IMDb-BEWERTUNG
6,2/10
38.983
IHRE BEWERTUNG
Eine Liebesgeschichte, die sich ein Jahr nach dem wissenschaftlichen Beweis der Existenz des Jenseits entwickelt.Eine Liebesgeschichte, die sich ein Jahr nach dem wissenschaftlichen Beweis der Existenz des Jenseits entwickelt.Eine Liebesgeschichte, die sich ein Jahr nach dem wissenschaftlichen Beweis der Existenz des Jenseits entwickelt.
- Regie
- Drehbuch
- Hauptbesetzung
M.J. Karmi
- Janice
- (as MJ Karmi)
Willie C. Carpenter
- Hospital Janitor
- (as Willie Carpenter)
Adam Khaykin
- Oliver
- (as Adam Morrison Khaykin)
Colin Allen
- Green Jumpsuit Person
- (Nicht genannt)
Paul Bellefeuille
- Pat Phillips
- (Nicht genannt)
Jim Boyd
- Man in Red 1
- (Nicht genannt)
Empfohlene Bewertungen
Don't know why this is getting some bad reviews. This was actually pretty darn good.
This movie has an interesting take on consciousness and death that is worth the time to watch. Perhaps people are not liking the existential weirdness and the questions it brings up but I enjoyed myself on this one.
I think we all need to ponder consciousness and reality a little more.
This movie has an interesting take on consciousness and death that is worth the time to watch. Perhaps people are not liking the existential weirdness and the questions it brings up but I enjoyed myself on this one.
I think we all need to ponder consciousness and reality a little more.
They bait you into thinking that this will provide for some interesting ideas for you to reflect on, but nope.
The main problem is that the story doesn't hold. I mean, the message of the movie is good and inspiring, but the story is just a mess that is full of holes.
They just took one good old movie and re-told it slightly adjusting the focus. I won't spoil it for you so check this out if you're interested anyways.
But be warned, this movie is slow and packs quite a run time. What's more interesting is that they actually stretch it out intentionally, it has a lot of unnecessary scenes they should've cut and it wouldn't hurt the movie. Probably they had a run time to meet or something.
The dialogue is often forced, some scenes are written so badly they are barely believable. Also, the lead seriously underperforms, his acting is unconvincing and he is unable to deliver emotional moments (you'll see).
If you're a hardcore sci-fi fan, the ending will disappoint you (mostly because of how random it is). But you will know long before that the movie is going nowhere.
The main problem is that the story doesn't hold. I mean, the message of the movie is good and inspiring, but the story is just a mess that is full of holes.
They just took one good old movie and re-told it slightly adjusting the focus. I won't spoil it for you so check this out if you're interested anyways.
But be warned, this movie is slow and packs quite a run time. What's more interesting is that they actually stretch it out intentionally, it has a lot of unnecessary scenes they should've cut and it wouldn't hurt the movie. Probably they had a run time to meet or something.
The dialogue is often forced, some scenes are written so badly they are barely believable. Also, the lead seriously underperforms, his acting is unconvincing and he is unable to deliver emotional moments (you'll see).
If you're a hardcore sci-fi fan, the ending will disappoint you (mostly because of how random it is). But you will know long before that the movie is going nowhere.
I wasn't sure about seeing this film because of the rating, but the concept was interesting and being a fan of Rooney Mara's work I decided to give it a shot. And I am glad I did.
The opening scene is very well done because it grabs your attention from the first second. But what comes after is what bothered most of the viewers who felt disappointed - the personal story line between Jason Siegel's and Rooney Mara's characters becoming the center of attention instead of the concept of an afterlife and how it works.
Personally, while watching the movie, I did feel a little bit deceived, because "the discovery" took a back seat, BUT after finishing the movie it all made sense. I think the film was very well structured and managed to get across it's idea and explanation of how afterlife works very well to the audience, without having to talk about it and explain it in every scene as if the viewers are little children. I do not agree with some statements that the concept of "the discovery" was not well done, finished or explained well. Last 10 min. do contain a lot of information and the viewer should pay attention.
The acting was very good, however overall I must agree that it is not the most exciting film. What I mean is that it won't be in your "most memorable or favorite"movie list. It's a good watch on lazy night though. Give it a go.
The opening scene is very well done because it grabs your attention from the first second. But what comes after is what bothered most of the viewers who felt disappointed - the personal story line between Jason Siegel's and Rooney Mara's characters becoming the center of attention instead of the concept of an afterlife and how it works.
Personally, while watching the movie, I did feel a little bit deceived, because "the discovery" took a back seat, BUT after finishing the movie it all made sense. I think the film was very well structured and managed to get across it's idea and explanation of how afterlife works very well to the audience, without having to talk about it and explain it in every scene as if the viewers are little children. I do not agree with some statements that the concept of "the discovery" was not well done, finished or explained well. Last 10 min. do contain a lot of information and the viewer should pay attention.
The acting was very good, however overall I must agree that it is not the most exciting film. What I mean is that it won't be in your "most memorable or favorite"movie list. It's a good watch on lazy night though. Give it a go.
The idea behind the premise of The Discovery is an interesting one but its implementation isn't as refined as expected and only works in bits n pieces. It's a thoughtful feature that experiments with existential elements and poses some intriguing questions but it neither presents it in a convincing manner nor remains thoroughly gripping.
Set in the near-future, the story of The Discovery takes place in a world where suicide rate is at an all-time high after a scientist's breakthrough research proved the existence of an afterlife. The plot follows his son who is skeptical of his father's discovery and a mysterious young woman he meets on a ferry who wants to find out more about the afterlife.
Co-written & directed by Charlie McDowell, the film opens with a prologue that skilfully sets up the future the rest of the plot unfolds in. For a while, it appears as if the director is taking more time to properly establish the characters & explore the metaphysical elements but the longer it continues to ponder over the same stuff, the more tedious it becomes.
The script is where the problem lies, for the brilliant hypothesis that the writers came up with isn't meticulously explored as if they couldn't figure out what to do with it, plus none of the characters inhabiting its future-setting are compelling enough. The plot wrapped around its theory begins on a promising note but by the time it ends, it finds itself in a familiar territory.
The cold colour palette, overcast ambiance & muted textures evoke a grim, hopeless future which fits the story requirements. Pacing is an issue as the movie plods through its 102 minutes runtime before concluding with a rushed ending. Rooney Mara, Robert Redford & Jesse Plemons play their part well but Jason Segel is severely miscast, and his chemistry with Mara is absolutely flat.
On an overall scale, The Discovery is one of those sci-fi flicks that teases with a fascinating idea but is unable to fill a compact & captivating narrative structure around it. Deficient in storytelling department and further marred by its cluelessness & lack of vision, it is a dull & sterile mess that had the opportunity to offer a sensory & stimulating experience but what it ultimately delivers is a cinematic ride that's as frustrating as it is hollow.
Set in the near-future, the story of The Discovery takes place in a world where suicide rate is at an all-time high after a scientist's breakthrough research proved the existence of an afterlife. The plot follows his son who is skeptical of his father's discovery and a mysterious young woman he meets on a ferry who wants to find out more about the afterlife.
Co-written & directed by Charlie McDowell, the film opens with a prologue that skilfully sets up the future the rest of the plot unfolds in. For a while, it appears as if the director is taking more time to properly establish the characters & explore the metaphysical elements but the longer it continues to ponder over the same stuff, the more tedious it becomes.
The script is where the problem lies, for the brilliant hypothesis that the writers came up with isn't meticulously explored as if they couldn't figure out what to do with it, plus none of the characters inhabiting its future-setting are compelling enough. The plot wrapped around its theory begins on a promising note but by the time it ends, it finds itself in a familiar territory.
The cold colour palette, overcast ambiance & muted textures evoke a grim, hopeless future which fits the story requirements. Pacing is an issue as the movie plods through its 102 minutes runtime before concluding with a rushed ending. Rooney Mara, Robert Redford & Jesse Plemons play their part well but Jason Segel is severely miscast, and his chemistry with Mara is absolutely flat.
On an overall scale, The Discovery is one of those sci-fi flicks that teases with a fascinating idea but is unable to fill a compact & captivating narrative structure around it. Deficient in storytelling department and further marred by its cluelessness & lack of vision, it is a dull & sterile mess that had the opportunity to offer a sensory & stimulating experience but what it ultimately delivers is a cinematic ride that's as frustrating as it is hollow.
There are a number of good things that can be said about Netflix's "The Discovery": It is good to see Netflix tackling big-budget, dramatic/sci-fi fare. It's encouraging that actors with the reputation such as Robert Redford has are now willing to work with the premiere streaming service. Plus, "The Discovery" actually has a germ of a really great idea at its core. Unfortunately, however, the film never really comes together like it should, essentially wasting that inventive idea with clunky acting and even worse pacing.
For a basic plot summary, "The Discovery" takes place in a future where noted scientist Thomas (Redford) has definitively proved the existence of an afterlife. The problem? Now people are committing suicide by the millions knowing that "something else" is beyond this mortal coil. The next logical step for Thomas, then? Discovering exactly what this afterlife consists of. This is where his son Will (Jason Segel) comes into the picture, visiting the scientist for the first time since a major falling-out to try and convince him to scrap the entire project. Along the way, younger son Toby (Jesse Plemons) chooses sides, while Will finds a mysterious woman (played by Rooney Mara) who has her own relationship with the "discovery".
Like I said, the concept behind this film is fascinating: What would happen if the afterlife were proved scientifically? Also, and I won't give away spoilers here, but even the research into what that afterlife consists of is fascinating in what it entails.
Unfortunately, though, the film is only a middling effort because of two glaring missteps that drag down the whole production:
1. The romance angle between Will & Isla. If you've seen the film "Eternal Sunshine of the Spotless Mind", that one nails this dynamic much better. In "Discovery", however, there is just no reason to believe that these two will fall in love, much less how that angle comes to dominant much of the film's runtime.
2. Perhaps better acting would have saved that romance angle, but alas it wasn't to be found here. Mara is much too bland as Isla, while Segel is terribly miscast as the lead. More than blank, brooding stares were needed for the role, but that is all Segel seems to be able to provide here. Redford is his usually solid self, and Plemmons steals the show from time to time, but other than that none of the other acting performances are above average (with some being quite below that line).
So, while "The Discovery" is a film that I really want to like more than 5-stars out of 10, the end product just isn't worthy of anything more. Had the sci-fi aspect been the focus throughout, I think that would have improved things considerably. A better, less confusing ending would have helped as well. As it stands, though, "Discovery" comes off as a very second-rate "Eternal Sunshine of the Spotless Mind" clone. Netflix may be taking strides in the right direction when it comes to original feature films, but there is still a ways to go to compete with the big studios.
For a basic plot summary, "The Discovery" takes place in a future where noted scientist Thomas (Redford) has definitively proved the existence of an afterlife. The problem? Now people are committing suicide by the millions knowing that "something else" is beyond this mortal coil. The next logical step for Thomas, then? Discovering exactly what this afterlife consists of. This is where his son Will (Jason Segel) comes into the picture, visiting the scientist for the first time since a major falling-out to try and convince him to scrap the entire project. Along the way, younger son Toby (Jesse Plemons) chooses sides, while Will finds a mysterious woman (played by Rooney Mara) who has her own relationship with the "discovery".
Like I said, the concept behind this film is fascinating: What would happen if the afterlife were proved scientifically? Also, and I won't give away spoilers here, but even the research into what that afterlife consists of is fascinating in what it entails.
Unfortunately, though, the film is only a middling effort because of two glaring missteps that drag down the whole production:
1. The romance angle between Will & Isla. If you've seen the film "Eternal Sunshine of the Spotless Mind", that one nails this dynamic much better. In "Discovery", however, there is just no reason to believe that these two will fall in love, much less how that angle comes to dominant much of the film's runtime.
2. Perhaps better acting would have saved that romance angle, but alas it wasn't to be found here. Mara is much too bland as Isla, while Segel is terribly miscast as the lead. More than blank, brooding stares were needed for the role, but that is all Segel seems to be able to provide here. Redford is his usually solid self, and Plemmons steals the show from time to time, but other than that none of the other acting performances are above average (with some being quite below that line).
So, while "The Discovery" is a film that I really want to like more than 5-stars out of 10, the end product just isn't worthy of anything more. Had the sci-fi aspect been the focus throughout, I think that would have improved things considerably. A better, less confusing ending would have helped as well. As it stands, though, "Discovery" comes off as a very second-rate "Eternal Sunshine of the Spotless Mind" clone. Netflix may be taking strides in the right direction when it comes to original feature films, but there is still a ways to go to compete with the big studios.
Wusstest du schon
- WissenswertesCharlie McDowell directed his then girlfriend Rooney Mara and his mother Mary Steenburgen in this film.
- PatzerWhen Will saves Isla, she tells him: "You were supposed to be the last person I ever spoke to.". But after they talked while she was hitchhiking, she got a ride, so the last person Isla talked to should be the driver, at least to tell him where she was going to (even is she might be meaning that Will was "the last person she had a significant conversation with").
- Zitate
[first lines]
Interviewer: Dr. Harber, before we're live, I just wanted to say thank you for choosing me.
Thomas: [warming up his voice] Peter Piper picked a peck of pickled peppers.
Interviewer: The rich history you have with other journalists...
Thomas: I chose you precisely because we don't have a history. Now, don't fuck it up.
Producer: Fifteen seconds...
- SoundtracksA Fancy Place to Cry
Written by Billy Hayes
Performed by Patsy Maples
Courtesy of Fervor Records
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Discovery?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Khám Phá Thế Giới Bên Kia
- Drehorte
- Aquidneck Island, Rhode Island, USA(Newport, Rhode Island)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen