Mother!

Went to the first matinée available locally and I am still thinking the picture over. Will definitely see this one again, if it hasn't left the theatre abruptly. I was certainly horrified by the film, which is a good thing, as I had assumed it was a horror picture. It is, of course, much more than that. Nonetheless, it is NOT The Conjuring or Get Out (both good films, for sure), so just be warned.

By now you are aware that the film has been controversial, also a good thing. Jennifer Lawrence does a fine job and her career is certainly not going to suffer for her performance. I am not exactly a JLaw "fan" (could live without the Hunger Games), although I will pay closer attention to her future performances, especially if she pulls off more roles like this one (really liked Winter's Bone, by the way). As I understand the Hollywood scene, it is a respectable personal decision to take on a challenging role in an avant garde picture, especially if you have already banked serious money from popular roles in blockbusters. Javier Bardem, Michelle Pfeiffer, and Ed Harris also do their respective parts justice--a well-acted film by A-listers, overall. Camera work and special effects are also impressive.

The story is genuinely disturbing in a Requiem for a Dream way, so don't go if you can't handle that sort of thing. Some of the violence is, indeed, OVER THE TOP. Seriously, not for the faint of heart. Aside from the biblical allegory stuff, I found the character portrayals creepy as hell in a (sur?)realistic David Lynch-esque way. Hell is other people!

I applaud Mr. Aronofsky for keeping his vision intact all the way to the big screen. For reference, I just don't need any more movies based on superheros, comic books (except The Tenth or Gen 13), children's cartoons, vampires fighting werewolves, or horror stick about unfriending weirdos on facebook.

You will have to make up your own mind on this one, so please do just that. Even if you end up despising the film, try to remember that, to quote Rob Zombie, "Art's Not Safe."

Holy. Crap. I am shaken - mentally, and even physically. This is my first IMDb review, in part because I can't believe the negative reviews. Anxious (good word to describe my current state) to check back once it's widely released. The first half of the movie, I believe, is intended to get you riled. By the second half, if you're like me, you're trying to figure it out - WHAT DOES IT MEAN?! - and when you get it, you won't stop thinking about it. What a masterpiece. Here, take all my money - I'll definitely go back... once I've calmed down!

The way it's shot, how the dialog is written, the characters and their choices, all odd and nonsensical at first, but all there for a reason. All there to help write a poem that wants to tell you something. Some things. Everything.

Mother! is an astonishing yet nerve-racking allegorical picture that won't leave your mind.

100

Horrifying. Just.. horrifying. Aronofsky really got me with this one. Not only did he manage to grab me on an intellectual level, but also on an emotional one. This movie is going to be hated by many, I know that now. But for me, this is, hands down, the movie of the year. Every shot, cut, and scream is perfectly constructed to make an immersive atmosphere that never relents in it's uncomfortable feeling, and the acting is seriously award worthy. Javier Bardem is absolutely wonderful, and Jennifer Lawrence... oh man... her performance is absolutely top notch. At first I couldn't quite relate to her character, but as the film progressed, her mindset became my mindset, and we essentially merged into one force of fear and terror that was absolutely unstoppable until the ending. I cannot praise her performance enough in this review. Her emotions leaked from every frame she was in, and it broke my heart and scared me witless the whole way through the film. Aronofsky's pacing is immaculate as well, the whole movie feeling not a second too slow or quick, the events rolling on naturally and in a way that felt very satisfying. The whole way through, I was riveted and invested by the acting and cinematography, which is definitely Aronofsky's best I've seen so far. The entire film is gripping, horrifying, heartbreaking, and absolutely wonderful. Nothing about this movie pulled me out of it. Watching this in a theater was like being in a bomb shelter while the world ended, every sound apocalyptic and every camera shake filling my view. If you can, watch this on the biggest screen you can with the best surround sound you can afford. If you only watch one movie this year, make it this one. This movie is incredible. This is why I study the movies.

'Mother!' is a perfect example of a film that raises such high hopes with one of the best and most disturbing trailers (every bit as much as the trailer for 'IT') of the year, yet turns out to be the complete anti-thesis in quality making it one of the most disappointing, and to me the strangest, films of the year.

It is really sad for me to say this about 'Mother!' Appreciate Darren Aronofsky very highly, though totally get why his films don't click with all viewers, and really liked to loved all his pre-'Noah' films, especially 'The Wrestler' and 'Requiem for a Dream' ('Black Swan' was also great, and while it is one of his more polarising films likewise with 'The Fountain'). 'Noah' for me was a real disappointment, though it was nowhere near as bad as the initial audience response on IMDb (which was of vitriolic hate with severe objections to how the 'Noah's Ark' story was treated).

To me, 'Mother!' is Aronofsky's worst. Was expecting to be terrified and riveted but ended up being perplexed and left completely cold. Although the trailer was one of the year's best, it turned out to be one of the most misleading. Is 'Mother!' irredeemable? No, absolutely not, Aronofsky's films are at least extremely well-made and crafted and he often gets great performances out of well-chosen casts, even if there are other aspects that don't connect. Could it have been much better? Considering it had Aronofsky's name on it, that most of his previous films are examples of great film-making and that it had talent like Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer, yes it should have been much better.

Where 'Mother!' fares strongly are in the visuals and the acting, pretty much the film's only near-uniformly good assets. It's a wonderful-looking film, especially in the agile and truly unsettling cinematography that gives a real disconcerting sense that there are things constantly lurking around. The production design is audacious and creepy, the house like an increasingly opening up character of its own, the lighting is rich in atmosphere and the aesthetics are more than accomplished.

Jennifer Lawrence sheds her usual quirkiness and feistiness, and gives a more vulnerable edge here which is not just wholly convincing but also very moving. Michelle Pfeiffer stands out in support in a truly startling turn, likewise with Ed Harris and their chemistry is far more interesting than that between Lawrence and Bardem. Domhall and Brian Gleeson (sons of Brendan) do very capably with little to do.

Aronofsky does bring some dynamic to his directing, if more in the style and atmosphere than in the storytelling and content.

However, 'Mother!' really is let down by that it feels incredibly muddled. Throughout there are a mishmash of tones, whether it was horror, thriller of a psychological kind, allegory and perhaps torture porn, and it all felt thrown in with not much thought in what to do with them. There are moments of an unsettled vibe, but only in spurts. A vast majority of the film has scares that are very much empty and too reliant on done to death old dark/haunted house tropes and at times unintentionally funny, the intense close ups and sudden reveals feel overused and neither provoke chills or sympathy for the protagonist (for all Lawrence's efforts).

The pacing is far too sedate to be thrilling and there is nothing sensual about the film due to the chemistry between Lawrence and Bardem being so lukewarm. 'Mother's' content is obvious a lot of the time, and the symbolism and allegorical elements came over as excessive, heavy-handed and overblown. It was not the matter of not getting them, it is the way they were used that has put people off and that it is hard telling what Aronofsky is trying to say. It was also not the matter of hating things that do things differently, have seen my fair share of unconventional films and have been impressed.

While Aronofsky succeeds in the stylistic elements and some atmosphere, the storytelling doesn't work here. The momentum is creaky constantly and the whole telling of it is strangely muddled at best and incomprehensible at worst. Particularly bad is the last half an hour, which descends into ridiculous and incoherent chaos and outlandishness. The dialogue is stilted and rambling and the characters are very thinly sketched, especially Bardem's, though Lawrence's is also too passive and is not easy to root for. There are exceptions to the acting, Bardem looks bored in his role and Kristen Wiig is completely out of place.

Overall, a disappointing film (didn't hate it, just didn't care for it) that should have delivered on creepiness but instead delivered on excessive weirdness that it has to be seen to be believed. It is not hard to see why it has polarised critics and audiences alike. 4/10 Bethany Cox