Instant Dreams

This documentary delves into the enduring appeal of Polaroid photography in the digital age. While some may dismiss it as a nostalgic relic, the film argues that the Polaroid camera and its instant prints still hold a special place in the hearts of many.

Indeed, the documentary recognizes that in today's world of lightning-fast digital photography, the Polaroid's appeal lies not in its technical capabilities, but in its ability to capture and preserve a moment in time. As one interviewee notes, "The digital world is all about speed and efficiency, but there's something beautiful about slowing down and being in the moment."

By exploring the emotional attachment that many individuals feel towards Polaroid photography, the film offers a thought-provoking reflection on the power of sentimentality. Through interviews with artists, photographers, and Polaroid enthusiasts, the documentary reveals how this seemingly outdated technology continues to inspire and move people.

While some may find it difficult to connect with the sentimental value of Polaroid photography, the documentary offers a compelling case for its enduring relevance. As one interviewee eloquently states, "Polaroid is not just a camera, it's a way of seeing the world."

Wasn't sure what to expect from this one. It's light on information but loaded with thought-provoking dialog and imagery. That isn't necessarily a bad thing. If Terence Malick would have made a film about Polaroid, I'm sure it would look a bit like this one. The pacing takes getting used to, the story and characters are fascinating as they slowly pull you in to their analog world. A real stand out was a Japanese girl that pops up now and again reminding us of our idiosyncratic digital world. A bit heavy on the esoteric side but certainly a remarkable and mesmerizing experience.

This is how you made a documentary. At times I felt like I was watching a Kubrick's movie. This movie was not just beautiful, but also very meaningful. It wasn't just about photography, but for humanity in general. And it was not just a documentary, but a very distinguished piece of art. I felt so happy and I smiled a lot during its screening at Sofia Film Fest. I was impressed by the way life, time and people were presented in this movie.

I managed to catch a screening at the documentary festival in Amsterdam. I was intrigued by the trailer, which I found heavy-handed but wildly intriguing. I was interested in learning more about Polaroid. I did, but got more then expected. Tbh I was blown away by it. What was brought to the screen was beyond anything I was expecting. Space Odyssey in a Herzog - Malick kind of way, if that makes any sense. A visually striking retro ride for sure. There is no plot outline written yet. It's hard to describe, without spoiling anything I would say the movie leans towards being a visual poem. The characters have surreal connections to Polaroid film. The story is layered with fascinating quotes, a reoccurring theme of Christmas, a search for a chemical formula, an artist in a pink bathrobe and her funny chickens. I found it hard to wrap my head around all the details. There's one part of the movie involving the inventor of Polaroid, which totally blew my mind. I enjoyed it immensely and made me want to dig up that old Polaroid camera.

After reading a lot about this documentary, I finally got to see it. Here's my take on it.

How you are going to feel about this film is going to depend on your own expectations. I got a lot out of it. I like artful movies that make you think and movies with meaningful cinematography in general.

The film is basically a poetic reflection on analog images, the human condition and how it relates to the modern world. Told via an array of characters related to preserving the Polaroid image, the story has multiple angles represented by those characters. There's the scientific point of view, the art centric view and the way we view it through history. What I found interesting is that each character comes with it's own idiosyncrasies. The scientist relies on God and poetry to help him make sense of his creation, the artist deals with her own imperfections by finding meaning in the imperfect esthetic of the Polaroid image and the history obsessed writer finds unexpected connections in the present. It's all linked through the reoccurring theme of Wabi-Sabi - a Japanese saying that states that things are only truly beautiful when imperfect. To further this point there is an actual girl from Japan in the film.

I would say what the film ultimately tries to convey is the thoughts behind the invention of the Polaroid image by examining the intentions and vision of its inventor Dr. Land and side-stepping the pop culture phenomenon what we think a Polaroid-image is. He wanted to connect humankind. The film shows us how his vision still endures and how the Polaroid image itself wasn't the point. It was a means to a greater goal. This is perfectly embodied by the Japanese girl who finds new meaning in the digital snapshots she takes, while printing (remixing) them analog. 'There are no limits on our imagination and what we can dream up in the future. It makes us human." the scientist says.

The film is about Polaroid in its most truthful essence, contextualizes it for the present day and into the future. The film is told both through narrative story and via its cinematography. There are no interviews and the narration is minimal. Makes sense to me as the documentary is about images. So is it a good movie? Yes, greatly so! While certainly it may not be for everybody, as it does require some patience and willingness from its audience. I found it very stimulating. The thought-process and planning behind it has to have been insane. That said the story itself is pretty straightforward, easy to follow and there is humor here and there to lighten the mood. Just don't expect it to be a reportage affair about all things 'fun' and 'retro cool' as Polaroid is sometimes viewed. Is it a perfect documentary? Maybe not, but then again only things that are imperfect are truly beautiful.