Füge eine Handlung in deiner Sprache hinzuWhen war wounds disfigure socialite Oliver Bradshaw, he hides in seclusion at a mysterious cottage he rented. When Oliver falls in love with Laura, a nurse who cares for him, they discover t... Alles lesenWhen war wounds disfigure socialite Oliver Bradshaw, he hides in seclusion at a mysterious cottage he rented. When Oliver falls in love with Laura, a nurse who cares for him, they discover that the cottage has the power to transform.When war wounds disfigure socialite Oliver Bradshaw, he hides in seclusion at a mysterious cottage he rented. When Oliver falls in love with Laura, a nurse who cares for him, they discover that the cottage has the power to transform.
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This movie is sooo bad. The cottage is pretty. That is the only good thing about this movie. I would suggest watching the classic 1945 version. One of my favorite movies!
This movie is very lousy :( I was expecting so much. Great film location though, but the actors made the film so bad. Just sad..
This is a film so bad that you can imagine it one day having a large cult following. It proceeds from one improbability to another with an almost charming nonchalance, as if to say,"Oh, never mind, you know what we mean." It is so filled with non-sequiturs that the occasional sequitur seems wandering and lost. The upshot of this is that the film keeps you so befuddled that you find yourself sticking around to see if it will finally unravel itself. It doesn't. It just smiles at the end and says, "So there you have it."
It is hard to imagine the director's excuse, given that he had the model of the successful 1945 film in front of him. Actually the film lists seven directors. It is hard to decide whether this was six too many or seven too many.
It is hard to imagine the director's excuse, given that he had the model of the successful 1945 film in front of him. Actually the film lists seven directors. It is hard to decide whether this was six too many or seven too many.
THIS ...... is the best they can do .... Oh My God...!!
Everything in this is poor .... casting...acting.... music ..... And its poor on its own ....Then when you put it against the 1945 version with Dorothy McGuire, Robert Young and Herbert Marshall ....Music by Roy Webb ....You realize just how pitiful it is....!!!
NONE of the romance that exudes the 1945 version is translated in this film....No matter how sentimental or sappy you may think the 45 version is .... It does what it was meant to do ... It ss a fantasy drama ... and when you go outside of this idea you lose the sweeping emotion that the story intends to deliver...
If a studio is going to commit to a remake of this film ...... They better make a much more substantial commitment than THIS...!!!
Better yet ... DON'T remake this movie .... it probably belongs in a different time anyway.
Everything in this is poor .... casting...acting.... music ..... And its poor on its own ....Then when you put it against the 1945 version with Dorothy McGuire, Robert Young and Herbert Marshall ....Music by Roy Webb ....You realize just how pitiful it is....!!!
NONE of the romance that exudes the 1945 version is translated in this film....No matter how sentimental or sappy you may think the 45 version is .... It does what it was meant to do ... It ss a fantasy drama ... and when you go outside of this idea you lose the sweeping emotion that the story intends to deliver...
If a studio is going to commit to a remake of this film ...... They better make a much more substantial commitment than THIS...!!!
Better yet ... DON'T remake this movie .... it probably belongs in a different time anyway.
I was hoping the opening scene was not an indication of what we would see when we got to the main characters. The acting is horrible out of the gate. Sam Nisbett as Tom is bad just talking to his wife and again when he dies. At one point he reacts strongly to his wife's statement before she has said the words that cause the reaction.
Could Laura's appearance early in the film be any more geeky and plain Jane? Obviously there is some beauty in there, but they go overboard in trying to mask it. Sarah Navratil's acting is forced and stiff. She's obviously trying, but it just doesn't come naturally to her.
When Oliver first wakes up after his injuries, Paul D. Masterson doesn't act at all like someone that the others were just so worried about surviving. He appears normal, but nonchalant about what he is about to attempt. Even well after that, he just moves like someone who is perfectly healthy. This is true even in his physical therapy. He also doesn't physically show any of the emotion that his words convey. Later when circumstances and conversation is more normal, Masterson does better capturing that.
Sandra Rice is also stiff delivering lines. I do have to hand it to her that she did a good job of keeping a straight face, but not quite, when she sees his facial scars. The direction is poor in this scene because it took me three takes to realize when Oliver was showing his body scars. The angle made it hard to see.
Production is poor, especially the sound. The video isn't too bad.
The story is delivered very badly. The setup doesn't ring true as events leading up to Oliver actually coming to the cottage just don't make sense. And I'm betting that this is based on a short story because there are a lot of visuals and scenes that are obviously crammed in to fill time.
There is an absolutely incomprehensible segue later in the movie. You'll know what I mean if you watch that far. It's not that it is a surprise twist. The transition just makes no sense. One minute they said one thing and the next minute the results were the opposite.
There is a bit of a twist even later, but it was a slow journey getting there, even in a 90 minute movie.
Could Laura's appearance early in the film be any more geeky and plain Jane? Obviously there is some beauty in there, but they go overboard in trying to mask it. Sarah Navratil's acting is forced and stiff. She's obviously trying, but it just doesn't come naturally to her.
When Oliver first wakes up after his injuries, Paul D. Masterson doesn't act at all like someone that the others were just so worried about surviving. He appears normal, but nonchalant about what he is about to attempt. Even well after that, he just moves like someone who is perfectly healthy. This is true even in his physical therapy. He also doesn't physically show any of the emotion that his words convey. Later when circumstances and conversation is more normal, Masterson does better capturing that.
Sandra Rice is also stiff delivering lines. I do have to hand it to her that she did a good job of keeping a straight face, but not quite, when she sees his facial scars. The direction is poor in this scene because it took me three takes to realize when Oliver was showing his body scars. The angle made it hard to see.
Production is poor, especially the sound. The video isn't too bad.
The story is delivered very badly. The setup doesn't ring true as events leading up to Oliver actually coming to the cottage just don't make sense. And I'm betting that this is based on a short story because there are a lot of visuals and scenes that are obviously crammed in to fill time.
There is an absolutely incomprehensible segue later in the movie. You'll know what I mean if you watch that far. It's not that it is a surprise twist. The transition just makes no sense. One minute they said one thing and the next minute the results were the opposite.
There is a bit of a twist even later, but it was a slow journey getting there, even in a 90 minute movie.
Wusstest du schon
- WissenswertesAlso a remake of the original The Enchanted Cottage (1924).
- VerbindungenRemake of The Enchanted Cottage (1924)
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Details
Box Office
- Budget
- 250.000 $ (geschätzt)
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Farbe
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