Der Tod von Ludwig XIV.

I'm not going to remember Louis's grunts and moans as he lies in bed, attended by far too many doctors to be of any use. No, I will remember the disputes--polite but still angry--between the doctors, sometimes involving a faith healer who has been called in, God knows why, to administer some foul elixir to Louis. The joke is that the doctors know hardly more than the quack about how to treat the sick. An inessential film, but it was good to see Leaud again.

This is certainly a film that does what it says on the tin. The sole focus of the film is the death of Louis XIV the Sun King and it is interesting that the sun is notably absent from the film which for the most part resembles a series of Rembrandt paintings in its lush tones surrounded by darkness. This is not an exciting film, in fact it is quite boring in parts. But then that is death, as anyone who has sat watching over an aged relative will know. It is quiet, it is slow, drawn out over hours and days in hushed tones. This is the king of France, one of the most noted kings of France, and here he is fading from life like any ordinary person. Attended and fussed over but unable to stop the enevitable decline or gain much comfort. If I have a quibble it is that the dialoge is often painfully slow and dull in a manner that is, I feel, a bit of a cliché in this type of film. It fits the mood but was, I felt, somewhat overstated.

actually is no different from any common people, no matter how many subjects surrounded His Royal Highness's deathbed. You cursed someone you hated so much with harsh words like: "I wish you die alone and nobody will give a Fxxk!" Well, practically and realistically speaking, everybody indeed die alone; your parents, your wife, your husband, your kids, your friends won't join you and die with you, no matter how they love you or hate you; and these people aforementioned, would also die alone one by one. When a plane or car crashed, a ship sank, a building on fire and collapsed like the twin tower of World Trade Center, an earthquake cracked up the mountain slop and crashing down on a village on the foothill, a whole village wiped out instantly; people died in great number at the same time in a mass death toll, even so everybody still died alone, in group, large or small, but every one of them still died alone. After hundreds of people eating the same food on the hot-cold counter-top in a buffet restaurant, when they take dump at home or elsewhere afterward, the stinking smell would be in some degree almost the same, to some degree, nobody can be separated and distinguished differently, and you cannot claim that yours got some independent unique odor.

Dying is always a lonely process no matter what. And for this film, all you should do is to focus on the cinematography, the lighting, the make- up, the costumes and the score(soundtrack) and the acting of all the participating actors. "Eight Million Ways to Die in L.A." still meant that you are the only person to die there, and die alone.

I totally agree with the assessment of the first reviewer: it is a beautiful, claustrophobic film with very little "drama". One thing I would like to add is that the film depicts the dying king with great respect and dignity. Having touched by death of elderly family members in recent years, I appreciated the film's compassionate and dignified portrait of Louis XIV and the people who served him closely. There is no political intrigue or ugliness in the film. It quietly and matter-of-factly tells a story. So even though the film's main theme is death, it is not a depressing film and you leave the theater marveling the fine acting of Jean-Pierre Léaud.

The French film La mort de Louis XIV was shown in the U.S. with the translated title The Death of Louis XIV (2016). The movie was co-written and directed by Albert Serra.

The film starts the with the realization that the King Louis is very ill, and ends with his death. Louis XIV was called the "Sun King." The Greek sun god Apollo was immortal. Louis never claimed to be a god, but he certainly acted like one during his extremely long reign from 1642 to 1715. It's not surprising that the people of his court found it hard to believe that he could really be dying.

We watch the king dying during the course of about a week. Director Serra gives us many, many details about his last days. The film was shot with a small cast and only the one interior setting--Louis's chamber, and the room directly outside it.

For artistic and financial reasons, director Serra doesn't attempt to "open up" the movie. There are no scenes that take place outside the palace. No Three Musketeers. No Paris streets with beggars, filth, and noise. It's all quiet interior. The actors are frequently filmed in closeup. In order for a movie like this to work, the actors must be superb.

Two of the three leading actors are: Patrick d'Assumçao, as Fagon, Louis's personal physician, and Marc Susini as Blouin, Louis's chief valet. Both actors are highly experienced professionals and they play their parts very well. Actually, the people they portray are also highly experienced professionals, who are dedicated to serving—and saving—the king.

A movie like this will rise or fall based on the actor who portrays Louis. Jean-Pierre Léaud is perfect for the role. Not only is Léaud a immensely talented actor, but he even looks like portraits of Louis XIV. He was born to play this role, and he will be remembered for playing it for many years to come.

After the movie ended, people had very different thoughts about it. Some said that they were tired of it after the first five minutes. Others said it was too long and/or too dark and/or too quiet. I can see, understand, and respect their point of view.

However, my wife and I found the film profoundly moving and truly fascinating. We happen to enjoy long, quiet movies. We enjoy great acting. We were pleased to watch a great actor starring in a great role, being directed by a masterful filmmaker.

We watched this movie at the wonderful Dryden Theatre at Rochester's George Eastman museum. If you're able to see this film, even on the small screen, I'd suggest you see it. Remember that it's long and slow. Remember that it's a masterpiece.