Eine verwitwete Putzfrau im London der 1950er Jahre verliebt sich unsterblich in ein Couture-Kleid von Dior und beschließt, dass sie selbst eines haben muss.Eine verwitwete Putzfrau im London der 1950er Jahre verliebt sich unsterblich in ein Couture-Kleid von Dior und beschließt, dass sie selbst eines haben muss.Eine verwitwete Putzfrau im London der 1950er Jahre verliebt sich unsterblich in ein Couture-Kleid von Dior und beschließt, dass sie selbst eines haben muss.
- Für 1 Oscar nominiert
- 4 Gewinne & 12 Nominierungen insgesamt
Empfohlene Bewertungen
Incredibly charming, kind, and warm film.
In modern cinematography, we rarely meet films such as this one.
The story is about a kind and honest woman who, despite everything, went toward her dream and desire. No matter what troubles and obstacles she encountered on her way, she always found a way to fix everything.
In that case, then what is special about such a banal story? Why does it deserve a high rating?
Its purity and light.
This film will make you cry, smile, rejoice, get angry, and mourn along with the main character.
Even though this is a good fairy tale, and this happens very rarely in life, this film can just be a reminder that we must believe in good fairy tales, and sometimes create them on our own. Then in our hearts, there will be a place for a miracle.
In modern cinematography, we rarely meet films such as this one.
The story is about a kind and honest woman who, despite everything, went toward her dream and desire. No matter what troubles and obstacles she encountered on her way, she always found a way to fix everything.
In that case, then what is special about such a banal story? Why does it deserve a high rating?
Its purity and light.
This film will make you cry, smile, rejoice, get angry, and mourn along with the main character.
Even though this is a good fairy tale, and this happens very rarely in life, this film can just be a reminder that we must believe in good fairy tales, and sometimes create them on our own. Then in our hearts, there will be a place for a miracle.
It fills the role of a nice, funny, feel good movie. Made me smile, and my grandma even more. The acting was on point and the dresses were fabulous, of course.
If you come in expecting to be told a fairytale, you will not be disappointed. It is a well-executed fairytale meant to teach morals as opposed to be realistic. It's 'Cinderella' meets 'The Devil Wears Prada' meets 'Pretty Woman' with a dash of 'The Phantom of the Open'.
Above all: this film is a chocolate chip cookie. We all know what goes into a chocolate chip cookie and we all recognize how one should taste. Despite the familiarity, a chocolate chip cookie done well remains a treat.
Above all: this film is a chocolate chip cookie. We all know what goes into a chocolate chip cookie and we all recognize how one should taste. Despite the familiarity, a chocolate chip cookie done well remains a treat.
What a great little film - albeit more of a woman's picture, but still it has all the elements that are missing in so many films today. Mrs. Harris is a real person - she has optimism; she's older; she has a brain and knows how to use it AND she has heart and soul. She has a dream to own haute couture and goes about making that dream happen. Along the way she meets, befriends and wins over a variety of characters. This is like a kinder, gentler version of THE DEVIL WEARS PRADA. The writing is kind and sweet - nothing that is far out; nothing that would contain any great surprises - its just a sweet little story. Leslie Manville is perfect as Mrs. Harris - you wouldn't mind if she were your mother or grandmother and for all her good-heartedness, you want her to be rewarded. You're not bowled over with $100MM worth of special effects - this is just something to sit back, relax and enjoy. That's why it only made $31MM instead of $500MM. Bravo to Focus pictures.
This film was not on my radar at all. But I watched it. And loved it. I thought the acting was on point. The directing was beautifully done, the movie reminded me of a film from the 50s or 60s. The writing was well done and pretty much perfect. The film had a nice feel to it making it easily rewatchable. Overall its definitely a under the radar film, but it should be watched. Its highly enjoyable for the whole family and is a very sweet film.
Wusstest du schon
- WissenswertesCostume designer Jenny Beavan utilized Dior's historical archives, which contained the designer's original sketchbooks, workbooks, and patterns, to recreate the Dior dresses seen in the movie. Some were vintage pieces borrowed from the house of Dior, some were replicas, and some were inventions designed in the Dior tradition.
- PatzerMrs. Harris spends the better part of a week having a dress fitted to her form, and yet it is able to be worn by another woman who obviously has different measurements.
- Zitate
Ada Harris: Them days are over when you can treat people like scum and expect loyalty in return.
- Crazy CreditsLine drawings of Dior (?) gowns appear during the closing credits.
- VerbindungenFeatured in Die 95. jährlichen Academy Awards (2023)
- SoundtracksJohnny B. Goode
Written and Performed by Chuck Berry
Published by Jewel Music Publishing Co Ltd., administered by BMG
Courtesy of MCA Records Inc.
Under license from Universal Music Operations Ltd.
By arrangement with Dualtone Music Group, Inc.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- La señora Harris va a París
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.433.915 $
- Eröffnungswochenende in den USA und in Kanada
- 1.953.070 $
- 17. Juli 2022
- Weltweiter Bruttoertrag
- 31.179.316 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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