Shape of Water: Das Flüstern des Wassers

Sally Hawkins puts in a lovely, sweet, almost sympathetic performance as the central character, it's her delicacy balanced against the harshness of the amphibious man that makes it so interesting.

It's not a film I'd sit through several times over, but I have seen it twice, and was as impressed with my second viewing as the first. It is a beautiful film, with the most glorious soundtrack, a feast for the eyes and ears alike.

I'm sure there was a social message here, it was perhaps over my head, what I saw was a good old fashioned love story, one with a difference, and a load of eggs.

It's sad, moving, funny, it's definitely very, very weird, but if you've seen any of his other movies, then you'll realise the inevitability of that.

It's a unique watch, and a rewarding one, 8/10.

I must admit that I was surprised to learn that this film won 4 Oscars, though I'm just as surprised by the many negative 1 and 2 star reviews that it has received. In terms of ideas and creativity, 'The Shape of Water' is as good as any film I've seen in the last few years. With a storyline as inventive and unique as this one, it makes for a fascinating couple of hours of viewing and, if you like films that take risks and dare to be different, there is a lot to enjoy about it.

For all its ideas and creativity, however, 'The Shape of Water' is lacking in some areas and can make for frustrating viewing at times. The storyline is underdeveloped in areas, particularly towards the end where there are many unanswered questions and the ending itself is a little underwhelming. That said, 'The Shape of Water' deserves credit for injecting fresh ideas into the fantasy romance genre. It might not be worth 4 Oscars, but 'The Shape of Water' is a unique and captivating film.

One of the most impressive parts of The Shape of Water will probably go unstated by many, because it is easy to overlook. It is stunning how much chemistry a woman who never talks and a fish monster can have. The energy between them radiates, and I had to keep stopping myself to consciously think about what a feat that truly is. As a direct result to how great the writing, directing, and performances are, this relationship between a woman and a monster never feels strange. If done by lesser talent, this could have come across as very weird or wrong. But del Toro crafts this film in such a way that it never comes across in this manner. In fact, in feels only natural, and that is applause-worthy on his part. That is the single biggest thing that Del Toro needed to pull off flawlessly, and he rises to meet the challenge. As with every Guillermo del Toro movie, the production elements are all spectacular. Del Toro really has a great understanding of mise-en-scène, something I'm continuously taken aback by every time I watch a movie of his. His cinematography isn't usually something that lunges out at you and calls attention to itself; rather, it works to very subtly draw you into the film. I do very much like cinematography that stands out and pops, but there is also something to be said for more the subtle kind of shooting a film. Del Toro has a strong hold on his production design. From the set design to the costume design to the color palette, every del Toro movie has a clear direction that is unique to its own story, and this film is no exception...

First off, I will say, this movie is not for kids. There are some sex and violence scenes that surprised me, but did add to the story. I found the story enthralling and endearing, along the lines of ET. You'll love some of the characters and absolutely despise others (specifically one). It's a story of innocence and of love. I highly recommend it.

"When he looks at me - the way he looks at me. He does not know what I lack or how I am incomplete. He sees me for what I am, as I am."

This film was strange, yet haunting. Disturbing, yet poetic. I loved the cinematography, the music, and the moral behind this film. Love is not judgemental, and this film leaves you with an ache in your chest.