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6,8/10
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Füge eine Handlung in deiner Sprache hinzuA lawyer returns to Britain to become the first black Director of Public Prosecutions. She begins to suspect that everything she knew about the man she has been married to for the past 20 ye... Alles lesenA lawyer returns to Britain to become the first black Director of Public Prosecutions. She begins to suspect that everything she knew about the man she has been married to for the past 20 years is a lie.A lawyer returns to Britain to become the first black Director of Public Prosecutions. She begins to suspect that everything she knew about the man she has been married to for the past 20 years is a lie.
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Having read the variety of opinions in the reviews I still found this worth a try. Very glad I did. Yes, perhaps it was difficult to follow in places with multiple flashbacks but the central character Maya Corbina played by Sophie Okonedo was for me absolutely mesmerizing. What an incredible talent! The rollercoaster of emotions she portrays draws you into her world and as Maya Corbina, you feel every moment of love, anger, determination,betrayal,loss, confusion, sadness,.......All I can say further is don't be put off by the poor reviews, give this show a chance and if nothing else enjoy her talent.
Undercover offers an interesting premise, that is let down by an implausible story.
Without giving too much away, the notion that Undercover is built upon is interesting but its taken to such implausible extremes as to render the whole proposition unbelievable. Worse still and perhaps not surprisingly, the story simply doesn't hold together all that well as a tale of crime, politics and espionage (of a kind) gradually unfolds.The rather flat, abrupt ending, does not help matters either.
Its a shame too, as there is some genuine acting talent on offer, who hand in really excellent performances. Sophie Okonedo, in particular, is to be commended on her heartfelt, passionate performance, as criminal attorney, Maya Corbina.
In short, Undercover is a series I want to like. It has good production values and a quality cast. That said, its story is simply too weak to carry it. Five out of ten from me.
Without giving too much away, the notion that Undercover is built upon is interesting but its taken to such implausible extremes as to render the whole proposition unbelievable. Worse still and perhaps not surprisingly, the story simply doesn't hold together all that well as a tale of crime, politics and espionage (of a kind) gradually unfolds.The rather flat, abrupt ending, does not help matters either.
Its a shame too, as there is some genuine acting talent on offer, who hand in really excellent performances. Sophie Okonedo, in particular, is to be commended on her heartfelt, passionate performance, as criminal attorney, Maya Corbina.
In short, Undercover is a series I want to like. It has good production values and a quality cast. That said, its story is simply too weak to carry it. Five out of ten from me.
Last decade or so, the UK has produced so many versatile and dramatic (mini-)series that one must unavoidably compare and choose between them - as time is limited and eyes must relax from time to time. Sometimes you tend to forget what you have seen already - due to several recurrent actors, often in similar roles of coppers or crooks - the trend that is usually characteristic to smaller nations, in Scandinavia in particular.
Undercover sets in rather intensely, but then it scatters and wears away somehow, and some standpoints and attitudes are pointed out too often and too strongly, but then the thrill resumes and last two episodes form a real cat-and-mouse play, without becoming too "explosive". True, using flashbacks with a little effort to change the performers' outfit and looks for the period of 20 years brings along unnecessary confusions and disruptions, but all the major performances, however, are good at least, and Maya Cobbina QC by Sophie Okonedo deserves more praise and attention she has achieved so far.
The ending scenes are a bit odd, and the very ending made me the inspiration that another season would be launched, although there is no hint of it so far. Anyway, I would presumably find time for follow-up, but it is okay to cap off here as well. Let the big echelons be more visible in other series... :)
Undercover sets in rather intensely, but then it scatters and wears away somehow, and some standpoints and attitudes are pointed out too often and too strongly, but then the thrill resumes and last two episodes form a real cat-and-mouse play, without becoming too "explosive". True, using flashbacks with a little effort to change the performers' outfit and looks for the period of 20 years brings along unnecessary confusions and disruptions, but all the major performances, however, are good at least, and Maya Cobbina QC by Sophie Okonedo deserves more praise and attention she has achieved so far.
The ending scenes are a bit odd, and the very ending made me the inspiration that another season would be launched, although there is no hint of it so far. Anyway, I would presumably find time for follow-up, but it is okay to cap off here as well. Let the big echelons be more visible in other series... :)
10jon-859
Absolutely loved this and no idea why so many people hate it. Sophie Okendo and Adrian Lester made a compelling team and the drama built impressively. Above all it was different. The plot was intricate and actually believable considering the time-line. The 1990's were a time when the police were often out of control and cover ups were the norm. Full marks.
Where to even begin, episodes are either brilliant, or terrible, there is no happy medium, one thing that is certain, this should have been a four part series, at six, it's better padded than a Dreams mattress.
The story is up and down, implausible, nonsensical, but actually pretty enjoyable. You will be baffled by the actions of some of the main characters, particularly when you consider the positions they hold.
It's woke, Yep, it's great to see a principally black cast, it does make a nice change, but on a few occasions, they drop in a few lines that make you want to cringe, the Oxford jibe, not true.
The best aspect, the acting, the two leads, two people I'm a huge fan of, Okonedo and Lester, the acting from the pair, is first rate, two of Britain's best.
I can't really score it higher than a six, Parts 2 and 5 are terrific, parts 3 and 4 are a snore fest.
Overall, it's good, but know what you're getting. 6/10.
The story is up and down, implausible, nonsensical, but actually pretty enjoyable. You will be baffled by the actions of some of the main characters, particularly when you consider the positions they hold.
It's woke, Yep, it's great to see a principally black cast, it does make a nice change, but on a few occasions, they drop in a few lines that make you want to cringe, the Oxford jibe, not true.
The best aspect, the acting, the two leads, two people I'm a huge fan of, Okonedo and Lester, the acting from the pair, is first rate, two of Britain's best.
I can't really score it higher than a six, Parts 2 and 5 are terrific, parts 3 and 4 are a snore fest.
Overall, it's good, but know what you're getting. 6/10.
Wusstest du schon
- WissenswertesDerek Riddell (Paul Brightman) & Daniel Ezra (Dan Johnson) also worked together on The Missing (2014) as Adam Gettrick & Daniel Reed respectively.
- VerbindungenFeatured in Too Much TV: Folge #1.25 (2016)
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