IMDb-BEWERTUNG
5,6/10
2881
IHRE BEWERTUNG
Ein Teenager wird in einer kleinen australischen Stadt in den 1970er Jahren erwachsen, als ein 200 Tonnen schwerer Blauwal an einem lokalen Strand angespült wirdEin Teenager wird in einer kleinen australischen Stadt in den 1970er Jahren erwachsen, als ein 200 Tonnen schwerer Blauwal an einem lokalen Strand angespült wirdEin Teenager wird in einer kleinen australischen Stadt in den 1970er Jahren erwachsen, als ein 200 Tonnen schwerer Blauwal an einem lokalen Strand angespült wird
- Auszeichnungen
- 4 Nominierungen insgesamt
Kotan Jacob
- Andrew Hall
- (as Jacob Kotan)
Richard Roxburgh
- Narrator - Adult Jeff Marsh
- (Synchronisation)
Empfohlene Bewertungen
If you were born like me in 73 you'll love this film.
From the evel knievel stunt kid to the fondue, it's all that was oz in the late 70's.
Hell we even had the same pool.
I laughed my head off.
Even the swinging bit was spot on for the time with all the parents getting pissed up and having a crack at the neighbours wife.lol
The mo's are spot on and the clothes are like looking at photo's of my parents.
Good to see the political correct 2000's didn't come into the making of this film, This is how it was back then, if you didn't do as your told you got a wack.
I'm all the better for it and it was a better Australia than the nanny state we live in now, take a ride down memory lane and relive the golden years of Oz.
As much as this movie looked like a solid offering filled with laughs and an all star cast it ultimately ends up a complete mess of story lines and underdeveloped characters.
It's filled with needless cutbacks that deliver nothing and scenes that should have been left on the cutting room floor. A lot of scenes I just wondered whether the director was doing favours for mates who wanted a small speaking role to camera.
While non linear story arcs are fantastic this one wasn't executed well and cut back and forth so many times whatever the story line is meant to be is not evident. What was the main plot line? Was it the whale, the swinging session, the young girl who would seem to be the focus of much of the movie but of whom we learn almost nothing, or the childhood movie that is apparently being made throughout the film? None of these otherwise acceptable plot lines went anywhere.
The parents are all hideous people except maybe Jeremy Sims' character but again there's no real purpose or explanation to any of their motivations. Kylie is wasted in her role of a blubbering mess that completely unexplored. The teenage girl is written off as he street 'bike' and the other children engage in bratty behaviour with a side of animal cruelty.
I was genuinely excited to see Julian McMahon in an Australian movie and really thought this would be an absolute treat but it just failed miserably. I gave it 4 stars but even that's probably too generous.
It's filled with needless cutbacks that deliver nothing and scenes that should have been left on the cutting room floor. A lot of scenes I just wondered whether the director was doing favours for mates who wanted a small speaking role to camera.
While non linear story arcs are fantastic this one wasn't executed well and cut back and forth so many times whatever the story line is meant to be is not evident. What was the main plot line? Was it the whale, the swinging session, the young girl who would seem to be the focus of much of the movie but of whom we learn almost nothing, or the childhood movie that is apparently being made throughout the film? None of these otherwise acceptable plot lines went anywhere.
The parents are all hideous people except maybe Jeremy Sims' character but again there's no real purpose or explanation to any of their motivations. Kylie is wasted in her role of a blubbering mess that completely unexplored. The teenage girl is written off as he street 'bike' and the other children engage in bratty behaviour with a side of animal cruelty.
I was genuinely excited to see Julian McMahon in an Australian movie and really thought this would be an absolute treat but it just failed miserably. I gave it 4 stars but even that's probably too generous.
Born in 68 I just loved all the references and the effort that went into finding props and costumes. Seventies soundtrack the interspliced home movie parts. It was a riotous movie I didn't expect to get hooked into. Perhaps if you weren't there you won't get it. If you where there you'll want to watch it again to see what you missed first time round.
Having just seen Deadpool 2, which is such a letdown after the first one, I cannot understand how this is getting such bad reviews ... Its bright, colourful and laugh out loud funny ... If you grew up in a seaside community in the 70s its a must ... If you like 70s Australian cinema its a must ... If you like camp, daft as a brush comedies its a must ... Its not trying to be a masterpiece ... Its just a funny, but sharp, pastiche of cliched 70s Australia ... And gord did those cliches really exist ... Give it a go ... It made me laugh out loud ... A lot :)))
Enjoy this for what it is. So many memories came flooding back. I was a young policeman in the late 70,s and the kids at the blue light disco were how i remembered them, the ways the tried to sneak alcohol in was a laugh every disco. The characters were people i dealt with every shift when on patrol. Its not a classic by any stretch of the imagination, but just forget everything and drift back into a time when everything didn't appear to be that bad.
Wusstest du schon
- WissenswertesThe whale removal scene bares striking similarity to a 1970 real life event that saw a local government in the USA (Oregon state Highway Department) attempt to remove a whale carcass by blowing it up with dynamite, which sent rancid chunks of whale raining down on spectators (also caught on camera).
- PatzerBecause of a massive loss of authentic clothes from the period, many background actors can be seen in clothing from modern-day brands, and in styles not available in 1975. A keen example is characters wearing underwear with brand-labeled waistlines, which was yet to be available in the 1970s.
- VerbindungenFeatured in Behind the Scenes: Swinging Safari (2018)
- SoundtracksYou're Moving Out Today
Written by Carole Bayer Sager, Bette Midler and Bruce Roberts
Performed by Carole Bayer Sager
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Details
Box Office
- Weltweiter Bruttoertrag
- 1.236.408 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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