Alles Geld der Welt

This movie is one of old classy types where tension is built around dialogues and the predicament characters find themselves in. Christopher plummer is riveting as a greedy billionaire who thinks about evading tax in every walk of his life and want to be in control of everything he sees. Michelle williams is terrific as a caring mother and not the usual dumb potrayals you normally find in these kind of movies. She is smart, witty and sees hope even in darker moments . The scene where she asks "Do they want me to cry?" potrays the real emotion people go through in situations like these. Mark wahlberg is more of a cliched character where you can predict pretty much what he will do. There are intense scenes in second half where the kid acted really well and you felt the pain character went through. Even though its a serious film, you might find humor in traces which made sure its an enjoyable watch.

A wealthy oil man's grandson is kidnapped. His son is a broke and gave nothing to his wife in the divorce. Years later the divorced couples son is kidnapped in Rome but evidence points that the boy n may have staged his own kidnapping.

The acting in this is great. The film however seems to go on 2way to long and most viewers who see this at home will be able to hit the "Fast Forward Button"

Worth watching but if you have a limited attention span then skip it

"A Getty is special. A Getty is nobody's friend." J. Paul Getty (Christopher Plummer)

If Ridley Scott's All the Money in the World does anything well, it shows the banality of crime and wealth, at least as this abduction/ransom motif plays out. It's the story inspired by the kidnapping of John Paul Getty III (Charlie Plummer) in 1973, his grandfather's resistance to paying the Italian Red Brigade's ransom demand, and the heroic effort of his mother, Gail Harris (Michelle Williams), to bring her son back alive.

After slogging through the tepid back story (disjointed to say the least), the story gains strength through the passions of its leading players, both of whom have strong feelings about the right way to respond to the kidnappers' demand for $17 million ransom. Mom would pay, considering grandpa is the richest man who ever lived, and he does not in principle want to capitulate.

Yet he may also have reasons to deny the ransom, one that paying would open floodgates of abductions for his other grandchildren and a point made later on but nonetheless fascinating history about the nature of the Getty fortune. Regardless, the central conflict of the story is not the kidnapping but the struggle between patriarch and daughter-in-law for the soul of the family and the deliverance of III.

Although the cross editing between home and kidnappers is sometimes jarring, the director makes the audience feel as if it's present at the contentious proceedings. Trying to understand why the old man resists the ransom is a most difficult situation for parents who couldn't possibly do anything other than pay, but the audience can witness the arguments as if right there among the players.

Coldness pervades this film, as if Scott were able to let the audience feel the lack of warmth from the old man's. Several scenes show him in front of large fireplaces, evoking a Citizen Kane ambience. Getty echoes the self-centered, aloof, lonely Charles Foster Kane.

For the history and the acting, All the Money in the World is worth enjoying this season. Williams plays a resolute and resourceful mother and Plummer infuses the Scrooge-like Getty with a humanity that feels like we are with the real tycoon.

The film is also a cautionary tale about the corruption of wealth and the tenuous familial relations when money is the major player. See it and be happy with your small fortune, which may be, I hope, your loved ones.

The cinematography, set details, directing and acting were all outstanding in this compelling true-story crime drama. Replacing Kevin Spacey with a re-shoot that cost 10M extra was seamless although the editing could have been tighter. The pace could have also been a little faster to make the 133min length not feel like 160 mins. Otherwise a very enjoyable film. 8/10 from me.

It's nearly impossible to separate what happened off screen with the final product of All the Money in the World. With that said, Ridley Scott pretty much couldn't have done a better job at making a seamless transition from Kevin Spacey to Christopher Plummer in the role of J. Paul Getty. Inevitably that will be the one thing people always remember about this film, but in the end, the film succeeds elsewhere as a thriller based around the kidnapping of Getty's grandson in Rome in 1973.

Perhaps the most impressive aspect of the film is its non-stop pacing. Whether or not all of the bells and whistles of this story were true, Scott is determined to keep you on the edge of your seat with suspense, even if you ultimately know where the story ends up. And luckily, this story is perfect for a cinematic experience. The true events are unfortunately tragic for many involved, but in the end it's the character of J. Paul Getty that makes for a truly riveting character to watch. Not willing to budge to pay a single dime for his grandson's ransom is beyond frugal, and the fact that the events didn't play out in an even worse manor is a miracle.

Getty's pushback (or lack thereof) makes for a great back and forth with his daughter in law, Gail Harris (played by Michelle Williams). Williams is brilliant in everything, and she once again kills it as the desperate but under control mother of a kidnapped son. She will likely be overshadowed by Plummer come award shows, but Williams' talent will never go unnoticed from me.

Ultimately, All the Money in the World is a fascinating tale of greed, frugality, power, and the differences in people's approach in high stress situations. From great performances to an impressive and important feat from Scott's last minute direction, I quite appreciated All the Money in the World.

7.9/10