IMDb-BEWERTUNG
6,0/10
2307
IHRE BEWERTUNG
Daphne" ist das lebendige Charakterporträt einer jungen Frau, die an der Schwelle zu einer dringend benötigten Veränderung steht.Daphne" ist das lebendige Charakterporträt einer jungen Frau, die an der Schwelle zu einer dringend benötigten Veränderung steht.Daphne" ist das lebendige Charakterporträt einer jungen Frau, die an der Schwelle zu einer dringend benötigten Veränderung steht.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 10 Nominierungen insgesamt
Empfohlene Bewertungen
Just wasted an hour an a half of my life. I have never see a film before where absolutely nothing happens......
A woman in her 30s who's rude, obnoxious, drugs and alcohol consuming, promiscuous, bigoted and also hates her mother.
Who does this remind you of? If you thought Fleabag, you're right. But, in this context, we're talking about Daphne. This low-budget comedy prances around with its tropes that Fleabag is known for. However, unlike Phoebe Waller-Bridge, Emily Beecham does not have that wide-eyed wicked stare that Fleabag is famous for. She's rather tamed. But, her attitude nonetheless yells "I'm a b****."
I usually like to watch films such as Daphne, ones that don't have a concrete plot and simply follows its character(s) wander about. Daphne however was painfully clear that it wasn't an original idea or even a better interpretation of the self-destructive woman.
I did enjoy Daphne's reaction to a crime that happens in a small grocery store. But, this was early in the film and I still had high hopes. It all comes down crashing.
I think the whole "self-destructive woman" concept can be tapped into to create more morally and ethically ambiguous films. It's just that Daphne didn't do it for me despite a decent performance from Emily Beecham
Who does this remind you of? If you thought Fleabag, you're right. But, in this context, we're talking about Daphne. This low-budget comedy prances around with its tropes that Fleabag is known for. However, unlike Phoebe Waller-Bridge, Emily Beecham does not have that wide-eyed wicked stare that Fleabag is famous for. She's rather tamed. But, her attitude nonetheless yells "I'm a b****."
I usually like to watch films such as Daphne, ones that don't have a concrete plot and simply follows its character(s) wander about. Daphne however was painfully clear that it wasn't an original idea or even a better interpretation of the self-destructive woman.
I did enjoy Daphne's reaction to a crime that happens in a small grocery store. But, this was early in the film and I still had high hopes. It all comes down crashing.
I think the whole "self-destructive woman" concept can be tapped into to create more morally and ethically ambiguous films. It's just that Daphne didn't do it for me despite a decent performance from Emily Beecham
I have a friend who I always thought as a liberal version of myself who live as what other people think about him doesn't matter which is the only major difference I see between him and myself. While watching Daphne I was thinking here is a female version of him. So extending that in a way Daphne was a very relatable experience to me. Emily Beecham is incredible as the confused and miserable Daphne who quotes Zizak and Freud but doesn't know if that really means anything to her. Exposing her as almost a bitch character and slowly showing her life where she doesn't find any meaning and to an extent just want to run away from everything and doesn't want to find anything. The only problem I have with the film is that it ended too soon, they should have explored a bit more of her life and thoughts or maybe it was perfect and I just want life to be bigger than it is while it isn't and never really taking an initiative to make it just like Daphne.
Somehow between the writer's idea through to the film script...the mis-casting and the not quite there direction, this story loses its point. At heart, this ought to be a tale about a well brought up girl who's gone off the rails and catapulted herself into a mental health hell hole. What we actually get to see is a stilted unrepresentative facsimile of a sixth form drama class attempt at film making. It is neither compelling nor so offensive that you walk out. It's all a bit blah and dull. The principle character has zero self awareness but we have no one elses point of view as a counter point. Only one actor gets his part right...walk on security guy David. He's a love. More of his story would have been nice but we are denied that. In summary there is nothing here to see.
I get it, not all characters have to go through great changes in a movie, but following such an unlikeable person for 90 minutes with no payoff at any time was a disappointment. Why did they cut all the interesting supporting characters loose? Are we supposed to feel as lost as Daphne feels? There where many opportunities to make this a way better film but I felt that it didn't go anywhere. Movie looked great at times though and the acting was good.
Wusstest du schon
- WissenswertesThe woman's full name is Daphne Vitale (her father was Sicilian).
- PatzerDaphne works in a commercial kitchen but does not seem governed by any hygiene regulations about her long hair.
- SoundtracksIs This The Time
Performed by Jahmene Douglas
Written by Jahmene Douglas, Max Marshall, Edvard Erfjord, Henrik Michelsen
Administered by Downtown Music UK Ltd obo Moonshot Music Ltd
Published by San Remo Live Limited and San Remo Music Limited
Administered by Kobalt Music Publishing Ltd
Recorded used with permission of Moonshot Music Ltd
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Details
Box Office
- Weltweiter Bruttoertrag
- 212.837 $
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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