Abundant Acreage Available

"Abundant Acreage Available" is the kind of movie that is content to take its own sweet time telling its story. There is no particular interest in rushing fast forward from scene to scene at light speed. Or investing any real sense of urgency at all, actually. This is filmmaking done at an expressly intentional pace of leisure and deliberation. Particularly in this "gotta have it five minutes ago" mentality we race through with such fevered freneticism in today's world.

And it is f-----' wonderful.

This would quite likely be a whole different review if this domestic drama were left to the devices of lesser actors. In fact, "Abundant Acreage Available" would almost assuredly have been an excruciating exercise in relentless tedium if that were the unfortunate case. Gratefully, and emphatically, it certainly is not.

Amy Ryan, Max Gail, Steve Coulter, Terry Kinney and Francis Guinan are uniformly exquisite in bringing their respective remarkable characters to life. In so doing they give us genuine multi-dimensional human beings who resonate with understated yet resoundingly affecting fragility of both body and soul.

Writer, Director and Co-Producer Angus MacLachlan has crafted a beautiful chronicle of family, love and loss (with a big boost from Directorial legend Martin Scorsese, who Exec Produces here). MacLachlan's choice to use a generations-old North Carolina tobacco farm as the sole setting for "Abundant Acreage Available" brilliantly serves to softly amplify the pervading themes of isolation, loneliness and quiet desperation which so movingly saturate every single scene.

And, hey. Listen up all you mysterious voters of the confoundingly clandestine Academy of Motion Picture Arts and Sciences. Amy Ryan gets nominated for "Best Actress". Okay? And Max Gail is up for a "Best Supporting Actor" Oscar. Got it? Alas, one can only hope. Each of these vaunted veterans have richly earned such lofty reward. Regrettably, it is unlikely that either Ryan or Gail will be officially recognized for their stunningly authentic performances. And while that is truly sad and indefensible, it certainly does not diminish the peerless quality of their work.

And finally, if you will be so kind as to indulge, I simply can NOT sign off until I get this out of my system.

Amy Ryan has the smile of a goddess.

Lamentably it was not on display near enough in this production, as her personification of Tracy is inherently solemn and stoic in nature. Still, when those precious few frames were delightfully illuminated by Ms. Ryan's devastatingly delicious grin, it was the stuff of pure magic, that from which springs enchantment in......well......what else? Abundance.

This story concept had potential, i.e. one possibility was older scamsters/crooks taking advantage of a brother & sister left w/a farm they were raised on and having monetary value unknown to them. Also, that a hard working life on a farm has rewards beyond money. Instead we are left w/a lot of arguing; looking at cremated ashes; the ubiquitous smoking scenes in film (didn't make sense here since they would only smoke a couple of times which smokers don't do). No signs of cigs anywhere else. The real negatives are: 1. The male brother dominates (makes final decisions) over his supposedly equal partner sister in the farm. More female submissiveness, and negatively she's displayed losing her cool quite a few times. 2. Brother says, "God determines your life whatever it is to be. Everyday I work to forgive myself, we're only human. I know my Lord forgives me, that's all we can do." This guilt & fatalistic view from religions that life, it's problems & solutions are not in our hands is a quitters belief - there is always something one can do to make the planet & it's inhabitants better off. The easiest is to not be consumer fixated and use the money to improve any & everything.

I liked they way whole screen play unfolds, every new frame reveals a new mystery about a character and as and when the movie progresses the character evolves in your mind and every new frame requires you to undo and rebuild the character to match the new information. At the end you still feel that you still do not know the character fully especially when the younger brother says why he want to be left alone. Then you realize that with the new circumstances and life he himself will start a new life and will evolve to to be a new character to meet the necessities of the environment he is in. Very well taken and nice acting.

The best actor cannot revive a dying plot, sterile and hopeless.

The acting was fantastic. The setting was beautiful. The potential for this story was immense. I liked exploring the different venues and patterns of grief based on religion. I don't know who is responsible for the rating of PG this was given on Peacock but the language and vulgarity, though not continuous, was extreme when it did occur. PG13 or maybe even R would be much more appropriate. As is so often the case, the special needs man was portrayed as crass, which gets old for special needs families like ours. Overall, I would say I am glad I watched this movie and appreciated the depth and variety of the raw and differing emotions of grief, but am also glad I did not watch it with my 12 year old daughter.