Lang ya bang

The whole series is a journey of understanding for me. The overall story arc is revealed in bits and pieces. Imagine a huge garden in spring. Once the flowers start to bloom, one begins to see a pattern and the viewer starts to think that "Ah-ha, that is what the picture looks like." As more flowers bloom, more patterns are revealed which congregate to create an even bigger pattern. Each episode is like a single flower blooming. The main character is faced with a seemingly impossible task and he is comparable to the legendary Kong MIng of the Three Kingdoms era. Each step, each solution is logical without any "contrived" situations that insult my intelligence.

I've watched the whole series twice through and through and more when it comes to certain "emotional," "triumphant," "ah-ha" segments. Clues are littered everywhere for the audience to catch and these become obvious on the second run through. I highly recommend it to everyone who likes an insightful experience. This is not for "heavy Kung Fu" action movie afficionados although there are some action scenes sprinkled throughout the series.

This is definitely one of the best shows I've seen in my life! Speaking from someone who has watched countless US and Asian shows over the past 15 years. It is definitely a plus if you are fluent in Chinese because part of the beauty of this show lies within the writing and I especially enjoyed the concise and poetic style that the characters spoke with, but aside from that, the acting, music, costumes, story, and character development are all extremely well done, worthy of your time every second. I am currently watching it a second time, and it is even better this time around because I am able to better connect the dots from the very beginning and I must applaud the writers and directors for their incredible achievement of presenting such a complicated and emotional story in such a breathtakingly beautiful way.

The story really reminds me of the Count of Monte Cristo, but it is much more grand in scale and more noble in motivation. The suspense and logic within the story is on par with shows like Sherlock and GoT. The music is beyond perfection, every piece fits the atmosphere perfectly, similar to the level of precision found in True Detective and Hannibal. The casting is also spot on, every protagonist and every villain is portrayed with such accuracy and care, you can't help but feel that the actors are all extremely emotionally and mentally invested in their characters, which makes a fictional story that takes place 1600 years ago seem so real and intimate.

Overall, Nirvana in Fire has captured my heart in more than one way upon second viewing. It's been a really long time since a show has made me feel such a complete spectrum of emotions. I would recommend this show to anyone who likes complex, beautiful, and thought- provoking stories.

When Several friends recommended this TV series to me, I didn't expect much at all, but I'm so happy I watched it - twice already.

I was very disappointed with Chinese history dramas in recently years - either the stories being over-exaggerated or the computer graphic was so bad that you couldn't bare watching. Nirvana in Fire saved my hope for the Chinese TV drama.

I have watched many Asian, American and European dramas - this was definitely the best one in 2015, and has been the best Chinese one in 10 years. Not going to tell you what happened but it's a very touching story packed with good acting.

It's a complicated story. Different audiences may see different key: loyalty, trickery, friendship, love, revenge, of course, a little bit of humor.

At beginning, I was attracted by its delicate and concise dress, calm and elegant slow lives. The characters' etiquette and the gave me a feeling of release pressure. Because of this, I fantasy I can live in ancient China.

But beneath the surface of slow tempo, undercurrent was terrible. As the story go, I felt the author's unprecedented courage. Original author Hai Yan (a female author, not that famous male entrepreneur also an author named Hai Yan) seems to convey a kind of the power of justice through this ancient Chinese story. Even if only to see her conception , the story and this series' art height is far more than those similar ones . In my opinion, previous produced ancient Chinese dramas just told audience what Chinese did and what they experienced, but in this series ,it seems to want to tell audience what Chinese should do in the future for seeking justice and truth.

An authoritarian government, the struggle of the two forces, a group of people full of justice, in order to a grievance of 13 years ago,finally, the leading role spoke out stirring line: "The purpose of review the case, just for the truth!" Yes, the truth! Even authoritarian Emperor Liang (Yongdai Ding played) refused to review the case because of various reasons , but in the end, he had to kneel down in front of the truth. His final confession is based on the goodness of human nature, I think it is the return of the family emotion cause. This kind of mood generated long before Mei Changsu (Ge Hu played) last stood in front of him. The most touching in this paragraph give me a chance to reflect: confession is the base of exposing truth and maybe result in seeking justice.

Of course, the process of seeking justice may be a very long time such as 13 years in this series, it takes patience, perseverance, teamwork and wisdom. The power of justice will be successful finally.

I rank Nirvana in Fire up with the best of the best: writing, camera, production - it's a damn near flawless presentation of story and ideas. While sets and costuming are noteworthy, it's amazing how few locations Nirvana in Fire uses through 50+ episodes. All the power is in the dialog, characters and acting. Individuals make choices for an empire, and generally the dialog itself has multiple levels of meaning - some apparent to the characters, some aimed directly at the viewer. It's media that makes you think, made all the more rewarding due to a high level of entertainment.

10/10