IMDb-BEWERTUNG
5,8/10
11.955
IHRE BEWERTUNG
Ein frustriertes, angstbesessenes Mädchen erweckt etwas in den Wäldern, als sie unbedarft ein okkultes Ritual vollzieht, um eine Hexe zu beschwören, die ihre Mutter töten soll.Ein frustriertes, angstbesessenes Mädchen erweckt etwas in den Wäldern, als sie unbedarft ein okkultes Ritual vollzieht, um eine Hexe zu beschwören, die ihre Mutter töten soll.Ein frustriertes, angstbesessenes Mädchen erweckt etwas in den Wäldern, als sie unbedarft ein okkultes Ritual vollzieht, um eine Hexe zu beschwören, die ihre Mutter töten soll.
- Auszeichnungen
- 1 Nominierung insgesamt
Missy Peregrym
- 911 Operator
- (Synchronisation)
Mikey Brisson
- High School Student
- (Nicht genannt)
Tanner Zipchen
- Student
- (Nicht genannt)
Empfohlene Bewertungen
I don't often have patience for the "slow burn" horror movies, but that's because so many entries into that little sub-genre of horror don't actually have the goods to back up their approach, and often seem to do it simply because their budget ran out or they needed a way to pad out the minutes.
Pyewacket is successful in its attempt to build suspense and tension though, and the cast, script, and direction are good enough to hold your attention until the end despite the fact that very little is actually directly shown in terms of the evil presence at work here.
It's not going to blow your mind, but it's a solid, relatively well-crafted story with a memorable ending.
P.S. Don't listen to that ridiculous 1/10 kid's review that claims you need to be "a professor" to understand this one. This is absolutely not one of those movies with some complex meta plot that you need to rewatch to be able to catch everything. It's 100% straightforward and literally explains right to the viewers' faces what is happening. You shouldn't have any trouble whatsoever understanding this movie unless you ride the short bus.
Pyewacket is successful in its attempt to build suspense and tension though, and the cast, script, and direction are good enough to hold your attention until the end despite the fact that very little is actually directly shown in terms of the evil presence at work here.
It's not going to blow your mind, but it's a solid, relatively well-crafted story with a memorable ending.
P.S. Don't listen to that ridiculous 1/10 kid's review that claims you need to be "a professor" to understand this one. This is absolutely not one of those movies with some complex meta plot that you need to rewatch to be able to catch everything. It's 100% straightforward and literally explains right to the viewers' faces what is happening. You shouldn't have any trouble whatsoever understanding this movie unless you ride the short bus.
Adam Macdonald really arrives with Pyewacket. I was a bit put off by the idea of 'teen angst' being a center piece of the plot, but once I saw the type of angst Macdonald was talking about and the absolute realism and dramatic conflict (external and internal) that he divines from it, well I might never look at 'teen angst' the same way again.
It's well worth noting that 'slow burn' is a very apt description, and Pyewacket requires some patience, but luckily it thoroughly nails the delivery of its final act in a way that pays off the viewers endurance as well as the story.
Great film and should advance Macdonald up the charts in the horror genre. Can't wait to see what comes next.
It's well worth noting that 'slow burn' is a very apt description, and Pyewacket requires some patience, but luckily it thoroughly nails the delivery of its final act in a way that pays off the viewers endurance as well as the story.
Great film and should advance Macdonald up the charts in the horror genre. Can't wait to see what comes next.
The first noticeable aspect of PYEWACKET is its cold, somber tone. The atmosphere is thick and heavy with foreboding from the first frame. Nicole Munoz never overdoes her role as Leah, the angst-ridden teen / dabbler in the occult. If her character had been over the top, it would've ruined the whole movie. Her friends are equally sedate.
When Leah decides to call upon the entity of the title, it's done in a natural, non-hyperbolic way. Her rash motive for doing so fits the age of the character. Laurie Holden puts in a solid performance as Leah's heartbroken mum, who never really knows what's going on until it's too late.
An unsettling, supernatural cautionary tale about the consequences of hasty decisions...
When Leah decides to call upon the entity of the title, it's done in a natural, non-hyperbolic way. Her rash motive for doing so fits the age of the character. Laurie Holden puts in a solid performance as Leah's heartbroken mum, who never really knows what's going on until it's too late.
An unsettling, supernatural cautionary tale about the consequences of hasty decisions...
I finally got a chance to check this movie out, and I feel I should say something level-headed given the mixed reviews. Lots of 10/10 and 1/10 reviews without much in the middle. I've seen my fair share of horror films, from masterpieces like The Shining and Rosemary's Baby, to camp like the Leprechaun series and Death Bed: The Bed That Eats. For a small independent production, I think this was a decent little horror movie, albeit with many flaws. Here's the good and bad:
The Good: The acting was pretty good overall. I appreciate how this movie didn't stoop to any cheap tricks to scare the audience. There are no jump scares (except for one edit that could debatably be called a fake out). It showed a surprising amount of restraint, relying on a slow escalation of events to build suspense. By not showing much, it makes your imagination run wild, and that's what makes it scary. If anything, I actually wish they had shown even less of the demon. It's nothing mind-blowing, but it's on the right track.
The Bad: The film looks cheaply made. The music and camerawork were serviceable but nothing great. Characterization was weak overall, though development between the mother and daughter was okay. The suspense built up pretty well for a majority of the runtime, but when you actually see the demon it's not very convincing. That CGI fire was pretty bad. Why didn't she show her mom the broken chair and door after that chase scene? In the hands of a more meticulous filmmaker with a higher budget, this could've been an A24 horror film like The Witch or Hereditary, but Pyewacket simply isn't on the same level.
If you're a psychological horror fan and/or an indie horror fan, I's say this movie is worth a watch, but don't expect to be blown away. If getting startled by something popping at the screen is the only thing you consider scary, this isn't for you.
The Good: The acting was pretty good overall. I appreciate how this movie didn't stoop to any cheap tricks to scare the audience. There are no jump scares (except for one edit that could debatably be called a fake out). It showed a surprising amount of restraint, relying on a slow escalation of events to build suspense. By not showing much, it makes your imagination run wild, and that's what makes it scary. If anything, I actually wish they had shown even less of the demon. It's nothing mind-blowing, but it's on the right track.
The Bad: The film looks cheaply made. The music and camerawork were serviceable but nothing great. Characterization was weak overall, though development between the mother and daughter was okay. The suspense built up pretty well for a majority of the runtime, but when you actually see the demon it's not very convincing. That CGI fire was pretty bad. Why didn't she show her mom the broken chair and door after that chase scene? In the hands of a more meticulous filmmaker with a higher budget, this could've been an A24 horror film like The Witch or Hereditary, but Pyewacket simply isn't on the same level.
If you're a psychological horror fan and/or an indie horror fan, I's say this movie is worth a watch, but don't expect to be blown away. If getting startled by something popping at the screen is the only thing you consider scary, this isn't for you.
Pyewacket is a low budget and light supernatural horror film that is worth watching.
It's the typical story of teenager summoning an evil creature but it's clever and very well acted. The script is simple and does it's work very well, building reasonable tension minute by minute.
The ending is kinda predictable but I still think it's satisfactory, since it closes the story in a believable way.
It's the typical story of teenager summoning an evil creature but it's clever and very well acted. The script is simple and does it's work very well, building reasonable tension minute by minute.
The ending is kinda predictable but I still think it's satisfactory, since it closes the story in a believable way.
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- WissenswertesThe name "Pyewacket" comes from the 1647 British pamphlet "The Discovery of Witches," in which author Matthew Hopkins claims to have interrogated witches in Essex County. One witch names many familiars, including the spirit Pyewacket which appeared to her as some sort of animal.
- Zitate
[last lines]
Rowan Dove: Pyewacket can take many forms, so don't trust your lying eyes.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: Pyewacket (2017)
- SoundtracksHoney
Performed by Weeknight
Written by Andres Simons and Holly MacGibbon
Courtesy of Hand Drawn Dracula Productions
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Espíritu del mal
- Drehorte
- 762 Queen St. E., Sault Ste. Marie, Ontario, Kanada(Homespun Treasures store)
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- Weltweiter Bruttoertrag
- 166.610 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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By what name was Pyewacket: Tödlicher Fluch (2017) officially released in India in English?
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