Victoria

I usually don't mind when movies or shows are not historically accurate. Typically changed for dramatic effect and better pacing. However, they made Queen Victoria seem more caring about the ignored classes. She did not intervene on behalf of the Newport Chartists. She did not show compassion for the Irish during the Great Hunger and was known as the Famine Queen. Changing history to make people feel better about history is dangerous. It reduces the struggle and discrimination of people considered as other. Outside of the misrepresentation of Queen Victoria, the acting, set, costumes, screenwriting, and cinematography are commendable.

On the basis of seeing the first episodes of this Masterpiece drama, broadcast in the UK by ITV, I can freely say that I am hooked on to it. Daisy Goodwin's script is both taut and cleverly written, while the performances of the main protagonists are uniformly convincing. I particularly like Jenna Coleman's characterization of the young Queen - so apparently vulnerable yet possessed with an inner strength of will that enables her to resist the repeated blandishments of her self-interest mother the Duchess of Kent (Catherine H. Flemming), who so dearly desires to assume the title of Regent, aided and abetted by her unscrupulous ally Sir John Conroy (Paul Rhys).

This eight-part drama wears its moral scheme on its sleeve by contrasting the hissable villain the Duke of Cumberland (Peter Firth), with the pragmatic yet goodhearted Lord Melbourne (Rufus Sewell), who admires the Queen yet remains convinced that she has to transform herself from an immature girl into suitably monarchical material, and will try his utmost to achieve that transformation. Sometimes he has to be cruel to be kind, but all in a good cause. In between these two extremes stands the Duke of Wellington (Peter Bowles), and Sir Robert Peel (Nigel Lindsay), both members of the Tory Party (and hence implacably opposed to Melbourne's politics), but interested in maintaining the business of government.

As with most television costume dramas, the sets and decor are both opulent and historically accurate, supplemented by useful CGI shots where necessary. I especially liked some of the cinematographic effects (by John Lee) - especially the use of aerial shots to suggest the insignificance of humanity when compared to the greater business of running the country.

And it is this sense of contemporaneity that lifts VICTORIA out of the run-of-the-mill and transforms it into living, breathing drama. We hear a lot about the importance of "duty" - from the Queen as well as her friends and enemies - and we are led to speculate on what that term really signifies. Is it just a catch-all description masking self-interest, or do people really believe in it? In light of recent political upheavals in the United Kingdom, with one Prime Minister resigning (ostensibly out of "duty"), and the opposition party tearing itself asunder with different conceptions of the same term, we wonder just how much VICTORIA is commenting on the present as well as the past, especially in its concern with politics and its relationship to the country's future.

I am definitely hooked, and await the remaining episodes with eager anticipation.

Jenna Coleman's acting is worth an award. Camera work by John Lee is extraordinary (the right eye for detail), music is extremely well suited, the costumes are exquisite. It's a feast for the eye and while looking at it you just tend to forget the quibbles about it's historical mistakes.

I am enjoying the show as a period piece and not for its historical accuracy. I am not sure what the future episodes will reveal, but hopefully not Victoria as a loving devoted mother, which she was not. Reading her journals and letters, and especially letters to her adult children over the years reveals a woman who hated being pregnant, did not like babies at all, and considered one of her son's unfortunate because he was an ugly baby. She thought babies resembled frogs. She despised and was revolted by breastfeeding, which probably is not uncommon back then, and rarely spent any time with her young children and preferred to spend most of her time with Albert of whom she was devoted to and passionate about privately, but in her letters she blamed men for many of women's woes. They both desperately wanted to create a loving and warm family, which unfortunately, they failed to do for the most part. I feel the actors are doing the best they can with the script and you are never going to portray the accuracy of a period and relationships between people when you are not their to witness it. You can only go by accounts, and documents written in their hand, but that does not truly reveal who they really are either.

I do hope someone else picks it up if the studio decided to cancel, tho it seems unlikely. :(

Love this show. I started watching few weeks ago and now when I finished season 3 I find out the story was not completed and that there is no season 4.

Sad.