IMDb-BEWERTUNG
5,5/10
1150
IHRE BEWERTUNG
Nach dem Tod ihres Vaters beschäftigen sich zwei Söhne mit den Prüfungen ihres eigenen Lebens, während sie zusehen, wie ihre Mutter den eigenen Neuanfang erkundet.Nach dem Tod ihres Vaters beschäftigen sich zwei Söhne mit den Prüfungen ihres eigenen Lebens, während sie zusehen, wie ihre Mutter den eigenen Neuanfang erkundet.Nach dem Tod ihres Vaters beschäftigen sich zwei Söhne mit den Prüfungen ihres eigenen Lebens, während sie zusehen, wie ihre Mutter den eigenen Neuanfang erkundet.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Paul L. Brown
- Suzanne's Colleague #1
- (as Paul Brown)
Empfohlene Bewertungen
As many reviewers have noted , this movie jumps from one time sequence to another and leaves it up to the viewer to basically figure it out. I'm not a big fan of this style of first time director Russell Harbaugh, and with the film's many flawed and unlikable characters, I'm surprised I'm not giving this a 1 or a 2 rating as well.
However, I did find some strong acting here led by the seemingly ageless Andie MacDowell, and some dramatic tension among this dysfunctional family which I found interesting enough to stay with the movie, although part of me wanted to indeed bail.
Overall, a mixed bag for me here, but I can see how many will be turned off by some of the unlikable characters and their crappy actions.
However, I did find some strong acting here led by the seemingly ageless Andie MacDowell, and some dramatic tension among this dysfunctional family which I found interesting enough to stay with the movie, although part of me wanted to indeed bail.
Overall, a mixed bag for me here, but I can see how many will be turned off by some of the unlikable characters and their crappy actions.
Two minor quibbles: Why do people in these kinds of character study films always have glamorous jobs? And the sheer number of sex scenes detracts from the film. Most people Andie MacDowell's age don't look anything like Andie MacDowell. Otherwise, well done.
I saw that Metacritic gave it a much higher score and I really like Chris O'Dowd, but I found this film pretentious and embarrassingly disconnected from reality. Drippingly self-indulgent. My wife and I gave it up after 20 minutes. I would not want to know these characters.
The movie purports to be about grief. What we see is all the dysfunction expressed as projected rage, alcoholism, and all the function as "getting on with it." What we don't see is how the "grief" has transformed these people. We never get to see them transform. For all we know we may not be seeing just grief but personalities that have always been that way. It ain't pretty for the son's who dissolve into childishness, and it's hopeful for the widow who hews to maturity.
It certainly does not paint a nice picture of liberal elitists.
This is not a bad movie. It is an atrocious movie! A complete and utter waste of time, celluloid and popcorn. If only there was a way to regain the time spent watching this worthless drivel. Any fool who believes there is any merit to this movie is severely deluded and quite possibly entirely demented.
Wusstest du schon
- Wissenswertes"I'm not one to take my clothes off in a movie," MacDowell recently told The Hollywood Reporter, revealing that she shot her first nude scene for 2017's Love After Love at age 59. "Not that I'm a prude or anything, but I think I grew up in a time where most actresses would get body doubles." "After all of that worrying about taking my clothes off, it didn't even affect me in the least, seeing myself naked. What affected me more was to see how sad I looked. The only reason I could do that is because I know that sadness. That to me made me feel more vulnerable than being naked. It had no effect on me, being naked, which is fascinating." She admitted to I News in another interview that "I wish I had walked around naked in movies earlier. I probably should have taken [it all] off in my twenties. I grew up in a conservative family and, in my generation, most actresses hired body doubles for those scenes. But I had an awakening as to what the human body is, and I didn't want my kids (she has two daughters in their 20s who are actresses) in their acting, to feel any shame about their bodies. I want them to feel safe [doing nude scenes] because I had so much shame projected on to me about nudity as a child. It took me raising my children to finally feel more comfortable about my body."
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 121.098 $
- Eröffnungswochenende in den USA und in Kanada
- 11.290 $
- 1. Apr. 2018
- Weltweiter Bruttoertrag
- 128.602 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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