IMDb-BEWERTUNG
6,8/10
6973
IHRE BEWERTUNG
Nachdem er Zeuge eines Gewaltverbrechens geworden ist, kauft ein Tech-Milliardär ein in Schwierigkeiten geratenes Polizeirevier und rebootet es als Privatpolizei.Nachdem er Zeuge eines Gewaltverbrechens geworden ist, kauft ein Tech-Milliardär ein in Schwierigkeiten geratenes Polizeirevier und rebootet es als Privatpolizei.Nachdem er Zeuge eines Gewaltverbrechens geworden ist, kauft ein Tech-Milliardär ein in Schwierigkeiten geratenes Polizeirevier und rebootet es als Privatpolizei.
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APB had me hooked by the end of the 2nd episode.. it has fast paced action..drama and suspense.. add to that the science and engineering facets .. great cast of seasoned actors...(not to mention the fact that it reminds us that law enforcement in the real world is poorly funded whilst those in power spend billions upon billions to wage wars in the middle east all based on lies and fund their salary increases) and you have a great all TV series!! There should be more shows like APB .. ACTUALLY ENTERTAINING AND THOUGHT PROVOKING.. instead of so many reality shows!!!
Well done all involved in creating this show!
Well done all involved in creating this show!
Justin Kirk has done a really good job playing Gideon Reeves, his acting is believable although he can brush up the character better. The idea of the app APB is amazing, can technology really make the police department that effective? The technology brought in is amazing, I loved how they did have false alarms, and things did go wrong, that is what makes this show better than others, its authentic. Natalie Martinez plays Amelia Murphy, she is cute, bad-ass and perfect for the role.
check out full review here
https://alittleofallblog.wordpress.com
check out full review here
https://alittleofallblog.wordpress.com
I have to admit, the premise of A.P.B. got me wet. I'm a tech and gadget freak, and I just love watching movies and TV shows which feature cutting edge technology. And I'm also a fan of Justin Kirk. Well I liked him in Weeds and Modern Family anyway. So tech+gadgets+Justin Kirk (should) = HIT. Right? The first episode showed a lot of promise, with drones (I own 2) featuring heavily in the plot. So we got a privatised police force, futuristic,souped up cars and motorbikes. New hi-tech weapons. And when an officer Murphy was introduced I just thought, "Robocop". But don't get me wrong, I love Robocop (the original). And that this looked like a series paying homage to it, I really enjoyed it. In fact, I would've given it an 8/10.
But since then, the show has continued to slip. Drones are featured heavily in EVERY episode. Its like, is there anything drones CAN'T do? Well not according to this there isn't. And therein lies the problem. Yes, the show does feature some great gadgetry and hi-tech. But its reliance on drones to save the day in each and every episode makes it look ridiculous at times.
Then there are the characters. The grizzled Captain who grudgingly accepts his precinct being taken over by a billionaire. The cops who accept almost without question, privatisation and who take to the new tech like ducks to water. And each and every one of them are straight as a die. No roughing up suspects. No shooting anyone with real guns and bullets (they just use stun guns for chrissakes!). They even hold pow-wows with local gang heads to try and sort out violence without violence. Oh, and take in teenage kids to live with them despite not even having known them for 5 minutes.
And central to it all is this genius billionaire. It is he who saves the day and brings the bad guys to justice every time. With drones. If I were a cop, I would be highly offended at this.
But did I mention the drones?
But since then, the show has continued to slip. Drones are featured heavily in EVERY episode. Its like, is there anything drones CAN'T do? Well not according to this there isn't. And therein lies the problem. Yes, the show does feature some great gadgetry and hi-tech. But its reliance on drones to save the day in each and every episode makes it look ridiculous at times.
Then there are the characters. The grizzled Captain who grudgingly accepts his precinct being taken over by a billionaire. The cops who accept almost without question, privatisation and who take to the new tech like ducks to water. And each and every one of them are straight as a die. No roughing up suspects. No shooting anyone with real guns and bullets (they just use stun guns for chrissakes!). They even hold pow-wows with local gang heads to try and sort out violence without violence. Oh, and take in teenage kids to live with them despite not even having known them for 5 minutes.
And central to it all is this genius billionaire. It is he who saves the day and brings the bad guys to justice every time. With drones. If I were a cop, I would be highly offended at this.
But did I mention the drones?
In purely performative terms, this show does not bring anything new, innovative or memorable to the American police series landscape. I have found it elementary and ridiculously flat, lacking in good performances, skilled characterization, credible plot lines or intelligent script-writing, portraying one-dimensional roles who are meant to look smart but instead feel and act dumb.
However, the worst of all is the ideology the show perspires and the values it promotes, without any complexity or respect to the realities of crime and criminology in our world. In this regard, it is a very ignorant approach of the world it intends to recreate.
The whole thing is a glorification of mega-weapons, armaments industry, surveillance technologies and destructive power over citizens, on the premise that criminality will be solved by increasing the private corporate investment (and involvement) in drones, tasers, racing cars and Batman-like shields to police precincts, with the corresponding transference of control, championing a virtual "privatization" of urban law-enforcement forces.
The plot line infers that public policies and social approaches are useless, a waste of "citizen's money", and treats the problem of crime in terms of a video game match, where approaches and consequences are solved by increasing lethal power or inserting a new coin into the slot.
More than 10 years ago, two geniuses with real knowledge of police work, true writing talent, and a deep outlook of crime complexity wrote a jewel titled "The Wire". APB is to The Wire as an internet meme is to Da Vinci's Mona Lisa.
Unless you are a fan of all the above and truly believe this is the way to battle criminality or the way to produce a TV show, my suggestion is to spend your watching time in better efforts and avoid this clumsy, forgettable show.
However, the worst of all is the ideology the show perspires and the values it promotes, without any complexity or respect to the realities of crime and criminology in our world. In this regard, it is a very ignorant approach of the world it intends to recreate.
The whole thing is a glorification of mega-weapons, armaments industry, surveillance technologies and destructive power over citizens, on the premise that criminality will be solved by increasing the private corporate investment (and involvement) in drones, tasers, racing cars and Batman-like shields to police precincts, with the corresponding transference of control, championing a virtual "privatization" of urban law-enforcement forces.
The plot line infers that public policies and social approaches are useless, a waste of "citizen's money", and treats the problem of crime in terms of a video game match, where approaches and consequences are solved by increasing lethal power or inserting a new coin into the slot.
More than 10 years ago, two geniuses with real knowledge of police work, true writing talent, and a deep outlook of crime complexity wrote a jewel titled "The Wire". APB is to The Wire as an internet meme is to Da Vinci's Mona Lisa.
Unless you are a fan of all the above and truly believe this is the way to battle criminality or the way to produce a TV show, my suggestion is to spend your watching time in better efforts and avoid this clumsy, forgettable show.
I love this show, not because its good, has complex story lines and super realistic, cause its not. In fact I find it predictable some times, and cringe at others. But here is why I love this show, its SciFi, not Syfy, SciFi doesn't need to dark and gritty Battle Starish all the time. This show is just fun, similar to Star Trek TOS, and those shows are lost in this day in time.
Realistic or not, I like to see a show try and build a universe around tech that doesn't exist. The best way I can describe this show is Tony Stark Meets House, It has your typical problem of the week, you have your featured A story and B story, and then your over arcing story.
The A story typically has the Main Characters working on it coming up with solutions after having an Idea looking at something simple.
The B story is your side characters who solve a different issue but without the whole super genius ideas.
and the Arc story spans several episodes. They seem a bit timid to actually start any real long arcs, I'm guessing because they don't know how fan reaction would be or if it would be on TV for long.
Either way its good SciFi, and if Fox doesn't want it, I hope Netflix or Amazon look at picking it up.
Realistic or not, I like to see a show try and build a universe around tech that doesn't exist. The best way I can describe this show is Tony Stark Meets House, It has your typical problem of the week, you have your featured A story and B story, and then your over arcing story.
The A story typically has the Main Characters working on it coming up with solutions after having an Idea looking at something simple.
The B story is your side characters who solve a different issue but without the whole super genius ideas.
and the Arc story spans several episodes. They seem a bit timid to actually start any real long arcs, I'm guessing because they don't know how fan reaction would be or if it would be on TV for long.
Either way its good SciFi, and if Fox doesn't want it, I hope Netflix or Amazon look at picking it up.
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- WissenswertesBased on New Orleans sanitation magnate Sidney Torres and his formation of the French Quarter Task Force, a semi-privatized police force he created to deal with the rise of crime in his neighborhood after Hurricane Katrina.
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