Paterson

Paterson is a character driven joy to watch and see. I felt as if I was watching reality programming about characters that you can not help but root for. I became emotionally invested in the first 15 minutes and by films end was concerned for and gave a damn about all of their outcomes.

The theme of the film is the poetry in everyday life that surrounds us. The triumph's and setbacks faced by real people and how they deal with the obstacle's that get in the way of aspirations and dreams. A breath of fresh air from films where the stakes and risks are larger than life itself. Paterson is a journey in the life of the main character his charming and spontaneous girlfriend and her territorial but one of a kind dog Marvin.(One of the greatest movie dogs of all time!) Paterson is not a generic "feel good" movie but I felt great having seen it!

I can't possibly do justice to this movie because, frankly, I didn't understand it. I get that it is a sort of adaptation of the epic Paterson poem into a movie, but why would someone do that is beyond me. The acting was good, the direction was excellent, I sincerely cannot imagine a better movie adaptation of the subject, which is a bus driver called Paterson, driving his bus in Paterson.

Now, I guess there could be entire pages dedicated to the film. The way it was made, shot, the rhythm, the analogies to the poetic style, the artistic references in the script, the symbolism and so on. But really, what this film is about is a week in the life of a really introverted bus driver.

Bottom line: you need to be in a certain mood and be a certain kind of person to really appreciate it.

Paterson is a celebration of the small details in life. A poetic and charming love-story about a perfectly ordinary couple, living in a perfectly ordinary town.

The town in question is Paterson, New Jersey. Home of poet William Carlos Williams, comedian Lou Costello, and one of America's largest waterfalls. The man in question, in true Jarmusch style, is also named Paterson (played with pinpoint subtly by Adam Driver). Paterson is a hard-working bus driver who quietly goes about his duties, all the while allowing the scenery and eavesdropped conversation to inspire his main passion in life; writing poetry. Meanwhile, his girlfriend and the love of his life, played without fault by Iranian actress Golshifteh Farahani, is a stay-at-home creative. She spends her day baking imaginative cupcakes and making new curtains from scratch. The films narrative centres around a seven day week. Each day brings a new variation on the theme, and each moment a reflection on two people who wholeheartedly accept each other for who they are.

Paterson is a quiet and contemplative film that sits perfectly in Jarmusch's repertoire. It's a film about how people choose to live their life, regardless of the necessities to work and make money. Like poetry, the words and images flow with little dramatic tension or conflict. Jarmusch explained at Cannes that he intended Paterson to be an antidote to the modern action film, and if this is the case, I'll definitely be coming back for another dose.

I decided to watch this film because of two friends who claimed they did not understand what is happening and that they did not know how to watch a movie. I saw the and the answer is simple. In fact, the answer is in the movie itself!

If you are a fan of William Carlos Williams or a fan of Archibald McLeish (both poets), then the answer is throughout the film. Unlike many of today's films, this one celebrates the essence of a film by just being a film. McLeish offers an answer in his poem, "Ars Poetica" where he asserts a poem does not "mean," it simply is.

Williams also offers an answer in his works: there is an inherent value in the the "thingness of things" whether it is the bowl of plums reference in this film or in the red wheelbarrow.

What Jarmush has given us is an excellent example of what these two poets told us years ago: there is value in the small and simple things of life. That is all this film is about and we are told, point blank, at the end of the movie: the Japanese poet asks Paterson if he, too, is a poet. Paterson says, no; he is only a bus driver. The Japanese poet says, "This could be a poem by William Carlos Williams."

And, indeed, that is what we have just seen.

It took us a while but we finally got around to seeing this movie, at home on DVD from our public library. As others have commented this is a very satisfying movie but difficult to explain why.

Adam Driver is really very authentic as Paterson, and he lives in Paterson, NJ. He is intelligent but quiet, every weekday he gets up a little after 6AM, eats his small bowl of Cheerios, and walks with his lunch to his job as a municipal bus driver. Golshifteh Farahani (of Iranian heritage) is his happy wife Laura who likes to decorate everything white and black, her home, her clothes, the curtains, even her cupcakes.

The story starts on a Monday morning and ends the next Monday morning. In between we see Paterson's daily life, his hidden passion is writing poetry in a little book he carries around with him. A punctual man he arrives to work early and sits in his bus, writing, until he is given the signal to start his route.

These are not your usual "Roses are red and violets are blue" type of poem, instead they are the thoughtful, non-rhyming sort, "Today I made my own sandwich, it gives me great pleasure to do so, I can let my wife sleep late" type of poem, although that is not one of them.

The movie is just a character study of a gentle and honest man just finding his own path through life, one week at a time. The script and situations also provide an appropriate amount of humor.