Diese Dokumentation verwendet nie zuvor gesehene Aufnahmen und wiederentdeckte Interviews auf der Suche nach der Wahrheit hinter dem mysteriösen Tod der schwarzen Transgender-Aktivistin und ... Alles lesenDiese Dokumentation verwendet nie zuvor gesehene Aufnahmen und wiederentdeckte Interviews auf der Suche nach der Wahrheit hinter dem mysteriösen Tod der schwarzen Transgender-Aktivistin und Stonewall-Veteranin Marsha P. Johnson im Jahr 1992.Diese Dokumentation verwendet nie zuvor gesehene Aufnahmen und wiederentdeckte Interviews auf der Suche nach der Wahrheit hinter dem mysteriösen Tod der schwarzen Transgender-Aktivistin und Stonewall-Veteranin Marsha P. Johnson im Jahr 1992.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Gewinne & 5 Nominierungen insgesamt
- Self
- (Archivfilmmaterial)
- Self
- (Archivfilmmaterial)
- Self
- (Archivfilmmaterial)
- Self - Marsha's Friend
- (Archivfilmmaterial)
- Self - Marsha's Roommate
- (as Randy Wicker)
- Self
- (as Capt. James McShane)
- Self - Marsha's Friend
- (Archivfilmmaterial)
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The compelling aspect of this documentary is the character study of the unflappable Victoria in her investigation and Sylvia Riviera, who hits the bottom and comes back to be a great activist. Both are more interesting than Marsha herself--at least what we learn of Marsha in this film. The scenes where Victoria shows us photos of herself when she was young on stage and Sylvia getting a job at a church are wonderful.
One big space is the lack of resources put into investigating the violence against trans-gendered people--Victoria's boss notes this toward the end. The spaces are the questions always left unanswered when someone dies without reason.
Basically, the movie's title is misleading. It's not really about Marsha, though she is a part of the larger story. It's about being trans-gendered in New York and how this has changed and not changed in the last 50 years.
Martha is and was an amazing person. She was the one who started the fight for transgenders and gay exam rights. This is a must see and I would watch it many more times.
I lived in New York and came out (finally, at age 30) the same week that Marsha was murdered, in July 1992. I can't believe I don't remember this happening. :-(
While this film isn't perfect, it tells an important story and the other people involved (Silvia, Victoria, etc.) are as compelling and worth knowing about as Marsha was. The details of their lives and experiences are compelling.
I'm only sorry I'm discovering all this lo these many years later.
The death of Marsha P. Johnson was a turning point in holding police and their political string-pullers to account and the rare film clips of Marsha and her friends give the film an extra layer of engagement.
It's not hysterical. It's not over-done. It's not a film that can be dismissed. In its gently unfolding way it tells the story of this incredible personality of the Stonewall Riots.
Highly recommended for all audiences.
Wusstest du schon
- Zitate
Marsha P. Johnson: Really, everybody goes sooner or later. Tomorrow's not promised to anyone. I learned that in church when I was five years old. And I've never forgotten it. So, uh, every day counts.
[chuckles]
- SoundtracksAheym for Orchestra
Performed by Kronos Quartet with Bryce Dessner
Composed by Bryce Dessner
Published by G. Schirmer, Inc. (ASCAP) o/b/o Chester Music (PRS)
Courtesy of ANTI-Records
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- Laufzeit1 Stunde 45 Minuten
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- 1.78 : 1