IMDb-BEWERTUNG
6,4/10
15.171
IHRE BEWERTUNG
In der Darstellung von Ted Kennedys Beteiligung an dem tödlichen Autounfall von 1969, der das Leben einer jungen Kampagnenstrategin, Mary Jo Kopechne, fordert.In der Darstellung von Ted Kennedys Beteiligung an dem tödlichen Autounfall von 1969, der das Leben einer jungen Kampagnenstrategin, Mary Jo Kopechne, fordert.In der Darstellung von Ted Kennedys Beteiligung an dem tödlichen Autounfall von 1969, der das Leben einer jungen Kampagnenstrategin, Mary Jo Kopechne, fordert.
- Auszeichnungen
- 7 Nominierungen insgesamt
Gillian Mariner Gordon
- Cricket
- (as Gillian Gordon)
Katie Henoch
- Suzy
- (as Kate Henoch)
David De Beck
- Sargent Shriver
- (as David DeBeck)
Matthew Lawler
- Dun Gifford
- (as Matt Lawler)
Empfohlene Bewertungen
This film disappoints. I remember the event quite well and most of the true happenings were covered up and this movie does nothing to add to the truth.
We will never know the complete truth, but money talks and happened in the cover up, but this was not even included in this film. It appears that even 50 odd years later, it is still impossible to get the whole truth, so the Kennedy power still reigns.
A sad day. I feel this movie should not have been released as the speculation will continue, yet a person lost her life and the culprit got away with it.
We will never know the complete truth, but money talks and happened in the cover up, but this was not even included in this film. It appears that even 50 odd years later, it is still impossible to get the whole truth, so the Kennedy power still reigns.
A sad day. I feel this movie should not have been released as the speculation will continue, yet a person lost her life and the culprit got away with it.
The facts speak for themselves in this sober and sardonic telling of Senator Ted Kennedy's infamous late night car crash that drowned "Boiler Room Girl" staffer, Mary Jo Kopechne along with the subsequent cover up mostly stage managed by two of JFKs "best and brightest" Bob McNamara and Theo Sorenson. It is mostly a restrained telling as it displays less cynicism than pointing it out as the old gang huddles at the Hyannis Kennedy compound to plot and strategize for what they hope is a future President. Brother from another mother Joe Gargan attempts to get Ted to do the right thing but he is no match for the Realpolitik of Robert McNamara who is clearly running the interference, pulling strings and creating scenarios while local Sheriff Arena bungles his investigation, much of it in the favor of the Senator as a Kennedy flunky is dispatched to the deceased Ms Kopechne's parents to block access. It is a Humpty Dumpty make over and an unpleasant reminder of "justice" bought through power and influence in this democratic nation of ours.
There's an Oscar worthy performance to be found in tarnished angel's Ted played by Jason Clarke with a smarmy false bravado and unctuous cowardice while garnering great sympathy as he panics and leaves the girl to drown. Clearly the linch pin to the tragedy he is also responsible for some of the dark humor as says too much too soon, fails to re-new his license, comes up with far fetched attempts to elude blame and models a neck brace for effect before tussling on the floor with a fed up Gargan.
Kate Mara's Mary Joe rings with a mature and melancholy sincerity, her scenes with Ted tastefully handled, more concerned with revealing two people at uncertain moments in their life than a just a roll in the sand. Helms as Gargan suffers nobly and humiliatingly much by way of reaction. Bruce Dern as paralyzed dad Joe does as well but in a much more severe way while Clancy Brown's former Defense Secretary McNamara is take charge impressive in a room of heavyweights.
James Curran's direction is well paced and edited as he smoothly moves the investigation along amid the chaos of what's at stake as well as provide jarring flashbacks and allowing Mary-Jo in her own way provide brutal testimony to the audience. Overall the direction and writing (Taylor Allen, William Logan) is neither venally strident nor smugly damning as the film portrays the tragically flawed Kennedy, justifiably in some way, as a victim for being less than a great man in a circle that would not settle for anything but before once again finding himself out of his depth.
There's an Oscar worthy performance to be found in tarnished angel's Ted played by Jason Clarke with a smarmy false bravado and unctuous cowardice while garnering great sympathy as he panics and leaves the girl to drown. Clearly the linch pin to the tragedy he is also responsible for some of the dark humor as says too much too soon, fails to re-new his license, comes up with far fetched attempts to elude blame and models a neck brace for effect before tussling on the floor with a fed up Gargan.
Kate Mara's Mary Joe rings with a mature and melancholy sincerity, her scenes with Ted tastefully handled, more concerned with revealing two people at uncertain moments in their life than a just a roll in the sand. Helms as Gargan suffers nobly and humiliatingly much by way of reaction. Bruce Dern as paralyzed dad Joe does as well but in a much more severe way while Clancy Brown's former Defense Secretary McNamara is take charge impressive in a room of heavyweights.
James Curran's direction is well paced and edited as he smoothly moves the investigation along amid the chaos of what's at stake as well as provide jarring flashbacks and allowing Mary-Jo in her own way provide brutal testimony to the audience. Overall the direction and writing (Taylor Allen, William Logan) is neither venally strident nor smugly damning as the film portrays the tragically flawed Kennedy, justifiably in some way, as a victim for being less than a great man in a circle that would not settle for anything but before once again finding himself out of his depth.
The movie is well made, moves a little slowly but is compelling due to it's subject. The actors do a superb job. Even Ed Helms and Jim Gaffigan manage to make you forget who they are.
Kennedy and his handlers do not come off well, of course. It's a not a documentary and I do not trust Hollywood or the media to portray anyone historical character completely accurately.
For me, there are 2 take aways from the movie:
1. This was a sincere young lady whose life was cut much too short. It was difficult for me to watch her on screen knowing what was about to happen to her. She deserved better. Sadly, she is a footnote in history. We should refer to it as the Mary Jo Kopechne scandal, not Chappaquidick.
2. The end of the film featured "person on the street" interviews from 1969. It was amazing to listen to the ones who dismissed his short-comings and continued to support him. Seeing those interviews in the Trump era makes for an interesting perspective. Ted Kennedy, Bill Clinton or Donald Trump, the American voter on both sides of the aisle will look past a man's sins if they think that person will advance their political agenda. The opposite is also true: People will mercilessly and unflinchingly condemn a person for his shortcomings if they don't agree politically. This was true during the 2016 election cycle. It was never about Hillary or Trump's demons, it was always politics. Until that is understood, people will never get why Trump has support.
The biggest unanswered question for me is: how did Kennedy get out of the car. If the doors were jammed shut and the windows unbroken, which kept anyone from getting Mary Jo out of the car, then how did he get out?
Kennedy and his handlers do not come off well, of course. It's a not a documentary and I do not trust Hollywood or the media to portray anyone historical character completely accurately.
For me, there are 2 take aways from the movie:
1. This was a sincere young lady whose life was cut much too short. It was difficult for me to watch her on screen knowing what was about to happen to her. She deserved better. Sadly, she is a footnote in history. We should refer to it as the Mary Jo Kopechne scandal, not Chappaquidick.
2. The end of the film featured "person on the street" interviews from 1969. It was amazing to listen to the ones who dismissed his short-comings and continued to support him. Seeing those interviews in the Trump era makes for an interesting perspective. Ted Kennedy, Bill Clinton or Donald Trump, the American voter on both sides of the aisle will look past a man's sins if they think that person will advance their political agenda. The opposite is also true: People will mercilessly and unflinchingly condemn a person for his shortcomings if they don't agree politically. This was true during the 2016 election cycle. It was never about Hillary or Trump's demons, it was always politics. Until that is understood, people will never get why Trump has support.
The biggest unanswered question for me is: how did Kennedy get out of the car. If the doors were jammed shut and the windows unbroken, which kept anyone from getting Mary Jo out of the car, then how did he get out?
I really cant say much for the movie. but there is a very good pod cast with the sherif that showed up on the seen..what really bothers me is if you look into the whole story... if you or i would have done something like this we would be in jail...just sad that the power and elites get away with it all the time..
Better late than never that the true story of the Chappaquidick coverup gets major attention. For the Kennedys, laws and rules were always for the little people. I'm of a generation old enough to remember Chappaquidick. It's good that the younger crowd gets to see how the Kennedys operate. Disgusting how Ted, backed by his army of fixers and p.r. Hacks, portrays himself and his family as victims, when he was responsible for a young girl's death. My only complaint about the movie is that it's too kind to him, leaning on the "dad made me do it" and the myth of Kennedy family devotion to "public service." As a resident of Massachusetts I am ashamed that after this miscarriage of justice the voters of this state continued to re-elect this execrable miscreant. By the way it's been reported that "powerful people" tried to stop the release of this movie.
Wusstest du schon
- WissenswertesThe bridge where they were driving on was the Dike Bridge on the eastern part of the island, that connects the main part of Chappaquiddick with a strip of beach that runs north/south. While there are some homes along that eastern strip of beach on the north end, the party was not at one of them. The mystery of why they were driving on Dike Bridge has never been answered.
- PatzerTed asks the operator to make a collect call and gives his name, but never gives a phone number. The operator patches the call without it. By the late 1960s, pay phones allowed callers to directly dial a collect call by dialing a 0 rather than a 1 before the area code and phone number, and then telling the operator who picked up that it was a collect call and giving the operator his/her name.
- Zitate
Ted Kennedy: Joey you have flaws. We all do, you said so yourself. Moses had a temper. Peter betrayed Jesus. I have Chappaquiddick.
Joseph Gargan: Yeah. Moses had a temper. But he never left a girl at the bottom of the Red Sea.
- VerbindungenFeatured in The Ben Shapiro Show: A Big Leftist Myth Implodes on Taxes (2017)
- SoundtracksLila
Written by Merrell Fankhauser (as Merrell Wayne Fankhauser)
Performed by Fapardokly
Courtesy of HD Music Now
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Chappaquiddick
- Drehorte
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Box Office
- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.395.520 $
- Eröffnungswochenende in den USA und in Kanada
- 5.765.854 $
- 8. Apr. 2018
- Weltweiter Bruttoertrag
- 18.263.470 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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