Greenleaf

I see great potential for an interesting look at the inside world of wealth. power and the cloak of holiness. David Keith is a master in delivering dialogue. I love Lynne Whitfield as the matriarch with some obvious issues, yet to be revealed I hope. As the series continues, I (dare I say it?) pray the writers become more confident and provide more realistic speaking styles. The decor of the home, church and offices are beautifully done.Kudos to production staff. I admire the modern styling of the characters. An accurate mix of traditional, natural, ethnic clothing and hairstyles. Multi-racial actors in all types of roles. In fact, the realistic relationship between Grace and her daughter is something I can identify with. Thanks for that. I'm excited that Ms. Winfrey supports this type of project.

The best of what Greenleaf has to offer can be seen in a family dinner conversation in the first episode. Ex-minister Grace has come back to the city of her father's megachurch for her sister's funeral, and mentions that she rarely goes to church in her new town. Her sister-in-law Kerrisa jumps on it, passive-aggressively asking why. Grace's mother insists on an answer, and the whole conversation devolves into a tense mess of resentment and jealousy. It is fascinating.

Much of my fascination with Greenleaf is that, for me, a white, big- city atheist, this world is so outside of my experience, in part because everyone's black, but more because everyone accepts Jesus as a very tangible figure in their lives. Only Grace is the sort of Christian I'm used to - the "I'm more spiritual than religious" type, and in her case she is torn between that and her evangelical roots.

Even though Jesus is so real for them, they are still human. One is clearly gay and trying hard not to be. The church head seems to be casually corrupt. Even Grace's odious pedophile uncle is probably a believer although he seems to flout everything in the bible.

There are some very interesting characters. Grace, her starchy mom and glad-handing dad, and most notably Kerrisa, played by Kim Hawthorne as a controlling, anxious woman resentful that following all the rules hasn't made her happy. She's awful, but also tragic.

I often object to character-driven dramas without much story, but in this case, I feel the story arc lays an element of artifice over these fascinating dynamics. Grace stays in town to play detective, looking for proof of her uncle's crimes, and while this story would be fine if it felt like just a part of the drama, its centrality overshadows the series' more subtle aspects.

I like Greenleaf, but I feel I would like it more if everyone just stayed at the dinner table forever.

I could turn it off..... I struggled to keep watching the eps & fast forwarded to S2, but it just got worse. There was no good strong storyline, the editing was dreadful and the directing was even worse. Even the score was appalling. + The actors must have worked for nothing > they were that bad > except 1 >..Merle Dandridge & she was very good. I am surprised it was renewed for seasons 2 and 3..Just terrible all round.

I was prepared to be bored by this series but have been pleasantly surprised.The story lines of each of the characters are seemingly innocent but, become more complex with each episode.

Lynn Whitfield, as always, holds her own as the matriarch of this family whose members seem filled with discontent over the familial pecking order decided by their father. Oprah Winfrey is surprisingly okay as the family rebel aunt who wants to use her niece to bring down her shady brother.

It has, so far, delivered enough shock value to make it entertaining after 3 episodes.

The story of a Southern mega-church headed by a family of sly hypocrites. Living in luxury and wielding influence how deep does the spirituality they claim really run? Are their sins products of their own human frailty exacerbated by a difficult world? Or are they bad people pretending to be holy?

It is about time a TV series dealt with the world of organized, profit-motivated religious organizations. A night-time soap take on an African-American mega-church in the Deep South is a novel approach to that telling the stories of people that have not yet been properly told in a fictional construct.

But my praise ends there. A solid cast in an interesting setting largely goes wasted in teleplay scripts so inept that they look like film school dropouts wrote them.

I love night-time soaps. I like the idea for this show as well as the story and the characters and the angle they take in relating the narrative. It is an imagined glimpse into a secret world of powerful people who profess piety and modesty but can't live it and we get to see them at their best and worst. I want to see it get multiple seasons.

But the scripts have to get better. They need to be outlined better and the dialogue needs to be more subtle in relaying information as well as doing so in a natural manner in which real people speak. So far they have tried to cram too much information in each sentence