Ein junges Mädchen wird gekidnappt. Ihre Mutter tut sich mit der mysteriösen Frau von nebenan zusammen, um den Entführer zu verfolgen - eine Reise, die ihre Grenzen austestet.Ein junges Mädchen wird gekidnappt. Ihre Mutter tut sich mit der mysteriösen Frau von nebenan zusammen, um den Entführer zu verfolgen - eine Reise, die ihre Grenzen austestet.Ein junges Mädchen wird gekidnappt. Ihre Mutter tut sich mit der mysteriösen Frau von nebenan zusammen, um den Entführer zu verfolgen - eine Reise, die ihre Grenzen austestet.
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Roman Mitichyan
- Iranian Abductor
- (Nicht genannt)
Grayson Palumbo
- Young Philip
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As "Lou" (2022 release; 109 min) opens, we are introduced to Lou, a fifty-something "lone ranger" woman in remote Washington State (we later learn it's the San Juan Islands). One senses she has had a complicated past. Her neighbor is Hannah, a thirty-something mother of a young daughter. A big storm is arriving soon, and before you know it, things go haywire on many different levels. At this point we are 10 min into the movie.
Couple of comments: this film is directed by noted cinematographer Anna Foerster. More importantly, the film is produced by none other than J. J. Abrams, immediately raiding expectations. Alas, it was not to be. For that, look no further than the script, which is frankly quite weak. Not only do things happen that simply make no sense, but worse, there is never any doubt how all of this is going to play out in the end. There are two bright lights: first, Allison Janney brings a tough performance in the title role. Second, the outdoor scenery (somewhere in the wild and wide open Pacific Northwest) is simply tops. It's a shame that the rest of the production isn't on the same high level.
"Lou" premiered on Netflix this past weekend. If you are in the mood for an "action thriller" that is fairly straight-forward if not predictable, I'd readily suggest you keep your expectations fairly low, and then draw your own conclusion.
Couple of comments: this film is directed by noted cinematographer Anna Foerster. More importantly, the film is produced by none other than J. J. Abrams, immediately raiding expectations. Alas, it was not to be. For that, look no further than the script, which is frankly quite weak. Not only do things happen that simply make no sense, but worse, there is never any doubt how all of this is going to play out in the end. There are two bright lights: first, Allison Janney brings a tough performance in the title role. Second, the outdoor scenery (somewhere in the wild and wide open Pacific Northwest) is simply tops. It's a shame that the rest of the production isn't on the same high level.
"Lou" premiered on Netflix this past weekend. If you are in the mood for an "action thriller" that is fairly straight-forward if not predictable, I'd readily suggest you keep your expectations fairly low, and then draw your own conclusion.
Came out on Netflix and didn't hesitate to watch this kidnapping action thriller. The filming locations in Canada with their wild forest landscapes were amazing. They gave this thriller in addition an intriguing and mysterious touch.
It is a simply story mixed with suspense. The director made a good job and all the the actors too. Running time is perfect.
If you like this genre of movies don't miss the other Hollywood kidnapping thrillers The Call with Halle Berry, Cellular with Kim Basinger, Trapped or Panic Room with Julianne Moore.
I spent with my wife an entertaining evening.
Give it a try. 6/10.
It is a simply story mixed with suspense. The director made a good job and all the the actors too. Running time is perfect.
If you like this genre of movies don't miss the other Hollywood kidnapping thrillers The Call with Halle Berry, Cellular with Kim Basinger, Trapped or Panic Room with Julianne Moore.
I spent with my wife an entertaining evening.
Give it a try. 6/10.
This movie could have been very good because the cast and acting are solid, with excellent cinematography. The story is so ridiculous, however, that no one could ever believe it and dramas don't work well with stupid scripts. Allison Janney, who plays a former CIA agent, is always worth watching and so are the other actors even though their dialogue is fairly limited. Jurney Smollett also does fine given the poor script she has to work with. It is impossible to describe how absurd the story is without including too many spoilers, so I suggest seeing this if you are an Allison Janney fan with about an hour and forty-five minutes with nothing else to do.
It's an action thriller so I wasn't exactly expecting it to re-invent the wheel. I just wanted a decent popcorn flick with interesting characters and some action on the side.
I was actually pleasantly surprised. While not reinventing the genre, the movie definitely reinvigorates it. The characters development and the dynamic between the two women is very well written and the acting is exceptional for a movie of the genre.
Just when I thought I couldn't be surprised by the depth of Janney's acting, she knocks another one out of the park in a role I never would have expected her in.
Oh and for the ones who are having such a hard time "suspending disbelief" when they see "a senior citizen" kick two young guys into next week, ask yourself why you had no such issue while watching Keanu Reeves, a mere 3 years "younger" take a whole room full of armed younger guys in John Wick...
I was actually pleasantly surprised. While not reinventing the genre, the movie definitely reinvigorates it. The characters development and the dynamic between the two women is very well written and the acting is exceptional for a movie of the genre.
Just when I thought I couldn't be surprised by the depth of Janney's acting, she knocks another one out of the park in a role I never would have expected her in.
Oh and for the ones who are having such a hard time "suspending disbelief" when they see "a senior citizen" kick two young guys into next week, ask yourself why you had no such issue while watching Keanu Reeves, a mere 3 years "younger" take a whole room full of armed younger guys in John Wick...
In dark, effective psycho thriller "Lou" Allison Janney (strong again) is a surly ex-CIA spook living on a remote mountain, pulled into helping only near neighbour Jurnee Smollett when her kid Ridley Asha Bateman is snatched by evil ex Logan Marshall-Green (great - channelling Tom Hardy) who's ALSO ex-military Special Ops. As Janney & Smollett track Marshall-Green across the harsh storm-lashed wilderness more layers & twists unfold... but how will it all end? Maggie Cohn & Jack Stanley's screenplay is classically solid, and Anna Foerster directs with a terrifically taut & gritty style. It's simple, old-school style fare, but still crackin' bang-on entertainment.
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- WissenswertesRonald Reagan is seen on television in the bank, addressing the nation on the weapons-for-hostages scandal concerning the Iran arms and Contra affair; this dates the time line in this feature as at least November 13, 1986.
- PatzerFor an agent trained in field craft and with years of experience, Lou continually walks around in the rain with rifle(s) on her shoulder with the muzzle pointing up (without a muzzle-cover). This allows water to get into the barrel--severely degrading accuracy AND possible catastrophic damage to the weapon/shooter.
- SoundtracksHold the Line
Performed by TOTO
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Written by David Paich
Published by Hudmar Publishing Co. Inc. (GMR) admin. by Spirit Four Music (GMR)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- رحلة لو
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 27.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 43.697 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39:1
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