criminals. They are not as intense and believable as twisted, tortured beings. Next season will have new villains, and I hope they devote budget to those characters now that it's such a success. Also, perhaps second season bigger budget might mean more forensic realism and less relying on lingering dead body images. That's the one place I'd prefer the split-second images!
Following closely the story arcs from the BBC hit HINTERLAND, although with more dollops of sadism, this could be the best Canadian show ever produced in terms of script, direction, casting, and production. The problem is that this specific type of series is so depressing (not really a police procedural at all!) that the day eventually comes when even the most loyal viewer has to choose between jumping to the next episode ... or seeking psychiatric help.
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- WissenswertesFilmed in Sudbury, North Bay and Whitefish First Nation, Ontario.
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