IMDb-BEWERTUNG
6,3/10
867
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe incredible tale of Mozart's Prague years.The incredible tale of Mozart's Prague years.The incredible tale of Mozart's Prague years.
Hana Vagnerová
- Frau Smitt
- (as Hana Vágnerová)
Empfohlene Bewertungen
Positive aspects: the settings in the style of 18th century, the costumes, the music of Mozart
but regrettably there are too much negative aspects in it: the script could be better - and no, it´s not based on facts as another review claimed: it's a fantasy story with fantasy persons, Mozart never met a Baron with name Saloka or a woman Suzuzana Lubtak, the story is completely fiction...lame fiction...only Josepha Duschek existed really. Besides that, most of the persons are wearing permanently wigs but those were already dated during this time period (1788)...moreover Mozart never visited Prague in this year (longer stays 1787,1791) and the film music in modern style between Mozarts music sucks really...it ruins the last oddment of authentic atmosphere in this movie. Don´t know what the filmmakers thought whilst deciding for this unsuitably music. Why don´t they use Mozarts music for all the scenes (they can choose from thousands of movements)
but regrettably there are too much negative aspects in it: the script could be better - and no, it´s not based on facts as another review claimed: it's a fantasy story with fantasy persons, Mozart never met a Baron with name Saloka or a woman Suzuzana Lubtak, the story is completely fiction...lame fiction...only Josepha Duschek existed really. Besides that, most of the persons are wearing permanently wigs but those were already dated during this time period (1788)...moreover Mozart never visited Prague in this year (longer stays 1787,1791) and the film music in modern style between Mozarts music sucks really...it ruins the last oddment of authentic atmosphere in this movie. Don´t know what the filmmakers thought whilst deciding for this unsuitably music. Why don´t they use Mozarts music for all the scenes (they can choose from thousands of movements)
I love Mozart, and am very familiar with Le Nozze di Figaro and particularly Don Giovanni. Whilst the sets and costumes were nice, the acting was much below an agreeable standard. The directing left a lot to be desired. The interpretation of the music was lacklustre. They didn't even use the climactic scene of Don Giovanni where he must confront the Commendatore.
In summary, this was the manifestation "Missed Opportunity"
Only writing this in case someone else plans to interpret Mozart again.
In summary, this was the manifestation "Missed Opportunity"
Only writing this in case someone else plans to interpret Mozart again.
Really enjoyed this based on relatively unknown period in Mozart's life when he had an affair and was writing Don Giovanni. Beautifully directed, lovely music as you'd expect, and lots of insight into Mozart though the gripping story..
An interesting tale set at the time Mozart conducts The Marriage of Figaro in Prague, in 1786. In the opera, the count is determined to seduce the countess' maid, Susanna who is betrothed to Figaro, who works for the count. This opera was somewhat revolutionary in that it held up the count to scorn and ridicule.
Aneurin Barnard was a delightful Mozart, as was Morfydd Clarke as the beautiful soprano to sing Cherubino on the new opera, Don Giovanni.
However, Adrian Edmondson was excellent as Herr Lubach, but Dervla Kirwan just grated as his wife.
The wonderful irony was seeing the angry and grief-stricken Mozart channeling his anger towards the baron in getting revenge. Lots of beautiful music, and period costumes.
I thought this was a creative take on Mozart's Don Giovanni. Granted that I don't know much about the opera, I can appreciate the complexity and artistry of the music and the beauty in the talent and range of the vocalists. It is my understanding that this is a fictional story written based on actual events. I can only assume that this implies that Mozart composed Don Giovanni in Prague but the story surrounding the composition in the film is fictional. Regardless, I enjoyed watching this.
The great things in this film are the music, the vocalists, the costuming, the settings and emotion. I was a bit disappointed that there wasn't more focus on how devious the barron was. I felt like the fear of his cruelty was seen clearly in most of the characters but his actions causing fear just weren't explained enough to justify so much fear.
I'm not sure that I will watch this again but I'm glad I decided to check it out.
The great things in this film are the music, the vocalists, the costuming, the settings and emotion. I was a bit disappointed that there wasn't more focus on how devious the barron was. I felt like the fear of his cruelty was seen clearly in most of the characters but his actions causing fear just weren't explained enough to justify so much fear.
I'm not sure that I will watch this again but I'm glad I decided to check it out.
Wusstest du schon
- VerbindungenFeatured in Interlude in Prague: Behind the Scenes Featurette (2017)
- SoundtracksPorgi Amor - From The Marriage Of Figaro
Written by Wolfgang Amadeus Mozart (as W A Mozart) (1786)
Performed by The City of Prague Philharmonic Orchestra
Vocals by Samantha Barks
Solo Violin by Lucie Svehlova
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Interlude in Prague
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 5.000.000 £ (geschätzt)
- Weltweiter Bruttoertrag
- 14.699 $
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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