IMDb-BEWERTUNG
4,2/10
1923
IHRE BEWERTUNG
Claire ist überglücklich, als ihre Tochter Robin nach einem tödlichen Unfall auf wundersame Weise wiederbelebt wird. Doch ihre Erleichterung wandelt sich in Entsetzen, als Claire Veränderung... Alles lesenClaire ist überglücklich, als ihre Tochter Robin nach einem tödlichen Unfall auf wundersame Weise wiederbelebt wird. Doch ihre Erleichterung wandelt sich in Entsetzen, als Claire Veränderungen an ihrer Tochter feststellt.Claire ist überglücklich, als ihre Tochter Robin nach einem tödlichen Unfall auf wundersame Weise wiederbelebt wird. Doch ihre Erleichterung wandelt sich in Entsetzen, als Claire Veränderungen an ihrer Tochter feststellt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Empfohlene Bewertungen
The film demonstrates remarkable proficiency in its execution of camera angles, fashion design, and the selection of diverse environments and locations. Visually, it captivates the audience, creating a rich and immersive cinematic experience. However, the storyline presents some accessibility challenges. A significant portion of the dialogue is delivered in a foreign language, and the absence of English subtitles for these segments hampers the audience's ability to fully comprehend the narrative. This is a regrettable oversight, particularly given the film's high production values.
Furthermore, while certain camera angles contribute to an intriguing atmosphere, the pacing of the film is notably sluggish. It takes a considerable amount of time for the story to hint at its horror elements, which may leave some viewers feeling disengaged. Personally, I favor films that introduce horror themes more swiftly or interweave them throughout the narrative from the outset. I find that productions adhering to conventional themes and formats within the basic horror genre often lack the depth and innovation that truly engage my interest.
Furthermore, while certain camera angles contribute to an intriguing atmosphere, the pacing of the film is notably sluggish. It takes a considerable amount of time for the story to hint at its horror elements, which may leave some viewers feeling disengaged. Personally, I favor films that introduce horror themes more swiftly or interweave them throughout the narrative from the outset. I find that productions adhering to conventional themes and formats within the basic horror genre often lack the depth and innovation that truly engage my interest.
Everything about this movie is average, except:
1. The script (it sucks)
2. The directoin + editing (it's boring)
The plot is so predictable it makes your eyes bleed.
Let me give you a hint: at the very instant I heard someone say the word "Bicycle" I said to myself: "The girl is gonna die in an accident. No way around it."
The whole script is so terribly predictable that this movie should have a big disclaimer on the opening credits saying... "Spoiler Alert!"
This movie was made just because thera is a streaming service to back it. No sane producer would touch this with a ten-foot pole. Nor would they be able to hire the main star in the cast, even though she's like "C" grade.
Let me give you a hint: at the very instant I heard someone say the word "Bicycle" I said to myself: "The girl is gonna die in an accident. No way around it."
The whole script is so terribly predictable that this movie should have a big disclaimer on the opening credits saying... "Spoiler Alert!"
This movie was made just because thera is a streaming service to back it. No sane producer would touch this with a ten-foot pole. Nor would they be able to hire the main star in the cast, even though she's like "C" grade.
Here After, starring Connie Britton, explores life, love, and the afterlife in a whimsical yet disjointed way. The film follows a man's journey in the afterlife, where he must find true love to move on, blending elements of romance and the supernatural. While the premise is intriguing, the execution falls flat, with pacing issues and dialogue that sometimes feels forced. Despite a solid performance from Connie Britton, the film struggles to connect emotionally, leaving you more aware of its flaws than invested in the characters. Overall, it doesn't quite deliver on its promise, making it a tough watch at 3/10.
The concept seemed good. A girl dies, reawakens inexplicably, and then behaves as if possessed by an evil entity. It's a basic plot, but I figured I'd be in for at least a C+ horror. The lead actress seems OK, and I guess the Italy setting seemed to mix with the religious theme
I just feel that the movie fails to execute. Instead of fully focusing on the girl and what's wrong with her, we get all these annoying and boring flashbacks involving the mother (they keep going back to some scratches on her arm too). At one point, she meets an individual who describes how he's seen people who came back from the dead, just as the girl did; and the movie just fails so badly in this scene. What should have been a scary exposition comes off as normal and mundane for some reason. Basically - my feedback is that movie should've focused more on the girl, not the mother and her past.
I just feel that the movie fails to execute. Instead of fully focusing on the girl and what's wrong with her, we get all these annoying and boring flashbacks involving the mother (they keep going back to some scratches on her arm too). At one point, she meets an individual who describes how he's seen people who came back from the dead, just as the girl did; and the movie just fails so badly in this scene. What should have been a scary exposition comes off as normal and mundane for some reason. Basically - my feedback is that movie should've focused more on the girl, not the mother and her past.
This movie might have worked if it had been released in the early 2000s, but by now, we've seen this story hundreds of times. There's nothing original in this film, no standout scene, or anything memorable, which makes it a forgettable, below-average flick. It's not awful by any means, but there's really nothing particularly enjoyable or unique about it. Probably the most interesting aspect of the movie is Connie Britton as the lead. It's rare that a movie below 90 minutes runtime feels that long.
The horror elements are also very light, which is disappointing since the trailer made it seem like this would be a proper horror movie. Unfortunately, there are no noteworthy scares or tense scenes. I can't imagine many people enjoying this movie, so I can't recommend it. [4.2/10]
The horror elements are also very light, which is disappointing since the trailer made it seem like this would be a proper horror movie. Unfortunately, there are no noteworthy scares or tense scenes. I can't imagine many people enjoying this movie, so I can't recommend it. [4.2/10]
Wusstest du schon
- WissenswertesVeteran producer Robert Salerno's first directorial feature.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Öbür Dünyadan
- Drehorte
- Roma, Lazio, Italien(Chiesa di Santa Maria della Vittoria, Piazza Navona, Basilica di San Giovanni in Laterano e altri luoghi della città)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 16.451 $
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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