Ein junger Afroamerikaner besucht den mysteriösen Familiensitz seiner weißen Freundin.Ein junger Afroamerikaner besucht den mysteriösen Familiensitz seiner weißen Freundin.Ein junger Afroamerikaner besucht den mysteriösen Familiensitz seiner weißen Freundin.
- 1 Oscar gewonnen
- 154 Gewinne & 214 Nominierungen insgesamt
Caren L. Larkey
- Emily Greene
- (as Caren Larkey)
Julie Ann Jones
- April Dray
- (as Julie Ann Doan)
Empfohlene Bewertungen
A unique and effective blend of horror film and social commentary if there ever was one! Young, modest black photographer Chris Washington is understandably nervous about going to spend the weekend with the parents of his sweet white girlfriend Rose Armitage, who for reasons totally unbeknownst to him has yet to tell her parents that he's black. They set out on their trip and...well the rest is really left for the viewer to discover. Writer-director Jordan Peele shows his master craftsmanship by taking this simple premise and expanding it in many different directions, also incorporating elements of racism, comedy, shock and awe, and wisely never taking things too seriously. The climax is a bit formulaic and over-the-top, but the journey is effectively unnerving and features much stronger acting than you would expect for a film of this genre. Not for everyone, but refreshingly unconventional and worth the viewing experience. ***
Fantastic! I would not call it "horror" but certainly "thriller" with some comedy thrown into it. This Jordan Peele fellow has managed to bring something new to this genre and I certainly hope he'll do more thrillers.
The cast is great and I especially enjoyed Betty Gabriels performance. Lots of faces I have never seen before and they all did a stellar job. And those faces I have seen before did a stellar job, too. =)
I do not know if the overall idea is new but the way it was presented and the way it was done feels very fresh.
Warmly recommended!
The cast is great and I especially enjoyed Betty Gabriels performance. Lots of faces I have never seen before and they all did a stellar job. And those faces I have seen before did a stellar job, too. =)
I do not know if the overall idea is new but the way it was presented and the way it was done feels very fresh.
Warmly recommended!
Jordan Peele's directorial debut is an exhilarating horror thriller that also manages to spark laughter and comment on social issues. The cinematography, tropes, and soundtrack echo horror, but the film finds abundant moments of comic relief like when a father reassures the main character he isn't racist by claiming, "I would have voted for Obama for a third term." Before the plot delves into a traditional horror frenzy, it mines the horrors of racism. The social commentary plays on audience expectations and results in both humor and suspense. Delivering both on the expectations of the genre and the comedic expectations of a Jordan Peele creation, GET OUT is simply amazing.
I decided to see this film at the theater after hearing some of the hype (which was basically that it is an excellent horror film that is told from the perspective of a black man).
Well, I can see this would be truly the worst nightmare of a black man (and really the worst nightmare for us all). This is NOT a film that tries to make the viewer feel "sorry" for black people, nor is it at all preachy, but it is just a good old fashioned horror film with a fresh new setting. I'm an old white guy by the way.
The acting is wonderful, and directing is amazing. The film, while mostly horror, is actually completely hilarious in some parts, making it the funniest AND scariest movie I have seen in ages (no easy feat). It is a shame that the film will likely not be regarded in the company of Academy Award potential nominees, because the directing and acting is honestly Oscar worthy. Again, no small feat for a horror movie that is also funny.
In summary, this is a MUST SEE at the theater and one of the best films of the year. It is a fun ride that is very well done!
Well, I can see this would be truly the worst nightmare of a black man (and really the worst nightmare for us all). This is NOT a film that tries to make the viewer feel "sorry" for black people, nor is it at all preachy, but it is just a good old fashioned horror film with a fresh new setting. I'm an old white guy by the way.
The acting is wonderful, and directing is amazing. The film, while mostly horror, is actually completely hilarious in some parts, making it the funniest AND scariest movie I have seen in ages (no easy feat). It is a shame that the film will likely not be regarded in the company of Academy Award potential nominees, because the directing and acting is honestly Oscar worthy. Again, no small feat for a horror movie that is also funny.
In summary, this is a MUST SEE at the theater and one of the best films of the year. It is a fun ride that is very well done!
'Get Out' was very highly recommended by a friend, also a fellow film enthusiast, and the subject matter of the film really interested me. Add to that a very promising trailer, the award nominations and wins and mostly positive word of mouth (even with the very vocal detractors), and interest was higher.
High expectations were not only met but also exceeded. Apologies for the cliché, but to me that is the best way to sum up my personal experience watching 'Get Out'. Can totally see why it was as well received as it was, though can also see why it has divided audiences on here. While it will never be one of my favourite films, 'Get Out' is among the better films of 2017 and does live up to the hype.
It's an incredibly well-made film visually, with stylish and unsettling cinematography and editing and some disturbingly surreal imagery that adds to, and enhances, the unease and sense of dread.
That the direction was done by a first-time director is a shock in itself, one of the most outstanding debut directing jobs seen in a long time by me. It's nostalgic in its embracing of contemporary and classic horror and also brave in the accomplished handling of the film's combative themes.
Being somebody who considers music important when talking about it, the music looms suitably ominously and fits well. 'Get Out' benefits from an extremely smart and clever script (though 'The Shape of Water' and especially 'Lady Bird' were worthier wins for the Best Original Screenplay Oscar in my view), that takes on a lot of elements and balances them adeptly and the individual elements handled very effectively.
Despite how it sounds, 'Get Out' struck me as more of a thriller with horror and comedic elements. It is highly successful on this front, with the thriller elements being taut, suspenseful and unsettling, the comedic ones being darkly funny and clever and the horror ones being imaginatively shocking and subtly uneasy. There is even some social commentary and interracial themes explored, and done thoughtfully and just about avoids preachiness while hitting hard still.
While all the performances are very fine, it is Daniel Kaluuya's superb lead performance that burns in the memory the most.
My only complaint of 'Get Out' is the too pat and somewhat silly ending that felt tacked on and like it came out of a different film, to me it too ended on a tonally jarring and that's it note.
Until then, the film was this close to being a masterpiece. So it was frustrating that it just missed out on that distinction. Nonetheless it's a great film that is among the year's better ones, brought down by an underwhelming ending. 9/10 Bethany Cox
High expectations were not only met but also exceeded. Apologies for the cliché, but to me that is the best way to sum up my personal experience watching 'Get Out'. Can totally see why it was as well received as it was, though can also see why it has divided audiences on here. While it will never be one of my favourite films, 'Get Out' is among the better films of 2017 and does live up to the hype.
It's an incredibly well-made film visually, with stylish and unsettling cinematography and editing and some disturbingly surreal imagery that adds to, and enhances, the unease and sense of dread.
That the direction was done by a first-time director is a shock in itself, one of the most outstanding debut directing jobs seen in a long time by me. It's nostalgic in its embracing of contemporary and classic horror and also brave in the accomplished handling of the film's combative themes.
Being somebody who considers music important when talking about it, the music looms suitably ominously and fits well. 'Get Out' benefits from an extremely smart and clever script (though 'The Shape of Water' and especially 'Lady Bird' were worthier wins for the Best Original Screenplay Oscar in my view), that takes on a lot of elements and balances them adeptly and the individual elements handled very effectively.
Despite how it sounds, 'Get Out' struck me as more of a thriller with horror and comedic elements. It is highly successful on this front, with the thriller elements being taut, suspenseful and unsettling, the comedic ones being darkly funny and clever and the horror ones being imaginatively shocking and subtly uneasy. There is even some social commentary and interracial themes explored, and done thoughtfully and just about avoids preachiness while hitting hard still.
While all the performances are very fine, it is Daniel Kaluuya's superb lead performance that burns in the memory the most.
My only complaint of 'Get Out' is the too pat and somewhat silly ending that felt tacked on and like it came out of a different film, to me it too ended on a tonally jarring and that's it note.
Until then, the film was this close to being a masterpiece. So it was frustrating that it just missed out on that distinction. Nonetheless it's a great film that is among the year's better ones, brought down by an underwhelming ending. 9/10 Bethany Cox
Wusstest du schon
- WissenswertesDaniel Kaluuya was given the lead role on the spot after nailing his audition. Writer, co-producer, and director Jordan Peele said Kaluuya did about five takes of a key scene, in which his character needs to cry, and each was so perfect that the single tear came down at the exact same time for each take.
- PatzerWhen Rod searches for information on Andre Hayworth, the second result is a page titled "How to report a missing person." However, in the close-up, the excerpt from the page shows instructions on how to feed a dog.
- Zitate
[last lines]
Rod Williams: I mean, I told you not to go in that house. I mean...
Chris Washington: How you find me?
Rod Williams: I'm TS-motherfuckin'-A. We handle shit. That's what we do. Consider this situation fuckin' handled.
- SoundtracksRun Rabbit Run
Written by Ralph T. Butler and Noel Gay
Performed by Flanagan and Allen
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Everything New on HBO Max in July
Everything New on HBO Max in July
Looking for something different to add to your Watchlist? Take a peek at what movies and TV shows are coming to HBO Max this month.
- How long is Get Out?Powered by Alexa
- Will there be a sequel?
Details
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 176.196.665 $
- Eröffnungswochenende in den USA und in Kanada
- 33.377.060 $
- 26. Feb. 2017
- Weltweiter Bruttoertrag
- 255.751.443 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen