Willkommen bei den Hartmanns

A couple of nice gags at the first 15 minutes, followed by the typical German way of making movies: when creating the story the writer must have been Captain Obvious. Please avoid this one and don't waste your time unless you have a real simple mind.

There are several reasons to recommend this comedy. First of all, it is a very entertaining take on topics that are being discussed not only in Germany, but all over Europe: how will the influx of refugees from Africa and the Middle East change our society? In this movie, a rich Munich family wants to do more than wave "Refugees welcome"-placards, so they offer a home to one of the refugees. As a plot, this could be rather embarrassing due to political correctness (or lack thereof), but writer and director Simon Verhoeven manages to include all the different views on immigrants without losing track of the comedy for one moment. He has created a set of characters that are likable and well-rounded, and the development of the story, while predictable in the general outline (of course a comedy needs a happy ending), is surprising at every turn and full of funny dialogue which had people laughing out loud in the cinema. Another reason to watch this comedy is the cast. The older generation is being represented by the always wonderful Senta Berger, as well as Heiner Lauterbach, Uwe Ochsenknecht and Ulrike Kriener (yes, those last three together had us laughing in Doris Dörrie's "Männer" in the 1980s), the younger generation containing heartthrobs Florian David Fitz and Elyas M'Barek and a very lovable Palina Rojinski. Refugee Diallo is played by Eric Kabongo, who will hopefully get to play more leading roles in the future! And, thirdly, I very much liked the artful camera work and the well-chosen sets, which made the movie a joy to watch.

All over the (western) world, there is one big issue that all have in common. It's a tragedy and it's tough for most people to wrap their head around some of the facts. We don't know what people really go through. Now some will take advantage of the system. But it's wrong to paint them all the same way.

This movie takes certain clichés and makes fun of them. Most of the jokes are not laugh out loud funny though. It tries to be sophisticated about certain things and it does succeed most of the time. It's really a testament to script writing and to the fact that there is good writing in Germany, which leads to good movies. Some things are predictable of course, but it's still suspenseful until the end - and funny of course

I stumbled on this by Netflix recommendations and was a little bored at this time, so I thought: Why not? Overall this film is a light comedy with a solid background. At first I thought this may be part of 'framing', getting the German people to accept the flood of migrants they have experienced over the last years. But there's more to it. I got intrigued after about ten minutes and watched it till the (almost expected) end. The filming and acting was good, it was good entertainment, but with a slightly belly grim on my side (as a German). As a comedy this works well, but I found the educational under streams to be better citizens annoying. We Germans don't need that. I gave a six, though.

A couple of wealthy Munich inhabitants, Richard and Angelika Hartmann, adopt an African refugee named Diallo for a couple of weeks until the officials decide if he can take permanent asylum in Germany...

Soon they have to check on their own views towards the refugees while Diallo learns that this family has quite some problems on their own, which includes also the Hartmanns adult children and their grandson.

The most successful German movies are usually light comedies, that's no difference here. What I liked about this movie that it covered a broad range of attitudes that Germans have towards the refugee crises, from far-left to far-right ones, things which people in Germany really think or say. There is also a subplot with an islamist among the refugees, or some Pegida-style "enraged citizen" protesters. Also, it covers quite a lot of other issues - estrangement between children and parents, growing old in a society where the job means a lot for the reputation of the individual and so on. It has no less than seven main characters and manages that well. I think it was also the right choice that they wrote the character of Diallo not as a hero character, but a rather normal guy who just fled his country because the one terrible act of violence that happened to his family. Acting-wise, Senta Berger and Heiner Lauterbach come from a different time than the younger actors in the movies and are in my opinion far above them. But, Florian David Fitz, does also a good job in the probably most unthankful role, playing the Hartmann son who is the clichéd manager who has no time for his son. Even Palina Rojinski, who is another ex-video jockey who turned to acting, does a little better than in her former efforts - and she has probably the most complex character, the daughter of the Hartmanns, who tries to escape an stalker, while struggling to finish her studies with 32 years and get a job, making her a kind of disgrace to her father.

Its not a perfect movie, though. The setting is not too unrealistic - its not far fetched that refugees are adopted by German families, it happened sometimes since 2015 and was even advocated by some organizations. But, obviously, in the end reality has to be bent to provide the happy-end. This is too be expected.

I had more qualms with that despite a lot of things were done well, the movie was not hugely funny. The dialogues rely too much on playing around with clichés and tropes, going for easy wins by the audience.

Without spoiling too much, what will this movie say about the refugees in Germany, a country which took 700 000 of them?

Ultimately, it offers a "light conservative" solution: traditional family values will fix things, society and the state set things right. This may be a bit simple, may be part of the happy end, but its what I believe the movie wants to say.