Ein Geschwisterpaar von Meerjungfrauen wird Teil einer Warschauer Cabaret-Show. Während die eine die Menschen gerne lieben möchte, hungert es die andere danach, die menschliche Bevölkerung d... Alles lesenEin Geschwisterpaar von Meerjungfrauen wird Teil einer Warschauer Cabaret-Show. Während die eine die Menschen gerne lieben möchte, hungert es die andere danach, die menschliche Bevölkerung der Stadt zum Diner zu genießen.Ein Geschwisterpaar von Meerjungfrauen wird Teil einer Warschauer Cabaret-Show. Während die eine die Menschen gerne lieben möchte, hungert es die andere danach, die menschliche Bevölkerung der Stadt zum Diner zu genießen.
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- 22 Gewinne & 19 Nominierungen insgesamt
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This is a Polish film reimagining the Hans Christian Andersen story, The Little Mermaid. It's a dark erotic horror musical fable. It's doing a little too much and gets a little disjointed. I would drop the carnivorous nature, and the musical. Others may see it differently. I couldn't figure out whether to fear for the mermaids and be afraid of the mermaids. The shifting can be jarring. I get the musical aspect's connection to the story but it doesn't really fit. The world building is also a bit muddled. It's somewhat confused whether people know about mermaids or not and the era does not get infused into the story. This is definitely ambitious even if it's too ambitious.
The film starts on the banks of a dirty river where a family are singing and drinking. They encounter two young girls in the water, sirens who sing about wanting to be lifted out of the water. The family, who turn out to form a band in a sleazy cabaret, see an opportunity to use the girls for their own purposes and they soon have them performing as a sort of singing/strip tease act the highlight of which is when at the end of their song they dive into the water and their land legs transform bag into their fish tails.
Let's get one thing straight: the script for The Lure isn't big on making sense. Characters drop in and out to explain exposition in a ham-handed fashion, the musical numbers are scattered infrequently throughout the movie and the English lyrics are difficult to parse and seem to have little relation to what's going on on screen.
Yet somehow the movie still contains a lot of charm. First time director Agnieszka Smoczynska seems to be having a ball co-ordinating the cheap glitzy glamour of the musical numbers. Actresses Marta Mazurek and Michalina Olszanska are great in their roles as sister sirens Silver and Gold imbuing them with innocence even when their sleazy guardians use them both sexually and financially.
The movie flits with deeper themes like emotional heartbreak, sisterhood, exploitation, sex, work etc. but the script never gives more than a handful of minutes to each issue so they're never fully explored. That's too bad but at the same time if you turn your brain off and just try to enjoy the movie you're in for a wild ride like nothing you've ever seen before.
It could have been more horrifying but the level of strange was too up there for that. It was like the only knowledge the polish had of these mythical creatures came form the Disney version of the Little Mermaid as they're was a lot of singing and dancing that pops out of no where.
It was like a strange acid trip that was more humorous that horrifying, lying somewhere between the Rocky Horror Picture Show and Sweeney Todd.
It has it's grotesque moments and acts as a modern day Grimm fairy tale. A very enjoyable strangle unique experience.
I like it.
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Up to that point there is some pacing issues, some timeline jumping issues and some issues with people and the way they behave, when faced with ... well our female main characters. If you can call their characters female that is. There is nudity, there is violence and there is singing too. A lot actually, so if you have issues with one or more of those things, this may not be for you in the first place. Otherwise a modern day fairy tale is what you get ...
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- WissenswertesThe mermaid tails were six feet long and weighed over fifty pounds. According to Agnieszka Smoczynska, they were designed to look "repulsive" and different from depictions like Splash: Jungfrau am Haken (1984) or H2O - Plötzlich Meerjungfrau (2006).
- PatzerEven though the drummer had his thumb bitten off by Golden, both of his thumbs are visible in the wedding scene when he is playing with the life preserver.
- Zitate
Zlota: [singing] It's been a long time since I've felt this lonesome/It can't be the weather though it's pretty loathsome/At night I get cravings that aren't quite wholesome/It's been a long time since I've felt this lonesome/It can't be the weather though it's pretty loathsome/At night I get cravings that aren't quite wholesome/Because I'm sad and so are you/Now he's sad cause we're sad too/You're all sad and they're all sad/We're all gloomy as hell/Bid farewell to cheerful smiles/Dark thoughts eat me up alive/I'm a fly facing winter/Heavy, black, and sleepy/Because I'm sad and so are you/Now he's sad cause we're sad too/You're all sad and they're all sad/We're all gloomy as hell/You're all sad and they're all sad/We're all gloomy as hell
- Crazy CreditsThe opening credit sequence is an animation by the painter Aleksandra Waliszewska, known for her nightmare-inducing takes on fairy-tale characters-our first indication that we are in waters far from Disney. Skulls bob around the mermaid sisters as they swim sinuously about their aquatic serial killers' den, their sweet singing voices and long gold and raven locks in stark contrast to their grim surroundings.
- VerbindungenFeatured in Off the Hook: The Making of 'The Lure' (2017)
- SoundtracksSyreni Calling
Music by Barbara Wronska
Lyrics by Zuzanna Wronska
Performed by Marta Mazurek, Michalina Olszanska & Barbara Wronska
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- The Lure
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Box Office
- Bruttoertrag in den USA und Kanada
- 101.657 $
- Eröffnungswochenende in den USA und in Kanada
- 7.370 $
- 5. Feb. 2017
- Weltweiter Bruttoertrag
- 108.846 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1