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Lovely film about a cantankerous, controlling widow Harriet (Shirley MacLaine) who reads obituaries talking about the good deeds of hateful people and decides she should have a good one herself. She approaches the writer responsible, Anne (Amanda Seyfried) and asks her to write her obituary.

Along the way, both women learn some important lessons.

Wonderful performances, especially from scene-stealer AnnJewel Lee Dixon, who is a scream.

Enjoyable, on the predictable side, but very well done.

Harriet Lauler (Shirley MacLaine) is an opinionated controlling rich old lady. She's retired after running an advertising company. Her family is estranged and nobody likes her. After OD'ing on her meds, she starts being concerned about her obituary. She hires newspaper obit writer Anne Sherman (Amanda Seyfried) to write one for her.

After talking to the at-risk girls, the story end point is more than obvious. There is also an obvious route for this movie. It's two great actresses on a road trip to self-discovery. Shirley MacLaine has made a career out of this character. This movie just needs some good writing. The writing is sometimes good standard stuff but sometimes gets clunky. The two leads usually are able to work out some good chemistry but some scene falls completely flat. For example, Anne is on a date when Harriet confronts her about her writing. It's an important moment but the date keep budding into it. He's a third wheel who keeps causing them to drive off course. Then there is the main third wheel, the little girl. She's the quintessential sassy black girl. She gets overshadowed despite the movie wanting her to be the breakout star. Harriet's reconnection with her daughter ends with a weird fake laugh. The audience is just like the other characters, looking at Harriet side-eyed. At the end of the day, I just want this to be better. The writing needs to be better.

This film tells the story of an elderly woman who is difficult and controlling. One day, she comes up with the idea of controlling what her obituary should look like. Therefore, she hires an obituary writer to work on the last words that would summarise her existence on Earth.

The first five minutes should have been a warning sign for me. There is little dialog, as the screen shows Shirley MacLaine's character, Harriet being grumpy by herself. Then, she is as difficult as can be, evoking no sympathy for her from me.

I can't quite bear her creating artificial relationships with Amanda Seyfried and the little girl either, as their bond with Harriet is contrived and unconvincing. Am I really to believe that you can chat up a little girl in the school yard, and subsequently take the girl on a one day trip without parental consent? The whole subplot of the little girl is seriously flawed.

The story is slow, and there is not enough content to fill the screen time. I felt seriously bored. I almost dosed off when Harriet does something similar on the sofa. Then something unbelievable happens. I cannot possibly imagine anyone does what Amanda Seyfried does in that situation. Her lack of action is entirely absurd and senseless.

Normally I like a brain off film with a predictable plot, but "The Last Word" manages to bore and irritate me.

SUCH a wonderful movie, it's pretty inspiring and you're definitely going to cry (some tears will be happy). Couldn't picture 3 more perfect people to represent the leading ladies. It's hard to explain to other people why they should watch a movie and feel the things that you feel while watching it. But I kind of think that's a lesson from this movie. Feel however you want, do what you want, but "make it matter".

Anyone that did not like this movie must be brain dead. I am not into long reviews, so I will make it short. Shirley MaClaine has still got it, she is funny, heartwarming, and lights up the screen. The story is charming, music is great, and it makes you feel good. I recommend this movie wholeheartedly. I hope you have a chance to see it and enjoy it like I did.