Border

"Border" (2018 release from Sweden; 110 min.) brings the story of Tina. As the movie opens, we get to know Tina, a Swedish Customs inspector, who happens to have an obvious facial deformity, as well as a heightened sense of smell which allows her to detect how people feel (shame, rage, fear, etc.) One day she is able to sense something on a guy, and it turns out he was hiding a memory card containing child pornography. The police are amazed at her abilities, and ask her to assist in the investigation as to who made the pornography. Meanwhile in a parallel story, one day a guy passes through Customs, and he happens to have a very same facial structure... At this point we are less than 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience.

Couple of comments: this is the latest movie from up-and-coming Iranian-Swedish writer/director Ali Abassi. Here he brings a tale to the big screen that without a doubt is the one of the most original and fantastical movies of the year, period, and I see more than 150 movies per year. Given the plot-heavy nature of the movie, I can't say a whole lot more, so you'll just have to take my word for it. And even simply describing the plot would never equate to the actual movie experience. The comparison is unfair, but I can't help but think back to another Swedish movie from now already 10 years ago that also surprised us out of nowhere: "Let the Right One In". The comparison is unfair because that is a horror film, and "Border" certainly is not that. But it's the originality that strikes me as the common character in both. Beware: there are some scenes in "Border" that some people will find absolutely disturbing, if not worse. No, this movie is not for the faint-hearted, that's for sure. Major kudos to Eva Molander in the role of Tina, under heavy make so that she's basically unrecognizable, but what a performance, oh my!

"Border" premiered at this yer's Cannes film festival, to universal acclaim. Sweden has also submitted this as its official entry for the 2019 Best Foreign Language Movie nominations. The movie opened out of the blue at my local art-house theater here in Cincinnati, and the Thursday early evening screening where I saw this at was not attended well (5 people, including myself). As it turns out, Thursday was the last day of its limited 1 week run. I can's see this playing long in theater, and I'm also quite certain that Hollywood will not end up remaking it (as it did with "Let the Right One In"), for that "Border is just too "out there". But don't let that deter you from checking it out, be it in the theater (not very likely), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion. For me, "Border" is a WINNER.

Not for the faint hearted. The film had me completely engrossed I have never seen anything like it. Extremely weird sometimes even disturbing but a strange array of beauty emminatea from the lead despite this. Plenty of twists and turns along the way an extremely enjoyable watch.

I recommend this to anyone that loves weird films, because this is certainly one of them!

Gripping throughout, dark, good story and performances, unpredictable, very original.

A high 7/10!

This is undoubtedly one of the strangest films I've ever seen, and although I cannot fault Border for being an original and striking piece, I can't say that it's the most enthralling film ever made either. Despite a unique and quirky premise, the film doesn't quite have the same depth in its originality, while some of its more disturbingly weird moments come across as a little too unpleasant, failing to wrap you up in the sense of bizarre wonder that could have made it a little more special.

So, the story revolves around a woman who works as a border agent, and her life as she experiences differences with those around her, as well as developing a bond with a more similar man. With a lot of prosthetic make-up, Eva Melander and Eero Milonoff are transformed into rather brutish-looking people, but through their strange, almost animal-like behaviour throughout, they begin to feel closer and closer.

That's the part of the movie that works well - the sheer bewilderment you feel at watching two people act in the least human manner possible, and the intrigue that that breeds as you attempt to figure what on earth they really are, and why they act in such a strange way. It's a unique idea that the film pushes forward with confidence and persistence, and it definitely makes Border a striking watch throughout.

However, while it's an interesting and equally confusing film from the start, Border hits a little bit of a roadblock about halfway through, as it runs out of surprises to keep you enticed and weirded-out to the same extent as its opening act.

Moving at an incredibly slow pace, the film resists giving you too much information about the true nature of these two characters, but after a while, it just becomes a point of frustration rather than intrigue. And then when you do get somewhat more of a reveal, the film is then completely out of ideas and mystery for the remainder of its runtime, failing to engross you with any sense of wonderment in a final act that's a lot more unpleasant than it is mystical.

And that's my other big problem with Border: it's just a bit too weird. At its heart, the film tells a story about accepting and understanding who you truly are, but that central theme really pales in comparison to the stranger surface of the movie. However, in an attempt to keep surprising and intriguing you, the film goes all out with some of the most bizarre elements of drama and even fantasy, to the point where it actually becomes a little disturbing, and extremely uncomfortable.

Overall, then, I found Border an intriguing and immensely bewildering film. Starting strongly with a vague yet original premise, the film does unfortunately fall apart due to a lack of real depth, a painfully slow pace, and a disturbing desire to show the weirdest things it can possibly think of. It's a unique film that did grab me, but it's definitely not for everyone.

If you liked the Norwegian movies Troll hunter or Thale, you'll also like this Swedish-Danish co-production, which has been a festival hit at both Cannes and Karlovy Vary, and probably a lot more festivals to come. You could say the Swedes and Danes seem inspired by the folkloric tales from Norwegian directors, having huge success the latter years.

Saw this at the screening in the Thermal grand hall (cap. 1150) and hardly any went away during the showing, due to the this film being quite captivating.

Border (Originally: Gräns) first appears to be a drama about an odd looking and rather strange woman in her late thirties with a seemingly unique talent in semlling fear, and she has a suitable job as a customs inspector at a Swedish ferry port. She can sniff out guilt, shame, fear and rage. Off-duty, she is a loner, loving quietness in the woods close to her rural home, with a redneck living with her, in separate beds, and she visits her seemingly half demented father in a nursing home. But one day she meets a man which looks surprisingly like her.

This is only the beginning, as the film now takes a slide into a different genre.

Director is Ali Abbassi, who has the equally strange concepts before in the movie Shelley. Well directed and well played. This is far from being a comedy, but there are many funny moments and the audience had huge outburst of laughter.

The title "Border" is really well suited in all ways. Very much recommended, and really something else.