The Dry: Die Lügen der Vergangenheit

A policeman, Aaron Falk, returns to his small home town for a funeral. Three people from the same family died in what appears to be a murder-suicide. Falk was best friends at school with Luke, the husband accused of the murders. The return, his first in over 20 years is not a happy one, bringing up memories of and anger from another death, one he was accused of.

Interesting Australian crime drama. Decent plot and reasonably engaging. The whodunnit side is not obvious, making for an intriguing journey.

Solid performance from Eric Bana in the lead role and decent supporting performances.

Not brilliant though: is a bit long-winded and the plot isn't entirely watertight. While reasonably intriguing, the tension is lacking, giving the feeling that things are happening in a vacuum. The drawn-out nature of proceedings doesn't help the momentum or tension.

Still very watchable though.

I saw this without watching the trailer or reading anything bah it.

Eric Bana and a mystery movie set in the dry Australian outbacks were suffice to pull me in.

The film moves at a slow pace but it never gets boring.

Picnic at Hanging Rock, Flashbacks of a Fool, Chinatown, etc came to my mind while viewing this.

Good solid package. Acting, cinematography, story, balance, musical score... all come together seamlessly.

Only thing missing was a definitive ending. There is enough information to wrap things up 100%. But still, there was enough room for another scene or two just to round it off. If they spent 2 more minutes, I'd had rounded it off to an 8. Not enough credit given to Aussie movies these days. But not surprised really as the bulk are cheesy horrish crap.

This one is worth a watch.

I have to admit, it is very rare that i watch an Aussie movie and find it is a bad one and this is no exception to the rule!

This film literally drips with atmosphere and a pervading sense of sadness mixed with regret and soupçon of futility but with superb acting from all the cast weaving a rather languorous but stylish web of intrigue to hold the viewers gaze. Great photography and spellbinding music score that really conjures up the dry dustbowl that is the archetypal, central Australia backwater town, with its hidden dark secrets and creepy bill-hilly descendants of Botany Bay; so much so you can almost feel the oppressive heat and stifling atmosphere hemming you into your seat; just like PICNIC AT HANGING ROCK (1975) did all those year ago and with the same serious aplomb.

It is a basic whodunnit story and not for the crash, bang , wallop brigade but for those who like to sit back and be absorbed into the landscape and watch from a distance and it unfolds so methodically and with such a well paced, directed, photographed and acted ensemble that it is hard to stop watching. With a masterful performance and perfect casting of the always on form Eric Bana. I actually had a tear in my eye at the final denouement; always a great sign that a movie has done its job well. It made a superb nights viewing and a film I could watch again - for me that is another sign of a good movie!!!

Highly recommended, one of the best films this year and anyone who has read Jan Harper's book will be happy as it has not been hacked to death as usually happens in the Hollywood movie-zone!

Eric Bana plays a federal cop drawn back to his home town where he is persuaded to investigate the massacre of a family apparently by an old friend. His presence is largely unwelcome though as he is believed to be responsible for the death of a girl 20 years earlier.

Set in a tinder dry Australian township, this is an assured, solid mystery thriller which cleverly displays possible suspects so you never really sure what the answer is and where it lies as it twists and weaves as Bana finds new pieces of evidence. Bana is sharp and relatively reserved throughout with a good supporting cast rekindling old romances or wanting him gone for the crime he allegedly committed. It is all set in this dry world - you can almost feel the heat - reminiscent of the seventies Australian film renaissance films and particularly of course Picnic at Hanging Rock. I was particularly pleased as well that in the end the solutions to both crimes are laid properly bare, with the main crime featuring a particularly impressive piece of stunt / effects work to bring it to a satisfactory conclusion. Good film.