IMDb-BEWERTUNG
5,8/10
6938
IHRE BEWERTUNG
Ein städtischer Teenager reist nach Montana, um mit seinem entfremdeten Vater Großwild zu jagen. Vater und Sohn kämpfen darum, eine Verbindung herzustellen, bis eine brutale Begegnung im Her... Alles lesenEin städtischer Teenager reist nach Montana, um mit seinem entfremdeten Vater Großwild zu jagen. Vater und Sohn kämpfen darum, eine Verbindung herzustellen, bis eine brutale Begegnung im Herzen der Wildnis alles ändert.Ein städtischer Teenager reist nach Montana, um mit seinem entfremdeten Vater Großwild zu jagen. Vater und Sohn kämpfen darum, eine Verbindung herzustellen, bis eine brutale Begegnung im Herzen der Wildnis alles ändert.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Empfohlene Bewertungen
Elmer Fudd sings this song in several cartoons, and he is referenced by the grandfather in this grim story of survival in the unforgiving Alaskan wilderness. That may be the only hint of humor to be found, as a father and son track down moose until tragedy strikes. The second half of the picture is as gritty and harrowing as any you will ever see this side of a National Geographic special.
Cal evidently gets custody of his son David every summer, but in the mountain country where he lives it's always winter. David is not happy with the arrangement and finds out right away he can't get a signal on his iphone. He is a city kid and his dad is a hunter; they mix like oil and water. They begin as polar opposites but in the end they are bonded, in as gripping and unexpected a finale as you can find in a slow starting movie.
I disagree with a reviewer who felt the music background was inappropriate. I felt it was just right - unobtrusive and complementary. Never saw either of these actors before but they were effective and had chemistry between them. "Walking Out" is an underrated indie and deserves a bigger market. It starts like a travelogue but is a very affecting film; amazing what the human spirit can do when faced with severe adversity.
N.B. The setting is similar to "Wind River", which has a more intricate plot.
Cal evidently gets custody of his son David every summer, but in the mountain country where he lives it's always winter. David is not happy with the arrangement and finds out right away he can't get a signal on his iphone. He is a city kid and his dad is a hunter; they mix like oil and water. They begin as polar opposites but in the end they are bonded, in as gripping and unexpected a finale as you can find in a slow starting movie.
I disagree with a reviewer who felt the music background was inappropriate. I felt it was just right - unobtrusive and complementary. Never saw either of these actors before but they were effective and had chemistry between them. "Walking Out" is an underrated indie and deserves a bigger market. It starts like a travelogue but is a very affecting film; amazing what the human spirit can do when faced with severe adversity.
N.B. The setting is similar to "Wind River", which has a more intricate plot.
It always amazes me, the film snobs on here that rate films so low. This was a drama that unfolded at exactly the right pace. If you are impatient or just dumb you may not get the film. So all the low ratings are just silly. A lot happens here, between a boy and his father. Be patient, the results are well worth the wait. Great acting, cinematography and directing.
Okay movie but could have been a lot better. When do you see that much bear activity during the winter months?
It is a well done movie, breath taking cinematography and marvelous music. The rhythm is slow in some parts of the movie though. Not a waste of time.
I'm a simple moviegoer with pretty average expectations.
I saw this film the first weekend of Sundance 2017 without knowing too much about it. I was excited about it because I'm a fan of Matt Bomer and I had seen Josh Wiggins in another Sundance movie, Hellion, in 2014. I don't often write film reviews but I've been wanting to share my thoughts on this movie since seeing it.
While the majority of this review is focused on the parts of the film I disliked, please understand that I did not find this film to be a disgrace and I'm not vehemently opposed to it. There's a lot that I thought simply didn't hit the mark or simply didn't appeal to me. Before starting my tirade, though, I want to commend the film for its beautiful location and cinematography.
And here's my tirade: I disliked the score as it felt out of place or ineffective at conveying the mood of the scene in most places.
I disliked the world building and character development. I cared very little about either protagonist because I didn't really know anything about them. One is just a pretty normal kid from a broken family and the other is a guy who presumably spent his entire life hunting while taking a brief hiatus to father a child and then get a divorce.
On a similar note, the entire first hour of the movie (or the chance to learn more about the characters) was mostly just redundancy...and walking...lots of walking. Perhaps this was an artistic decision in order to help us empathize with David's (the son) boredom or to articulate to the audience the patience of hunting and/or the depth to which the two are in the wild. In any case, as a film-goer, it was wearisome.
The climax of the movie happens a little over halfway through but the sense of danger is quickly diminished. I'm not some high octane junkie looking for action at every turn but I thought the movie lacked urgency or purpose. I was sorely disappointed to find that after a very slow crawl to a single moment of excitement, we return back to another very slow crawl until the end of the movie. There seemed to be a lot more potential for telling the story in a way that incited a heightened sense of fear. Instead, we got melancholy until the end.
For a film that is clearly meant to establish an emotional connection to its audience, it lacked a strong narrative and relatable characters.
I saw this film the first weekend of Sundance 2017 without knowing too much about it. I was excited about it because I'm a fan of Matt Bomer and I had seen Josh Wiggins in another Sundance movie, Hellion, in 2014. I don't often write film reviews but I've been wanting to share my thoughts on this movie since seeing it.
While the majority of this review is focused on the parts of the film I disliked, please understand that I did not find this film to be a disgrace and I'm not vehemently opposed to it. There's a lot that I thought simply didn't hit the mark or simply didn't appeal to me. Before starting my tirade, though, I want to commend the film for its beautiful location and cinematography.
And here's my tirade: I disliked the score as it felt out of place or ineffective at conveying the mood of the scene in most places.
I disliked the world building and character development. I cared very little about either protagonist because I didn't really know anything about them. One is just a pretty normal kid from a broken family and the other is a guy who presumably spent his entire life hunting while taking a brief hiatus to father a child and then get a divorce.
On a similar note, the entire first hour of the movie (or the chance to learn more about the characters) was mostly just redundancy...and walking...lots of walking. Perhaps this was an artistic decision in order to help us empathize with David's (the son) boredom or to articulate to the audience the patience of hunting and/or the depth to which the two are in the wild. In any case, as a film-goer, it was wearisome.
The climax of the movie happens a little over halfway through but the sense of danger is quickly diminished. I'm not some high octane junkie looking for action at every turn but I thought the movie lacked urgency or purpose. I was sorely disappointed to find that after a very slow crawl to a single moment of excitement, we return back to another very slow crawl until the end of the movie. There seemed to be a lot more potential for telling the story in a way that incited a heightened sense of fear. Instead, we got melancholy until the end.
For a film that is clearly meant to establish an emotional connection to its audience, it lacked a strong narrative and relatable characters.
Wusstest du schon
- WissenswertesAccording to the directors Christian Bale was almost cast in the role of Cal. Ultimately Bale decided against playing the part because he didn't want to spend time away from his family in a remote location so soon after the birth of his second child.
- PatzerClimbing a tree to escape a bear is one of the worst things you can do. Not only are bears adept climbers, but once you get in the tree, you have nowhere else to go. The bear will have you cornered. An experienced hunter would know this.
- VerbindungenFeatured in Conan: Minnie Driver/Matt Bomer/James Veitch (2017)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 101.947 $
- Eröffnungswochenende in den USA und in Kanada
- 5.462 $
- 8. Okt. 2017
- Weltweiter Bruttoertrag
- 162.445 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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