Charité

Moving, thoughtful and thought provoking. While these events were unfolding in Berlin I was in London and, briefly, a patient in the blacked out and lightly blitzed Children's Hospital, Great Ormand St. Only people of my advanced age , British as well as German, will fully understand what they are seeing. However all the youngsters can enjoy the intelligent script and fine acting.

Very well made and great character studies. There were some inaccuracies such as the setting started out in the Autumn of 1943 and and there is a discussion about heading to Africa to be with Rommel. The North African campaign was lost by the Germans and over by the Spring of that year. Many medical issues and procedures seem correct for its time, but the one doctor was doing mouth to mouth on a baby and that procedure did not come into practice until the 1950s. Perhaps that was to show the doctor was imaginative and non-conformist. An event where the doctors were treating a hemo-pneumo thorax showed the doctors first interested in removing the metal in the chest, when in fact the priority is on relieving intrathoracic pressure via a chest tube or needle decompression and then stopping bleeding and then vascular and tissue repair. Getting the bullet out is something Hollywood has been hung up on from the beginning. The doctor though, does explain why he wants to look for the metal and remove it, perhaps to appease those that would question it, but the priority was off. Anyway, the show is a must for those interested in history and/or medical shows.

Overall, good television. There are a few points that an American audience may find cloying, but I had no problem with it. It may be too "soapy" with the romantic entanglements woven into the story. I could have done without the melodrama-- less of it anyway-- but it has to be taken into consideration this is a "continental European" drama. In many ways, this can be attributed to the timeframe of the story. Late nineteenth century European society was more heavily church dominated in that era. So, what seems like quaint, outdated and even eyerolling concerns that weigh so heavily in this story can come off as silly, in that period these were issues that strongly impacted daily life. While these subplots may seem overly dusty to most viewers, it certainly is historically appropriate. There is also the fact that this was produced with a German audience first and foremost. As I've seen in other recent German productions (Babylon Berlin; Our Fathers, Our Mothers --aka "Generation War" outside of Germany) , the romantic subplots aren't presented in quite the same fashion as they are on this side of the Atlantic. As for myself, I find it a refreshing shift in presentation.

Production, writing and performance are all high standard. Well above what is typical German television. While it might not grab a huge audience in the U.S. because of its subtle but still distinctly different style in telling a story, I strongly encourage folks to give it a try.

The thing I found most fascinating about this series is the way normal people survive under fascist rule. The duality of being healers and having to follow the terrible laws of the Nazi regime come very much into play. The production quality is superb. It is provocative and we'll worth watching.

But the task is well executed. While there is some telescoping of historical events, I have a degree in history and the story line I found to be artistically effective. Acting, pacing and production values exceed expectations. And to disagree with one reviewer, the Russians were barbaric in their ending of the war. If anything, that was downplayed.