IMDb-BEWERTUNG
5,9/10
17.952
IHRE BEWERTUNG
Inspiriert von den wahren Begebenheiten der Entführung eines Air France-Fluges 1976 auf dem Weg von Tel Aviv nach Paris und der riskantesten Befreiungsaktion, die jemals unternommen wurde.Inspiriert von den wahren Begebenheiten der Entführung eines Air France-Fluges 1976 auf dem Weg von Tel Aviv nach Paris und der riskantesten Befreiungsaktion, die jemals unternommen wurde.Inspiriert von den wahren Begebenheiten der Entführung eines Air France-Fluges 1976 auf dem Weg von Tel Aviv nach Paris und der riskantesten Befreiungsaktion, die jemals unternommen wurde.
- Regie
- Drehbuch
- Hauptbesetzung
Michal Shtamler
- Hanna Cohen
- (as Michal Shtamler Yanai)
Empfohlene Bewertungen
Written by Gregory Burke, and directed by José Padilha, Entebbe has met with near universally bad reviews (22% approval on Rotten Tomatoes at the time of writing), and while it is without doubt flawed, it's not nearly as bad as has been made out. Telling the story of the 1976 AirFrance hijacking by Palestinian and German revolutionaries, and subsequent Israeli Defence Force rescue mission (Operation Thunderbolt), the film is presented from multiple points of view; Revolutionäre Zellen members Brigitte Kuhlmann (Rosamund Pike) and Wilfried Böse (Daniel Brühl), Israeli Minister for Defence Shimon Peres (Eddie Marsan), Israeli Prime Minister Yitzhak Rabin (Lior Ashkenazi), IDF Pvt. Zeev Hirsch (Ben Schnetzer), AirFrance 1st Engineer Jacques Le Moine (Denis Ménochet), IDF Lt. Col. Yoni Netanyahu (Angel Bonanni), and Ugandan President Idi Amin (Nonso Anozie).
The problem is obvious; the film covers every point of view except the most important one; the Palestinian. Indeed, the only Palestinian given any kind of development is a fictional character played by Omar Berdouni, who talks of Israeli tanks driving over a car in which his family were trapped. And there are other strange omissions; the death of Dora Bloch (Trudy Weiss), murdered on Amin's orders after she was released in Kampala, is never mentioned, and Wadie Haddad is nowhere to be found. Additionally, the film doesn't have much of contemporaneous relevance to say in relation to the Arab-Israeli Conflict, other than alluding melancholically to the self-propagating nature of the violence, and the unlikelihood of peace (the closing legend points out that after he pushed for negotiations in 1995, Rabin was assassinated by a Jewish extremist). However, it's aesthetically very well put together, and the juxtaposition of Thunderbolt with a Jewish dance number works much better than it has any right to. True, it doesn't get to the heart of the matter by any stretch of the imagination, and it could be accused of taking a pro-Israeli stance, but it's enjoyable enough, and worth a look.
The problem is obvious; the film covers every point of view except the most important one; the Palestinian. Indeed, the only Palestinian given any kind of development is a fictional character played by Omar Berdouni, who talks of Israeli tanks driving over a car in which his family were trapped. And there are other strange omissions; the death of Dora Bloch (Trudy Weiss), murdered on Amin's orders after she was released in Kampala, is never mentioned, and Wadie Haddad is nowhere to be found. Additionally, the film doesn't have much of contemporaneous relevance to say in relation to the Arab-Israeli Conflict, other than alluding melancholically to the self-propagating nature of the violence, and the unlikelihood of peace (the closing legend points out that after he pushed for negotiations in 1995, Rabin was assassinated by a Jewish extremist). However, it's aesthetically very well put together, and the juxtaposition of Thunderbolt with a Jewish dance number works much better than it has any right to. True, it doesn't get to the heart of the matter by any stretch of the imagination, and it could be accused of taking a pro-Israeli stance, but it's enjoyable enough, and worth a look.
Before I watched this I read a lot of reviews both the 1/10s and the 10/10s to see what I would make of it when I had finished watching.
In my opinion it is definitely not a 1/10 movie, but it is also not a 10/10 movie, there are a lot of things that could have been improved, but it did a reasonable job of retelling a rather well know chapter in our history. I have seen the original a few times and this stands up well against it for me.
Nothing came across biased against the Israelis, in fact they were shown in a far better light than they perhaps deserve. If anything I thought the movie biased against the terrorists, even though they were shown from a much more personal view then the original movie.
For me it really showed how much innocent people are used as pawns at the behest of political leaders of all persuasions.
Rosamund Pike and Daniel Brühl did a very good job in thier roles, as I expected them to do, they are top notch actors. Eddie Marsan was also excellent as Shimon Peres. The supporting cast were mostly excellent as well.
In my opinion it is definitely not a 1/10 movie, but it is also not a 10/10 movie, there are a lot of things that could have been improved, but it did a reasonable job of retelling a rather well know chapter in our history. I have seen the original a few times and this stands up well against it for me.
Nothing came across biased against the Israelis, in fact they were shown in a far better light than they perhaps deserve. If anything I thought the movie biased against the terrorists, even though they were shown from a much more personal view then the original movie.
For me it really showed how much innocent people are used as pawns at the behest of political leaders of all persuasions.
Rosamund Pike and Daniel Brühl did a very good job in thier roles, as I expected them to do, they are top notch actors. Eddie Marsan was also excellent as Shimon Peres. The supporting cast were mostly excellent as well.
I think I saw the trailer for this once in recent months so it definitely wasn't on my radar at all. Had some time to kill today, so guess what? Was hoping for a solid thriller based on a real life event. Sadly, the film fails to tell a rather interesting story with the spark it probably deserves. I can see why this film sort of just snuck into theaters without a lot of promotion. Its just not very good, and is a forgettable film about an event that could have been adapted better.
The film follows the real life events of two German terrorists (Wilfried Böse and Brigitte Kuhlmann) who along with a group of Palestinian terrorists, hijack an airplane in 1976 in Entebbe, Uganda. Their hopes are to receive a ransom of 5 million for the passengers on board and the freedom of Palestinian soldiers captured in Israel. The film follows negotiation efforts and the ultimate retrieval of the hostages by the Israeli operative forces.
I'm not very familiar with a lot of Jose Padilha's work but his Robocop remake was a definite misfire. Even here we have an interesting event and two very talented co-leads but a story that is just so dull and boring. While the film is shot well, the merits of the writing fall very short. Its hard to care for what goes on when the film doesn't really attempt to entice you with any thrill, action, or moments to make it memorable.
The relevance of the film and incident is that it mirrors the hostility between Israel and Palestine today, a conflict that has stretched for decades. Other than that, Entebbe has good intentions but fails. It doesn't exactly have a voice or make a statement but just recreates the event in a half hearted way. The best part was that weird dance sequence performance that kept going on during the film.
5.5/10
The film follows the real life events of two German terrorists (Wilfried Böse and Brigitte Kuhlmann) who along with a group of Palestinian terrorists, hijack an airplane in 1976 in Entebbe, Uganda. Their hopes are to receive a ransom of 5 million for the passengers on board and the freedom of Palestinian soldiers captured in Israel. The film follows negotiation efforts and the ultimate retrieval of the hostages by the Israeli operative forces.
I'm not very familiar with a lot of Jose Padilha's work but his Robocop remake was a definite misfire. Even here we have an interesting event and two very talented co-leads but a story that is just so dull and boring. While the film is shot well, the merits of the writing fall very short. Its hard to care for what goes on when the film doesn't really attempt to entice you with any thrill, action, or moments to make it memorable.
The relevance of the film and incident is that it mirrors the hostility between Israel and Palestine today, a conflict that has stretched for decades. Other than that, Entebbe has good intentions but fails. It doesn't exactly have a voice or make a statement but just recreates the event in a half hearted way. The best part was that weird dance sequence performance that kept going on during the film.
5.5/10
'Entebbe' is a film that should have worked and should have been good. It had a very talented cast, it is hard not to go wrong with Daniel Bruhl, Rosamund Pike and Eddie Marsan judging from a lot of their previous work. It also is based on and tells of a remarkable and hard-hitting true story.
While not a terrible film, despite sharing all of many people's complaints of 'Entebbe' it is not as quite as bad to me as some have made out because there are a few plus points, 'Entebbe' should have been much better and that it screwed up in such an underwhelming manner is frustrating. It really does not do this incredible story justice and the cast are all better than this and deserved better. Didn't come out feeling insulted or offended watching 'Entebbe', at the same time the film left me disappointed and frustrated.
There are plus points here. Daniel Bruhl and Rosamund Pike actually fare very well in the lead roles. While Bruhl's as expected thoughtful, gravitas-filled and charismatic performance keeps one glued Pike impressed me more in the more challenging role (including having a German accent, not an easy one to master and one stereotyped very variably a lot, and having apparently to learn German, thought though she was fluent in the language already) and the one that the film tries most to develop.
'Entebbe' starts off intriguingly and there are parts where the production values have slickness and atmosphere. There is one scene that did have emotional impact and did leave me haunted, that was Pike's phone scene.
However, the rest of the cast don't fare so well and it is largely down to the way the characters are written. Eddie Marsan is just bizarre and how Peres is written and characterised felt wrong and out of kilter. Nonso Anozie is nowhere near sinister enough as Amin, the man was a monster and Anozie completely fails to bring that on screen. Ben Schnetzer's role doesn't make sense and felt under-developed. The chemistry between the actors is very disconnected, on the most part this is including between Bruhl and Pike through no fault of their own.
It's not the cast that are to blame here. The one-sided and biased way the roles are written, including trying to humanise the lead characters, making Peres' and Amin's roles one-dimensional and painting the Palestinians in an objectionable light, is more of a problem. Even when trying to tell the events from multiple, even all, view-points which fails to tell one very much and quickly became over-stuffed.
As is the less than taut and rather preachy script, that runs out of steam far too quickly and it constantly feels we are running in circles with nothing new being told and being told the obvious and the same thing more than once. The direction is both pedestrian and gimmicky, often muddled and like not-knowing-what-to-do-with-the-material standard, and too often the production values are drab and dizzying, the slow motion in the final raid was not necessary, trivialised the already too downplayed violence and made me feel uncomfortable. The scene should have been tense but was anything but, feeling too much like an afterthought.
Much has also been made of the use and cross-cutting of modern dancing. This was overused, out of place, gimmicky and not even that well choreographed. It really diluted what little tension there already was and it made it very hard to take the film seriously. Found it very annoying and even disrespectful that 'Entebbe' had this suspense-filled and riveting story and make it dull and devoid of tension and suspense, with what should have been the most prominent and compelling events (the planning of the raid and the raid itself especially) being given short shrift and treated in a far too safe manner. What was more prominent and significantly less interesting was handled turgidly and in a biased fashion. It felt like there was little at stake when there was actually a huge amount.
Overall, a disappointing film that has pluses but also a lot of minuses. The cast and the story deserved better. 4/10 Bethany Cox
While not a terrible film, despite sharing all of many people's complaints of 'Entebbe' it is not as quite as bad to me as some have made out because there are a few plus points, 'Entebbe' should have been much better and that it screwed up in such an underwhelming manner is frustrating. It really does not do this incredible story justice and the cast are all better than this and deserved better. Didn't come out feeling insulted or offended watching 'Entebbe', at the same time the film left me disappointed and frustrated.
There are plus points here. Daniel Bruhl and Rosamund Pike actually fare very well in the lead roles. While Bruhl's as expected thoughtful, gravitas-filled and charismatic performance keeps one glued Pike impressed me more in the more challenging role (including having a German accent, not an easy one to master and one stereotyped very variably a lot, and having apparently to learn German, thought though she was fluent in the language already) and the one that the film tries most to develop.
'Entebbe' starts off intriguingly and there are parts where the production values have slickness and atmosphere. There is one scene that did have emotional impact and did leave me haunted, that was Pike's phone scene.
However, the rest of the cast don't fare so well and it is largely down to the way the characters are written. Eddie Marsan is just bizarre and how Peres is written and characterised felt wrong and out of kilter. Nonso Anozie is nowhere near sinister enough as Amin, the man was a monster and Anozie completely fails to bring that on screen. Ben Schnetzer's role doesn't make sense and felt under-developed. The chemistry between the actors is very disconnected, on the most part this is including between Bruhl and Pike through no fault of their own.
It's not the cast that are to blame here. The one-sided and biased way the roles are written, including trying to humanise the lead characters, making Peres' and Amin's roles one-dimensional and painting the Palestinians in an objectionable light, is more of a problem. Even when trying to tell the events from multiple, even all, view-points which fails to tell one very much and quickly became over-stuffed.
As is the less than taut and rather preachy script, that runs out of steam far too quickly and it constantly feels we are running in circles with nothing new being told and being told the obvious and the same thing more than once. The direction is both pedestrian and gimmicky, often muddled and like not-knowing-what-to-do-with-the-material standard, and too often the production values are drab and dizzying, the slow motion in the final raid was not necessary, trivialised the already too downplayed violence and made me feel uncomfortable. The scene should have been tense but was anything but, feeling too much like an afterthought.
Much has also been made of the use and cross-cutting of modern dancing. This was overused, out of place, gimmicky and not even that well choreographed. It really diluted what little tension there already was and it made it very hard to take the film seriously. Found it very annoying and even disrespectful that 'Entebbe' had this suspense-filled and riveting story and make it dull and devoid of tension and suspense, with what should have been the most prominent and compelling events (the planning of the raid and the raid itself especially) being given short shrift and treated in a far too safe manner. What was more prominent and significantly less interesting was handled turgidly and in a biased fashion. It felt like there was little at stake when there was actually a huge amount.
Overall, a disappointing film that has pluses but also a lot of minuses. The cast and the story deserved better. 4/10 Bethany Cox
Really intrigued by this rescue and also read books related to this hijacking. But the dance really created nonsense metaphor drama. Sorry but very pretentious. Anytime the dance comes on I just check my phone or use restroom except the last scene.
Wusstest du schon
- WissenswertesIt's not mentioned nor shown in the movie, but the Israelis destroyed several Ugandan MiGs on the ground of Entebbe airport, to keep the aircraft from being used against them, and as part of an agreement with the Kenyan government in exchange for allowing the raid aircraft to refuel in Kenya.
- PatzerIn the film, the Israeli C-130 planes land at Entebbe with full runway lights. In real life, the first plane landed in total darkness, and the commandos used flashlights to guide the other planes.
- Zitate
Shimon Peres: There can be no negotiations with terrorists.
Yitzhak Rabin: You want to invade Uganda, Shimon?
Shimon Peres: We'll give it back to them when we leave.
- VerbindungenFeatured in WatchMojo: Top 10 Failed Oscar Bait Movies of 2018 (2019)
- SoundtracksChair Dance (Echad Mi Yodeah)
Traditional
Arranged by Avi Belleli, Ilan Green, Ophir Leibovitch, Ohad Naharin
Performed by Nikmat Ha-Traktor (as The Tractor's Revenge) and Ohad Naharin
Courtesy of The Tractor's Revenge
Top-Auswahl
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- Herkunftsländer
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- Auch bekannt als
- 7 Days in Entebbe
- Drehorte
- Malta(location)
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Box Office
- Bruttoertrag in den USA und Kanada
- 3.326.885 $
- Eröffnungswochenende in den USA und in Kanada
- 1.592.645 $
- 18. März 2018
- Weltweiter Bruttoertrag
- 8.771.432 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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