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Horace and Pete

  • Miniserie
  • 2016
  • TV-MA
  • 44 Min.
IMDb-BEWERTUNG
8,5/10
18.037
IHRE BEWERTUNG
Horace and Pete (2016)
Louis C.K.'s Eugene O'Neill-esque dramedic web series about two brothers, introverted Horace and mentally ill Pete, the current owners of their family's Irish bar "Horace and Pete's", and their dysfunctional family and friends.
trailer wiedergeben0:31
1 Video
41 Fotos
DramaKomödie

In der dramatischen Web-Serie geht es um zwei Brüder, introvertierten Horace und psychisch kranken Pete, die aktuellen Besitzer ihrer Familie irischen Bar ''Horace and Pete's'', und ihre dys... Alles lesenIn der dramatischen Web-Serie geht es um zwei Brüder, introvertierten Horace und psychisch kranken Pete, die aktuellen Besitzer ihrer Familie irischen Bar ''Horace and Pete's'', und ihre dysfunktionale Familie und Freunde.In der dramatischen Web-Serie geht es um zwei Brüder, introvertierten Horace und psychisch kranken Pete, die aktuellen Besitzer ihrer Familie irischen Bar ''Horace and Pete's'', und ihre dysfunktionale Familie und Freunde.

  • Stoffentwicklung
    • Louis C.K.
  • Hauptbesetzung
    • Louis C.K.
    • Steve Buscemi
    • Edie Falco
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,5/10
    18.037
    IHRE BEWERTUNG
    • Stoffentwicklung
      • Louis C.K.
    • Hauptbesetzung
      • Louis C.K.
      • Steve Buscemi
      • Edie Falco
    • 83Benutzerrezensionen
    • 11Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 2 Primetime Emmys nominiert
      • 2 Gewinne & 14 Nominierungen insgesamt

    Episoden10

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    HöchsteAm besten bewertet1 Jahreszeit2016

    Videos1

    Trailer
    Trailer 0:31
    Trailer

    Fotos41

    Poster ansehen
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    Topbesetzung65

    Ändern
    Louis C.K.
    Louis C.K.
    • Horace
    • 2016
    Steve Buscemi
    Steve Buscemi
    • Pete
    • 2016
    Edie Falco
    Edie Falco
    • Sylvia
    • 2016
    Steven Wright
    Steven Wright
    • Leon
    • 2016
    Kurt Metzger
    Kurt Metzger
    • Kurt
    • 2016
    Alan Alda
    Alan Alda
    • Uncle Pete
    • 2016
    Jessica Lange
    Jessica Lange
    • Marsha
    • 2016
    Liza Treyger
    Liza Treyger
    • Melissa
    • 2016
    Aidy Bryant
    Aidy Bryant
    • Alice
    • 2016
    Nick Di Paolo
    Nick Di Paolo
    • Nick
    • 2016
    Maria Dizzia
    Maria Dizzia
    • Tricia
    • 2016
    Tom Noonan
    Tom Noonan
    • Tom
    • 2016
    Dov Davidoff
    Dov Davidoff
    • Dom
    • 2016
    Craig muMs Grant
    Craig muMs Grant
    • Ricardo
    • 2016
    Reg E. Cathey
    Reg E. Cathey
    • Harold
    • 2016
    Greer Barnes
    Greer Barnes
    • Carl…
    • 2016
    Karen Pittman
    Karen Pittman
    • Rhonda
    • 2016
    Mark Normand
    Mark Normand
    • Mark
    • 2016
    • Stoffentwicklung
      • Louis C.K.
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen83

    8,518K
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    Empfohlene Bewertungen

    9fball114

    Quality tragedy

    It seems to me that one of Louis CK's strengths is the authentic nature of the dialogue. Given the quality of the actors in this thing, it makes for some captivating viewing.

    I found the bar-discussion about politics, etc, to be very entertaining and well-paced. It was almost a little Aaron- Sorkinesque and I loved it. Also amazing to see how up-to-date it is?! Talk about fresh material. I thought the accountant-bit was funny.

    The main plot about the family was engaging and managed to pull me in. It was depressing and dark, but still somehow not exhausting to watch. I am not actually a big fan of Louie's darker episodes, I don't have the patience or the inclination to spend my time being challenged and depressed. I want it to be funny and entertaining. But even so, I watch and value the darker Louie episodes, and I watched and enjoyed this. As I said, there is this theater-like presentation and at the same time feels so authentic! When Buscemi says "and you give our whiskey to this stranger" (or something), I get the feeling that the characters have had their own thoughts and feelings while our attention was diverted.

    It's fun to see Louis use these very typical, almost cliché transitions (walking down the stairs to change scenes, etc) and making it work? It's very well made. I loved the diegetic music, watching Alda establish his presence by reacting to it.

    There is no laughter-track or audience referencing at all. You are totally left to your own devices as a viewer, to laugh or dislike at your own discretion. It's kind of artistic, in that it challenges you to like it or shove off?

    While I wasn't enjoying watching it, as it was sad and not my typical kind of thing, I am glad that I did. It's great watching something this well made.
    9fredfredrikfreddyfred

    Like a Eugene O'neill play

    Starts out kind of slow and awkward in the first episode. Strange facial expressions and very little action or dialogue. By fifteen minutes in, many interesting characters have entered into the bar and it starts to become interesting. At a half hour I was becoming charmed by the stimulating dialogue and very impressed by the casting which includes many stand up comedy greats doing some serious drama. By 45 minutes I became completely sold and hooked after Steve Buscemi's pivotal performance that just blew me away. Louis CK has done some impressive writing here and it goes a long way to compensate for his acting ability which can be a bit uneven. However unlike his show "Louie," here he is only one member of a very impressive ensemble. I was expecting a comedy but what I got was something I've never seen before on a TV show. This reminded me of "the Iceman Cometh." For a pilot, this was really intriguing. I have high hopes that it continues to develop and doesn't let me down.
    10laurenceclack

    Compelling

    I love what Louis is trying to do here. And I think this is one of the few instances when that sentence can still be taken as a huge compliment. Because once out of Louis' hands and into the content devouring public, it really is up to the individual what they take from this. Whether you watch it with an open heart or mind or dismiss it as slow moving nonsense. I believe his aim with this is truly altruistic and comes from the same place as his comedy, a place of compassion, disbelief at the clucked up nature of humanity and the world, and an almost hopeless sense of wanting to change this and make a difference. I notice this same thing in Hicks and Carlin, I guess Louis doesn't get quite as angry.

    I think it's beautiful, autobiographical in parts and thought provoking with the thought going towards reconciliation in most cases. Characters in there that we'd all recognize from our own lives, how to deal with them is ultimately up to us I guess?

    Thank you Louis. Genuinely. I love this, appreciate you making it (you didn't have to after all) and agree whole heartily that it is a work of art. (and that's not pretentious because it £$%&ing well is)

    *Edited to add - If you enjoyed the show check out his conversion recently on Marc Marons podcast. So interesting to get an insight to how it all happened. Heartwarming and the stories from the show and the characters are incredible.
    9leonrd0

    If you're looking for a comedy, don't watch it. But if you're looking for a drama, don't watch it either!

    Horace and Pete is an outstanding art experiment. And - as cheap as it may sound - it stands out just because the main goal here is to portray life.

    Let me explain. We are all so used to the genre-tagging way productions are put together, that few producers are bold enough to question this absurd system. Usually there will be a "comic relief" to a drama, or a dramatic turn in a comedy. So we can relate more to the story. It's just not enough.

    "What is it? A comedy? Musical? Drama?". On the way Louie leads this project, the question "what is it?" shouldn't be automatically answered with a tag. Are you looking for a comedy? Don't watch it. But if you're looking for a drama, don't watch it either! In real life, mood is Gaussian. Most of the time it will be neutral: there will be that core gratefulness and anxiety mixed together. That's routine. Sadness and happiness will eventually alternate. Funniness doesn't come up like in a writers room. There's no 24/7 quote-boom-punchline-quote-boom-punchline. Also, no musical background will come up unless someone's actually playing it or hitting a button.

    Obviously there's more into it, otherwise there would be no point on watching this; you could just kick back on a bar and see what happens. Here we have the guarantee we'll watch very interesting characters dealing with their daily struggle, exposing absurd features of social conventions and human behavior.

    Louis C.K. is masterfully writing, directing and performing in this. We also have great performances from Alan Alda, Steve Buscemi, Edie Falco and others. That should be enough to just go and give it a try.

    This is not our usual hacky Fordist sitcom. This is pure handcrafted art (and worths every penny).
    9faxanadonts

    Chunks of funny truth in play format

    I have watched a lot of Louis CK's stand up comedy and it seemed to me that his amazing humour came from him extracting the absurdity of life and him talking about it on stage in a way that was both very funny, honest, and engaging, which is not easy feat I think (the feat being presenting the absurdity and confusing nature of life in way that both the presenter and audience can laugh together at it, as opposed to be terrified/confused/annoyed by the confusing universe). Even though the episodes of Horace and Pete feel formatted more in the way of a play, to me it is still fantastic in the same way. Family and life can be infuriating because as we grow up we see that the more we know about family/life/universe the more we realize that we don't know (that whole Socrates thing), but that doesn't mean we give up hope ... instead we can find it absurdly funny and laugh in the face of absurdity, and try and learn from it, and move forward in a better way, especially when there is a master funny man like Louis CK to extract amazing funny thought lines from the absurdity. In this way it is an honest reaction to the confusing nature of life instead of simply trying to create a sanitized narrative to our lives that might make us feel less fear, but doesn't really address the reality. Anyways, that is more my emotional mumbo jumbo response to why I think this is a really good show, but in more specific terms I find the dialogue really great, the acting great, and the jokes great, and therefore I find it ... very great! Thanks Louis CK!

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    Handlung

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    • Wissenswertes
      Joe Pesci was Louis C.K.'s first choice to play Uncle Pete. Pesci said he liked the script but turned it down because he thought the show would be very successful. Christopher Walken was the second choice, but Walken felt he had done the part before. Louis C.K. didn't feel Alan Alda was right for the part, but gave it to him after meeting with him. Louie later admitted Alda made the part his own and better than it was written.
    • Zitate

      Sarah: The worst part about telling a lie is when someone that you love just accepts it.

    • Verbindungen
      Featured in The Tonight Show Starring Jimmy Fallon: Louis C.K./Questlove/Rufus Wainwright (2016)

    Top-Auswahl

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    FAQ20

    • How many seasons does Horace and Pete have?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 30. Januar 2016 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Louis C.K. Official Website
      • Louis C.K.'s official website
    • Sprache
      • Englisch
    • Auch bekannt als
      • Horace & Pete
    • Produktionsfirma
      • Pig Newton
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    Technische Daten

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    • Laufzeit
      • 44 Min.
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 16:9 HD

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