Replace

Replace (2016) has been on my watch list ever since the official poster came out, what motivated me to watch the film was the body horror genre and the potential this film had. I knew almost nothing about this film, other than the IMDb bio and the mixed reviews. I recently found the film on DVD in HMV without a price-tag. When I sat down and watched the film I was instantly stunned by the introduction, however I quickly found myself foreseeing a disaster after the introduction.

The execution of Replace is very amateur and bombastic, mainly the music choices, sound editing and the editing. The music was quite hyperbolized attempting its hardest to provoke any emotion that's intended, the problem is that the development for this film is lacking, so the soundtrack appears as bombastic. The sound editing was very baffling, you could clearly tell when a line was dubbed, however voices of the actors would echo randomly for no reason, the sound editing was very inconsistent and became a massive distraction.

The editing for this film is perhaps the worst aspect, the editing really damages the film stylistically. This film is utterly confused on what style it intends to illustrate, this is conveyed through the complete switch of style of music, initially the soundtrack choice is synthetic, although later the soundtrack becomes orchestral, with very stock violins and bombastic motifs utilised to force the emotion down your throat. The editing is also a problem due to its tendency to flicker uncontrollably. At times you have no idea on what's happening.

In terms of what this film accomplishes, the twists and gore effects are superbly done. The gore effects seem very organic, although these gore effects are juxtaposed by the unphased performance of the main character, the pain is barely felt.

As a whole, Replace is a student film that has some great cinematography although also includes baffling editing, terrible sound design, sometimes laughable dialogue, and a score that's very bombastic and confused.

Replace is about a young woman (Rebecca Forsythe) who suddenly develops a fast-spreading skin condition (it looks like she's peeling) and desperately looks for a cure. At least that one aspect of the story. The young woman also has short-term memory loss and slight moments of distorted reality. She meets strangers who say they've already met, including a skin specialist. Is she going nuts? Or is she already there? Let me back up. When we first meet Kira, she's heading to the apartment of a man she met at a bar. They laugh, they flirt, she spends the night. When she wakes up, he's gone, and the skin condition appears. She tries scratching it and picking at it, as one is wont to do, which only makes matters worse. She visits a dermatologist (Barbara Crampton) who prescribes some medication "for the pain." But Kira discovers something really wacked, and completely by accident. She learns that if she peels off some affected skin and then applies someone else's skin to that spot, the new skin will adhere immediately to her body. This contradicts known medicine, as skin grafts can be a very lengthy and painful process. Has she found a cure for her malady? Lest one think this is just about a woman and her need for some good lotion, there's a mindbending twist, a psychological smack in the head for the viewer. It's too wonderful to explicate here, but in the great tradition of these thrillers, not all is what it seems. In fact, little is.

The final twist is perfect. Enough pieces fall into place that Kira's situation makes some sense, although not every question is answered neatly. The script is well written (by Norbert Keil and Richard Stanley), and Forsythe, Crampton, and Lucie Aron (as Kira's neighbor) turn in strong performances. Well made all around.

Kira Mabon (Rebecca Forsythe) is a young woman with frequent memory losses. She slightly recalls Jonas Swierczynski (Sean Knopp), who had one night stand with her and does not remember where she lives. Her next-door neighbor, the lesbian Sophia Demeraux (Lucie Aron), visits her to know whether she is OK, and they befriend each other. Out of the blue, Kira's hand begins to age and deteriorate, and Kira runs to Dr. Rafaela Crober (Barbara Crampton), who takes samples of her skin to investigate what is happening with Kira. She requests a transplant of skin, but Dr. Crober tells her that she needs the results of the exams first. During the night, her skin deteriorates in other areas, and she goes to Dr. Czerny (Adnan Maral) in a hospital to request a skin transplant. He says that it is not possible, and she needs to wait for Dr. Crober. But soon Kira learns that she can replace her deteriorate skin by a fresh one and she starts a crime spree to replace her skin. One night, she breaks in Dr. Crober's office and discovers the truth about her and Dr. Crober.

"Replace" (2017) is a strange movie with an interesting plot, but messy and boring screenplay and direction. The story makes sense after the discovery of Kira about the relationship between Dr. Crober and she, but the slow pace does not help to develop the plot. The conclusion is predictable. My vote is five.

Title (Brazil): "Replace - Maldição de Pele" ("Replace - Course of Skin")

....as the heroine says at one point. There is a really good story lurking in this film somewhere, but it's too stylised to really pull you in. It's a sexy and sometimes gory film, but it is too heavy on the style and sound to continually keep your interest. Reminded me a bit of the film The Hunger, more pop video than coherent narrative. An enjoyable watch, but some scenes were just dragged out to long. The editing was annoying and detracted from the flow a bit. Still, not a bad film, but could have been executed better.

Had a great start that made me start it over and put down my phone. Now that we have passed that; I'm reading the news. I'm. Just. Bored. Girl kills girls - repeat! Sigh.