IMDb-BEWERTUNG
5,6/10
29.140
IHRE BEWERTUNG
Ein junges Mädchen und ihr kleiner Bruder müssen 24 Stunden überleben, in denen eine Massenhysterie unbekannter Herkunft dazu führt, dass Eltern ihre eigenen Kinder angreifen.Ein junges Mädchen und ihr kleiner Bruder müssen 24 Stunden überleben, in denen eine Massenhysterie unbekannter Herkunft dazu führt, dass Eltern ihre eigenen Kinder angreifen.Ein junges Mädchen und ihr kleiner Bruder müssen 24 Stunden überleben, in denen eine Massenhysterie unbekannter Herkunft dazu führt, dass Eltern ihre eigenen Kinder angreifen.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Robert T. Cunningham
- Damon
- (as Robert Cunningham)
Mehmet Oz
- Dr. Mehmet Oz
- (as Dr. Mehmet Oz)
Adin Steckler
- Jin-Lisa
- (as Adin Alexa Steckler)
Empfohlene Bewertungen
The film is a fun concept turning the baseless mumblings of frustrated parents who want to "kill their kids" into a dark horror comedy thriller that brings that often off-the-cuff thought into a warped reality.
That concept, which no doubt all parents can associate with feeling, albeit without any true meaning or intent, blends itself with the ideas of zombie films. and films such as The Crazies, then adds a little bit of the high paced insanity that you will know about if you've seen Brian Taylor's previous work.
The main characters are well written and setup so that you start to have a dislike for some of the teenagers, and grow an affinity with the adults and the frustrations of their adult lives. It's acted well for the most part, and Nic Cage brings his usual own flavour of insanity to the proceedings.
It certainly won't be to everyone's tastes, as other reviews here show, and some people won't be able to get past the unrealistic nature, and the way it's portrayed, but ultimately, it's a fun film, with an interesting concept.
Unfortunately, despite the story, pace and events building up nicely, and keeping you involved, the film is flawed in its lack of explanation or reasoning for this sudden event of mass parent-vs-child violence, along with a rather disappointing lack of conclusion leaving an overall feeling of disappointment at what had the potential to be a good original film; something that is difficult to come by in this age of reboots, remakes and sequels.
That concept, which no doubt all parents can associate with feeling, albeit without any true meaning or intent, blends itself with the ideas of zombie films. and films such as The Crazies, then adds a little bit of the high paced insanity that you will know about if you've seen Brian Taylor's previous work.
The main characters are well written and setup so that you start to have a dislike for some of the teenagers, and grow an affinity with the adults and the frustrations of their adult lives. It's acted well for the most part, and Nic Cage brings his usual own flavour of insanity to the proceedings.
It certainly won't be to everyone's tastes, as other reviews here show, and some people won't be able to get past the unrealistic nature, and the way it's portrayed, but ultimately, it's a fun film, with an interesting concept.
Unfortunately, despite the story, pace and events building up nicely, and keeping you involved, the film is flawed in its lack of explanation or reasoning for this sudden event of mass parent-vs-child violence, along with a rather disappointing lack of conclusion leaving an overall feeling of disappointment at what had the potential to be a good original film; something that is difficult to come by in this age of reboots, remakes and sequels.
My favourite 2017 midnight madness film.
Colourful characters, crazy plot, stylized violence.
Typical late night slasher flare. Nicholas cage is back to the wild crazed character type he played so well in "Raising Arizona".
I think actors like taking a break from heavy acting to do an occasionally zany role like this in the presence of a raucous midnight screening audience.
Thanks for coming Nick and Selma.
It was a lot of fun.
Colourful characters, crazy plot, stylized violence.
Typical late night slasher flare. Nicholas cage is back to the wild crazed character type he played so well in "Raising Arizona".
I think actors like taking a break from heavy acting to do an occasionally zany role like this in the presence of a raucous midnight screening audience.
Thanks for coming Nick and Selma.
It was a lot of fun.
I guess it's okay to label this as a black comedy, but there are very few laugh out loud comedy moments, the comedy comes more through the premise of the film. It also feels as if this movie is a major venting of frustration for modern parents who are stuck with the spoilt brats they gave birth to. Selma Blair gives a solid performance as a gorgeous mother who is starting to pass her prime and worried that her best days are behind her, she is not shallow enough to stoop to sleeping with the yoga teacher to make herself feel better about it. Nicolas Cage plays the aging father who tried his best for a while but has basically given up and withdrawn, looking for simple ways to reclaim some of his youth such as building a perfect snooker table. As something causes parents to lose their inhibitions and become like many wild animals who will occasionally kill their offspring, things get crazy in the schoolyard, the streets and in homes. The kids of our two leads do their best to survive the ordeal and this battle is the climax of the film.
It's definitely a new and interesting idea, and while it doesn't fully tap Nic Cage's potential it definitely allows him a few great moments to go full 'Nic Cage'. Avoid it if you have a real problem with over the top violence against children, but if you have no issue with that then watch it on a day when your kids are being particularly bratty haha.
Nicolas Cage, the legend that he is, smashes a pool table (that he just built) with a sledgehammer whilst excitedly singing the "Hokey Pokey", before shouting how his life has been a total ruin since he had kids. Just let that wondrous imagery sink into your mind for a little bit. Initially I thought this would be horrendously bad. Surprisingly, I rather enjoyed this...possibly too much. Mass hysteria arises within a suburban community, forcing parents to murder their own children. If you find it distasteful, don't watch it. Nobody is forcing you. It's a satirical horror comedy that is not to be taken seriously. For those of you that actually have a sense of humour, may I present to you one of the best modern horror comedies I've seen in quite some time. Parenting is a challenge, and I'm sure occasionally it builds up some anger through all the frustrations of adult life. This film illustrates the unleashing of that inner aggression, with an adequate balance of tension and humour. The final line of dialogue surmises the premise perfectly. "Kids, we love you...but sometimes we just want to...!". Smartly written and intelligently executed, with enough energy that it's as if it consumed a litre of isotonic fluid. Cage was absolutely perfect for this role. Guys, this could be the comeback we've been waiting for! Why was he so good? Initiate "Cage Rage". He. Went. Bonkers. Suggestively licking a can of drink. "Sawzall saws...all!". Eloquently discussing about anal beads and dildos. And even falling asleep whilst watching porn. Father of the year, indefinitely. Cage produces the humour, Blair provides the menace. Excellent combination! The editing is where it unfortunately takes a turn for the worse. Haphazard, disjointed and quite frankly all over the place. Several scenes of frantic action had too many quick cuts which made the experience slightly headache inducing. Also the abrupt ending may leave some underwhelmed (including myself), although the lack of explanation is much appreciated. Still, an incredibly entertaining flick.
When I first watched the trailer, I thought this would be a pretty brainless movie. Given the premise, I thought I'd enjoy a couple of violent shenanigans and feel content with simply that. Unfortunately, Mom and Dad fail to deliver any ending, which leaves even the most uncomplicated movie a confusing mess.
The strong start really leaves you excited for the rest of the movie, showcasing this strange parent uprising pretty damn well for the first few minutes of the movie. This ultimately falls short when the scope of this apocalypse is condensed into one single family.
Admittedly, that would have been a fine idea - but at the end of the movie, I felt like I wanted more. With such an original concept, you'd imagine that they'd have more scenes that portrayed this apocalypse outside the breadth of the single family. Unfortunately, they failed to deliver anything substantial.
Even when the setting was shifted to the one family, I felt more engaged pointing out the plot holes than I did actually enjoying the film. Even though this movie is supposed to be nothing more than a murderous blur, I didn't really feel invested with the movie as it went along.
In other words, it became predictable as it went along.
The only thing that gave me hope was the ending. I was really excited to see how they would wrap this one up. They even hinted at things throughout the plot, like the television static and the unusual ringing. But this was to no avail.
At the end of the movie, I felt disappointed. I came in wanting some mindless, original savagery. What I got was a somewhat intriguing killing spree affixed to an incredibly underwhelming plot, which left much more to be desired.
The strong start really leaves you excited for the rest of the movie, showcasing this strange parent uprising pretty damn well for the first few minutes of the movie. This ultimately falls short when the scope of this apocalypse is condensed into one single family.
Admittedly, that would have been a fine idea - but at the end of the movie, I felt like I wanted more. With such an original concept, you'd imagine that they'd have more scenes that portrayed this apocalypse outside the breadth of the single family. Unfortunately, they failed to deliver anything substantial.
Even when the setting was shifted to the one family, I felt more engaged pointing out the plot holes than I did actually enjoying the film. Even though this movie is supposed to be nothing more than a murderous blur, I didn't really feel invested with the movie as it went along.
In other words, it became predictable as it went along.
The only thing that gave me hope was the ending. I was really excited to see how they would wrap this one up. They even hinted at things throughout the plot, like the television static and the unusual ringing. But this was to no avail.
At the end of the movie, I felt disappointed. I came in wanting some mindless, original savagery. What I got was a somewhat intriguing killing spree affixed to an incredibly underwhelming plot, which left much more to be desired.
Wusstest du schon
- WissenswertesNicolas Cage said this was his favorite movie that he had filmed in 10 years.
- PatzerThe hinge to the basement is on the parents' side, so they could have taken the door off its hinges to get to their kids.
- Zitate
Brent Ryan: Now the world you kids are living in. The things you've seen on the Internet. Mouth to dildo, dildo to ass, ass to ass! Hi, Brent! Anal beads.
- VerbindungenEdited into Happy!: The War on Easter (2019)
- SoundtracksYesterday when I was Young
(Hier Encore)
Music by Charles Aznavour
French lyrics by Charles Aznavour
English lyrics by Herbert Kretzmer
Performed by Dusty Springfield
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Mamá y Papá
- Drehorte
- Louisville, Kentucky, USA(the high school which is Saint Xavier High School)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 165.962 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.40 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen