Eine entfremdete Familie trifft sich in New York City zu einer Veranstaltung, bei der die künstlerische Arbeit ihres Vaters gefeiert wird.Eine entfremdete Familie trifft sich in New York City zu einer Veranstaltung, bei der die künstlerische Arbeit ihres Vaters gefeiert wird.Eine entfremdete Familie trifft sich in New York City zu einer Veranstaltung, bei der die künstlerische Arbeit ihres Vaters gefeiert wird.
- Auszeichnungen
- 4 Gewinne & 8 Nominierungen insgesamt
Ronald Peet
- James
- (as Ronald Alexander Peet)
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Ah yes, family dysfunctional. Everyone has it, and frankly its an over mined sub genre in film. With entries often pushing melodrama and character arcs to neat, organised catharsis, it has become as predictable as bad romantic comedies. Which is why i'm so happy to report that 'The Meyerowitz Stories' is one of the best dramedies I've seen all year!
Told through various character perspectives in no real cinematic structure, there's a naturalism to the style. A humbleness that revels in subtleties rather than climatic overtures. And by god is it refreshing. There isn't a drop of pretension to be found in the film, no barriers between you and the characters, who are all lovingly played by an assured, veteran cast.
Adam Sandler is a standout in what is already an outstanding ensemble. This is a performance quite different from what you might expect. It isn't a retread of Punch Drunk Love, or a dramatic overhaul of his past characters either. He instead lends a striking amount of humanity to Danny, which can be said of the entire cast. But Ben Stiller in particular deserves a shout out. I've never quite seen him pull off drama this straight faced and earnest before, and like most of the film, the sporadic dramatic beats are interspersed throughout his performance.
Yeah i cant quite say enough nice things about 'The Meyerowitz Stories'. This was a joy to watch.So i'll just say this, if you love Wes Anderson films, in particular 'The Royal Tenenbaums' this is an easy recommend. And while it lacks the formalism and ridiculously cinematic glory of Anderson's style, there is far more humanity is Noah Baumbach straight faced approach. Meyerowitz Stories may not provide anything radically new, but it provides a great entry in the tired list of dysfunctional comedies, along with some of the year's best performances.
Told through various character perspectives in no real cinematic structure, there's a naturalism to the style. A humbleness that revels in subtleties rather than climatic overtures. And by god is it refreshing. There isn't a drop of pretension to be found in the film, no barriers between you and the characters, who are all lovingly played by an assured, veteran cast.
Adam Sandler is a standout in what is already an outstanding ensemble. This is a performance quite different from what you might expect. It isn't a retread of Punch Drunk Love, or a dramatic overhaul of his past characters either. He instead lends a striking amount of humanity to Danny, which can be said of the entire cast. But Ben Stiller in particular deserves a shout out. I've never quite seen him pull off drama this straight faced and earnest before, and like most of the film, the sporadic dramatic beats are interspersed throughout his performance.
Yeah i cant quite say enough nice things about 'The Meyerowitz Stories'. This was a joy to watch.So i'll just say this, if you love Wes Anderson films, in particular 'The Royal Tenenbaums' this is an easy recommend. And while it lacks the formalism and ridiculously cinematic glory of Anderson's style, there is far more humanity is Noah Baumbach straight faced approach. Meyerowitz Stories may not provide anything radically new, but it provides a great entry in the tired list of dysfunctional comedies, along with some of the year's best performances.
I am surprised by other reviews of this film, but I think understanding this work depends wholly on whether you have ever lived with or known intimately a narcissist. It may not be pretty to watch, but it's not pretty to live either. And this movie nails it. It may be a small percentage of the population that can truly understand the subtleties of this movie and appreciate them. The skill it took to capture the complexity of these characters and to make it believable is remarkable. Baumbach paints in detail the devastated landscape of a narcissist's world. Hoffman's character displays perfectly how a narcissist's personality cannot and will not make room for anyone else's experience or emotions, especially his children's. Every conversation eventually returns to him: his needs, his opinions, his preferences, his ego, his career, his art, his place in the world. People have remarked that Hoffman is tedious and exhausting in this film. Yes. Because that is exactly the point. And Adam Sandler, Ben Stiller and Elizabeth Marvel are brilliant as the relational afterthoughts of his all-consuming ego. I would recommend this film to anyone. Not because you'll feel great after watching it but because it dares to tackle a deeply complex human subject and succeeds. And isn't that the point of art anyway?
This film tells the story of an artist father and his three estranged children, who are reunited under imperfect circumstances.
"The Meyerowitz Stories (New and Selected)" it's unexpectedly good film. The characters stand out and make you care about them. The father is pervasively an unsympathetic man, and it is easy to see why he does not get along with his children. The three children are all interesting, and have baggage of their own. It is a captivating drama, and it is even more refreshing to see both Adam Sandler and Ben Stiller together in a good drama.
"The Meyerowitz Stories (New and Selected)" it's unexpectedly good film. The characters stand out and make you care about them. The father is pervasively an unsympathetic man, and it is easy to see why he does not get along with his children. The three children are all interesting, and have baggage of their own. It is a captivating drama, and it is even more refreshing to see both Adam Sandler and Ben Stiller together in a good drama.
It's a very good movie: story, atmosphere, characters, lines, actors of course.
As I'm italian, I can't tell why. But you can read what wrote who liked it, and trust them.
Or trust who didn't. But remember that we choose to like or unlike, so it's too easy (and childish) write things like "the worst", "two hours I'll never get back" or other stupid unoriginal but thinking to be original stuff.
We have to dive into movies. They are an escape from serie, like healthy food. If you prefer fast or sugar food, you're welcome. But save your time from poisoning our water. We are swimming.
One reviewer said it was Manhattan and a Jewish family, that covered it. My family is not from Manhattan nor is it Jewish and I saw us in this movie. It's a mirror of families everywhere and every color in every place. We all have "that" father/grandfather, "that" mother/stepmother, "that" sibling. Or cousin or uncle or or or. We all know that family and have lived with someone like them. It was nice to see that We are NOT alone!!
Wusstest du schon
- WissenswertesAt the 2017 Cannes Film Festival, Adam Sandler and Ben Stiller stated in a press conference that playing brothers in this movie was one of the best experiences they've ever had in their careers, as it allowed them to grow closer as friends than they ever have in the past.
- PatzerWhile Danny is on the phone with Eliza (who is at Bard College), he states, "I might go stay at Jean's in Rochester for a while. I'll be closer to you...". The distance between Rochester and Bard College is actually significantly greater than New York City to Bard.
- SoundtracksHead to Toe
Written by Curtis Bedeau, Gerald Charles, Hugh Clarke, B-Fine (as Brian P. George), Bowlegged Lou, Paul A. George
Performed by Lisa Lisa & Cult Jam (as Lisa Lisa & The Cult Jam)
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Los Meyerowitz: La familia no se elige
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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