IMDb-BEWERTUNG
7,2/10
3436
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA two-part drama about the search for missing Yorkshire schoolgirl Shannon Matthews in 2008.A two-part drama about the search for missing Yorkshire schoolgirl Shannon Matthews in 2008.A two-part drama about the search for missing Yorkshire schoolgirl Shannon Matthews in 2008.
- Nominiert für 1 BAFTA Award
- 1 Gewinn & 3 Nominierungen insgesamt
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The standout performance here is Gemma Whelan's -- very real, memorably so, and, if you'll forgive the cliché, brave. (Reminded me of Lorraine Stanley, similarly brilliant in "London to Brighton.") I'm always impressed when an actress who, on the evidence of photos, normally looks clever and pretty can play a character as fat, dumb, weak, and unattractive as Shannon Matthews (and can make her genuinely interesting).
Among the remarkably unappealing folk of Moorside (coarse, creepy, loutish-looking men, pulpy obese women, all speaking in almost unintelligible Yorkshire accents), the neighbor played by Siân Brooke, relatively slim, soft-spoken, and beautiful, stuck out like another species. I admit to finding her the most sympathetic character in the drama.
However, the story's heroine is clearly supposed to be Julie Bushby, the self-appointed community leader, played by Sheridan Smith. She struck me as somewhat obnoxious and self-important in the first episode, and I was pleased to see her taken down a peg, if only briefly, in the second.
The way she rallied the neighborhood on behalf of the missing girl seemed useless and rather ridiculous -- parades, candlelight vigils, singalongs, etc. -- but maybe the Moorsiders actually went in for such virtue-signaling stunts. At one point episode 2 actually has them singing Kumbaya.
This drama was marred, for me, by a few scenes of horribly contrived preachiness and exposition, especially one in which Brooke and Smith discuss pedophilia. The dialogue seemed totally fake. (It was also marred, in places, by sloppy editing, such as a scene between four women in a car that focuses so disproportionately on three of them that you wonder if the fourth, played by the ubiquitous Siobhan Finneran, is even in the car with them.)
The biggest surprise, for me, was how pleasant, or at least not shabby and ugly, the Moorside council estate is. While the individual houses are crowded together, as in any development, they look, at least on the outside, fairly attractive -- quite a contrast to the multilevel council flats one sees in many movies.
Among the remarkably unappealing folk of Moorside (coarse, creepy, loutish-looking men, pulpy obese women, all speaking in almost unintelligible Yorkshire accents), the neighbor played by Siân Brooke, relatively slim, soft-spoken, and beautiful, stuck out like another species. I admit to finding her the most sympathetic character in the drama.
However, the story's heroine is clearly supposed to be Julie Bushby, the self-appointed community leader, played by Sheridan Smith. She struck me as somewhat obnoxious and self-important in the first episode, and I was pleased to see her taken down a peg, if only briefly, in the second.
The way she rallied the neighborhood on behalf of the missing girl seemed useless and rather ridiculous -- parades, candlelight vigils, singalongs, etc. -- but maybe the Moorsiders actually went in for such virtue-signaling stunts. At one point episode 2 actually has them singing Kumbaya.
This drama was marred, for me, by a few scenes of horribly contrived preachiness and exposition, especially one in which Brooke and Smith discuss pedophilia. The dialogue seemed totally fake. (It was also marred, in places, by sloppy editing, such as a scene between four women in a car that focuses so disproportionately on three of them that you wonder if the fourth, played by the ubiquitous Siobhan Finneran, is even in the car with them.)
The biggest surprise, for me, was how pleasant, or at least not shabby and ugly, the Moorside council estate is. While the individual houses are crowded together, as in any development, they look, at least on the outside, fairly attractive -- quite a contrast to the multilevel council flats one sees in many movies.
It's interesting. Different. More a character study than a crime thriller. What price friendship? Very good performances. Realistic family and community situations. Recommended.
It's very well made and the performances are uniformly good but you can't escape the fact that it's a dramatisation of events showing how people coped in the orbit of an evil, vile and contemptuous imbecile who happened to be able to give birth repeatedly. People wanted to believe the best of Karen Matthews, a disgusting and manipulative person who did something absolutely appalling and, for a short period of time, got people feeling sympathy for her because thinking otherwise would have made them feel dirty. This is not a bad show but it could have been better. Good TV shows have characters people can empathise with and Kare Matthews is a truly vile person.
The true story behind this two-part drama is not really known in the U.S. so the reviews from the U.K. with spoilers or references to the real story won't mean much to those of us from elsewhere. I found it a very interesting story about rough living and choices for those in difficult situations with seeminly limited options. The directing, editing, and score bring to life a neighborhood and neighbors in the best and worst of circumstances, and the acting by all the female leads is absolutely tremendous.
I won't go into any details because you should watch it and make up your mind.
The acting is brilliant, you would hardly believe that Gemma Whelan was the same person that played Yara Greyjoy in "Game of Thrones".
The story was basically play by numbers, you didn't really learn anything new if you saw this on the news.
I do think this could have been a three parter. We didn't really see the aftermath other than a few shouty bits at the end. I really wanted to see the impact it had on the town at the end, but it seemed to end rather suddenly.
It would have been nice to see what happened when she came out of prison, but we saw nothing of this.
I will repeat however that the acting was top notch, but I was left a little disappointed with the story.
The acting is brilliant, you would hardly believe that Gemma Whelan was the same person that played Yara Greyjoy in "Game of Thrones".
The story was basically play by numbers, you didn't really learn anything new if you saw this on the news.
I do think this could have been a three parter. We didn't really see the aftermath other than a few shouty bits at the end. I really wanted to see the impact it had on the town at the end, but it seemed to end rather suddenly.
It would have been nice to see what happened when she came out of prison, but we saw nothing of this.
I will repeat however that the acting was top notch, but I was left a little disappointed with the story.
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- WissenswertesOut of respect for the community of Dewsbury Moor who had been through the trauma of searching for Shannon Matthews, this dramatisation was not filmed on The Moorside estate where Shannon and Karen Matthews lived, but instead on a similar estate in Halifax.
- VerbindungenFeatured in Good Morning Britain: Folge vom 7. Februar 2017 (2017)
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