Die Freundschaft einer Frau mit einer neuen Mitarbeiterin des Gefängnisses, in dem sie arbeitet, nimmt eine unheilvolle Wendung.Die Freundschaft einer Frau mit einer neuen Mitarbeiterin des Gefängnisses, in dem sie arbeitet, nimmt eine unheilvolle Wendung.Die Freundschaft einer Frau mit einer neuen Mitarbeiterin des Gefängnisses, in dem sie arbeitet, nimmt eine unheilvolle Wendung.
- Auszeichnungen
- 1 Gewinn & 8 Nominierungen insgesamt
Gavin K. Barfield
- Mary
- (as Gavin Barfield)
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I wish I hadn't watched this movie back-to-back with Saltburn; I would have liked more time between viewings before seeing so many similar character traits and situations. Eileen kept me interested throughout the runtime, mostly thanks to Thomasin McKenzie. A less interesting performer could have rendered this completely skippable. The movie spends a lot of time establishing what Eileen's life is like, and those details drew me in to the story. Then, Anne Hathaway's character is introduced, and the plot begins to take off. As the action continued to build, I really wanted to see where everything would end up. However, I was disappointed by the resolution; I felt like most of what we had learned about the characters became unimportant as a result of their final choices. It was hard not to feel like I had wasted my time when the credits came up because it was such an unsatisfying way to end things. It prevents me from being able to recommend this movie to anyone. I don't regret watching it, but I was definitely let down.
This movie had all the makings of a great film. Act 1 provided a satisfying introduction to our main cast and let us explore the intricacies of their personalities. It seamlessly eased into Act 2 with the twist that was greatly hinted at in both the trailer and the synopsis. Then once we get to the height of the climax the film ends. We get no Act 3 and no resolution to what went on in the whole film. Every single plot point was left open with too much room left to interpretation. I honestly got hooked onto these characters and invested in their lives and stories and from Act 1 to Act 2 I felt like the film had an average score of a 7 that turned into an 8, but when everything ended so suddenly that score in my head dropped to where it is now. This film really should have had another hour to explore the consequences of the character's actions whether they were allowed to lead their same lives or not. As for now, we as the audience will never know and that doesn't jive with this viewer.
To sum up my thoughts the movie was the start of something great. But since it cut off so suddenly I'm left to wonder what the point even was.
To sum up my thoughts the movie was the start of something great. But since it cut off so suddenly I'm left to wonder what the point even was.
Thomasin McKenzie is quite good as the eponymous, rather timid, prison secretary who lives a rather pedestrian life watching the couples make out in the car-park, or fantasising about a quickie with one of her colleagues, before returning home to her retired cop/dipso father replete with two bottles! The arrival of new psychologist "Rebecca" (Anne Hathaway) injects a little life into her dull routine. This assertive sophisticate takes an interest in "Eileen", they go for a drink - there's even some flirting - before "Rebecca" shares a secret with her new friend that involves a young man in prison accused of the brutal murder of his father, and of just what his mother might know of the crime and it's causes. The first hour is quite intriguing but that sense of anticipation is let down by a last half hour that is really quite undercooked and the denouement, well that is just incomplete - on just about every level. The acting and writing is fine - nothing more, but I left the screening thinking that something was missing. What exactly was the point here? It's a good looking film - effort has certainly gone into the aesthetic but I'm not sure I'm really any the wiser.
Everything about it is a tease. There is no follow through of anything. No actual sex. No love story. No real relationships. No mind bending mystery. When it finally starts to pick up and give you something. It just ends. There's very little plot. It's pretty much a coming of age film. A women finding herself. The story is brutally slow for three quarters of the film.
The movie needed to give more. It felt like I watched half of a movie. There were so many filler scenes to slowly bring you to something that had so much potential for a fulfilling film, but instead of continuing with it, the movie ends. It was like they randomly ran out of money and said "hey lets just end it here because we got nothing left in the bank"
The focus and story is all over the place hinting at something that could be, but no real plot to dig your teeth into. The film needed to keep going. It finally reached an exciting idea and twist at the end, but that shouldn't have been the end. It should have been another hour and a half of finally giving us something interesting, to go with the events that take place. If they would have continued into a deep hot love story with the two women as they kept exploring the bounds of how to play with peoples minds that would have been interesting... but no.
Anne Hathaway was amazing. She stood out like a rose in a field of dead grass. But her role/script was very incomplete and there wasn't enough of her. We never really got to see who she was. And her part in the entire thing really didn't make sense with how little they had her in the movie. There wasn't a firm story for her. She was more of a tease than anything. A quick glimpse of what Eileen hoped she could be. A role model and nothing more.
The movie needed to give more. It felt like I watched half of a movie. There were so many filler scenes to slowly bring you to something that had so much potential for a fulfilling film, but instead of continuing with it, the movie ends. It was like they randomly ran out of money and said "hey lets just end it here because we got nothing left in the bank"
The focus and story is all over the place hinting at something that could be, but no real plot to dig your teeth into. The film needed to keep going. It finally reached an exciting idea and twist at the end, but that shouldn't have been the end. It should have been another hour and a half of finally giving us something interesting, to go with the events that take place. If they would have continued into a deep hot love story with the two women as they kept exploring the bounds of how to play with peoples minds that would have been interesting... but no.
Anne Hathaway was amazing. She stood out like a rose in a field of dead grass. But her role/script was very incomplete and there wasn't enough of her. We never really got to see who she was. And her part in the entire thing really didn't make sense with how little they had her in the movie. There wasn't a firm story for her. She was more of a tease than anything. A quick glimpse of what Eileen hoped she could be. A role model and nothing more.
This movie made no sense.
At first I thought it had a vibe similar to Saltburn that I have just seen. With its themes of pier pressure, parental expectations and a twisty turning plot, Eileen starts with the bookish, socially awkward main character drifting in and out of reality.
Anne Hathaway comes along along and leads us to believe that their relationship will develop into something more than a colleague based relationship. Just when when we think things might develop into something the film has been foreshadowing, the movie takes a ridiculous turn into left field and further oblique turns after that.
The build up made no sense with how the movie turned out. Everything in the movie was well done up until the plot, which makes no sense. Best avoided.
At first I thought it had a vibe similar to Saltburn that I have just seen. With its themes of pier pressure, parental expectations and a twisty turning plot, Eileen starts with the bookish, socially awkward main character drifting in and out of reality.
Anne Hathaway comes along along and leads us to believe that their relationship will develop into something more than a colleague based relationship. Just when when we think things might develop into something the film has been foreshadowing, the movie takes a ridiculous turn into left field and further oblique turns after that.
The build up made no sense with how the movie turned out. Everything in the movie was well done up until the plot, which makes no sense. Best avoided.
Wusstest du schon
- WissenswertesAlthough it resembles the look of film stock, the movie was shot with ARRI ALEXA Mini digital cameras with a special Angénieux 25-250 HR zoom lens. According to cinematographer Ari Wegner, shooting on film was considered but the limited budget didn't allow for it.
- Zitate
Jim Dunlop: Some people, they are the real people. Like in a movie, they're the ones you're watching, they're the ones making moves. And the other people, they're just there filling the space. And you take'em for granted. You think, they're easy. Take a penny, leave a penny. That's you, Eileen.
- Soundtracks(You Don't Know) How Glad I Am
Written by Jimmy T. Williams and Larry Harrison
Performed by Nancy Wilson
Courtesy of Capitol Records
Under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Mi nombre era Eileen
- Drehorte
- South Amboy, New Jersey, USA(Lagoda's is a classic old-town longshoreman bar)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 16.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.435.007 $
- Eröffnungswochenende in den USA und in Kanada
- 93.290 $
- 3. Dez. 2023
- Weltweiter Bruttoertrag
- 1.673.665 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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