The Wailing: Die Besessenen

There were a few twists and tense moments, but it was a long, drawn out movie, with little to sustain it. The scenes with the shaman were the most entertaining, but the last 30 minutes I was yelling "come on already!"

'The Wailing (2016)' is an affair that sticks with you, leaving you to turn it over and over in your mind long after its credits have rolled. It's a constantly evolving experience, moving through several somewhat distinct acts defined only by your understanding of its plot's events. This is evidence of its keen awareness of its audience, as it is able to predict what you're thinking in order to set up a blindsiding reveal. A lot of the narrative is ambiguous, despite a fairly concrete end, and it makes for an extremely enigmatic watch, one in which your assumptions are always shifting and, somehow, never quite correct. When you think back on the piece, you realise how meticulously crafted it is right from the opening shot. It's exactly what it needs to be, even if it does sometimes seem slightly meandering and you can certainly feel its length. It's never even close to boring, constantly keeping you engaged and occasionally wrenching you to the edge of your seat. It's the kind of film that sneaks up on you; you don't realise your heart is in your mouth until it's too late. It's as much a mystery as it is a horror, but it's ultimately rather frightening. It has moments of wince-inducing gore, creepy imagery and unbearable tension but it's its overall effect that affects you the most. It's difficult to describe, really, but to say the picture is ominous is an understatement. Its only real flaw is the fact that some of its odd comedy, particularly in its earlier sequences, detracts ever-so-slightly from the sincerity of its narrative. Still, even this contributes to the story's decidedly off-kilter vibe. When it comes down to it, the thing is absolutely brilliant, a distinct and distinguished movie unlike most others of its kind. It gets under your skin and wriggles around for a long time. 8/10

About 40 minutes into the movie, I stopped to look at how much time was left and was actually RELIEVED to see that there was still so much left. That's how engaging and interesting the story was for me.

Before watching the movie I read one review on here that said it was a "smorgasbord" of genres (it was a positive review), but it doesn't really feel like it. I mean, yes, I can see it, but the storytelling is so fluid and well written that the multiple genre aspects didn't feel out of place at all. It works. It works so well that I almost feel like it's redundant to point out that there are "so many genres."

I found the second half of this movie quite similar to The Witch. Not necessarily in terms of the storyline, but the pace, the severity, the terror. Both movies are quite psychological. But The Wailing delivers somewhat of a more complex storyline.

Cinematography was breathtaking. Jun Kunimura was ridiculous (in a good way). All the actors were on point. I'm not going to point out or mention "Asian horror" here (although, technically I just did I guess, lol). I just don't think that it's necessary to pigeonhole this movie into anything other than what it is; a great horror.

Here is a movie that got a tremendous amount of praise from critics and viewers as being a memorable horror film. I thought it was well filmed and acted, especially the child actress. This might be the most intense performance a child actor has given on film. The story definitely made me care about the characters, and when it was over, I wanted to know more about what I had just watched. However, after taking time to reflect and review some of the interpretations that have been put out there, I've decided that The Wailing didn't quite meet my expectations. It was hard to follow, and most people seem to understand that the director wanted some things to be intentionally vague. But what bothered me is that I felt like the story kept introducing new plot points that didn't seem connected to what had come before. When I got to the end and saw what other people had to say about what was going on, it didn't do anything to deepen my appreciation of the movie. It's long, too, and it feels like it meanders, even if everything does somehow tie together at the end. I just didn't respond that strongly to it. I think some of the imagery will stick with me, but I don't feel like I enjoyed it enough to want to watch it back. I can't say that I don't recommend it, because obviously a lot of people really enjoyed it, I just didn't happen to be one.

Some movies have a coherent plot that is told in a non-straightforward fashion, or that is open to several interpretations, or that leaves out some parts requiring the audience to fill-in (e.g. an open end), and possibly this filling-in can be done in more than one way. These movies require several viewings and considerable thought to make sense.

After watching The Wailing for the first time, I had the impression that it was this kind of movie. However, after watching it again, pondering it, and then reading and watching attempts by various people to interpret/explain it, I have come to a different conclusion. Namely, this movie does not have a coherent underlying plot. No matter how you shift the pieces of the puzzle in an attempt to recreate a coherent narrative, some pieces will never fit together, and not due to your incompetence, but because the underlying story is - possibly intentionally, possibly not - fundamentally inconsistent. It's like one of those optical illusions or Escher drawings that appear to describe a physical object, but in fact don't make physical sense.

Accordingly, whether one enjoys this movie or not boils down to whether one can be content with a movie that is technically well-made (cinematography, acting, costumes, etc.), but (a) its plot makes no sense, and (b) it is told in a deceptive way as to lure you into thinking that the plot would make sense if only you gave the matter sufficient thought, thus leaving you with a lingering, irritating feeling of dissatisfaction and confusion.

And maybe this is precisely the point of the movie: rather than telling a story, its purpose is to instill in the audience a feeling of confusion in the face of a sequence of events that almost, but not quite, makes sense. Much like life at times, no?