Moonlight

Moonlight (2016)

**** (out of 4)

Extremely well-made and lyrical movie that deals with a young black man trying to survive in Miami while discovering who he is through a series of hard times. We first meet "Little" (Alex R. Hibbert) as a young kid who is discovered by a local drug dealer (Mahershala Ali) who tries to teach him some life lesson. We then meet him as a teenager (Ashton Sanders) where he is constantly being bullied while at the same time trying to learn his sexuality. Finally, in the third act, we meet him as an adult (Trevante Rhodes) and see how these earlier events have shaped his life.

MOONLIGHT is a fantastic character study and I'd argue that it's one of the most interesting ever made. I'm not saying it's one of the greatest films ever made but at the same time I would argue that it's one of the best directed and acted movies that I've seen in a very long time and the end result is something rather special. Yes, we've seen these coming of age dramas for countless decades now but this one here still manages to come across rather fresh and original.

What I loved most about the film were the performances by the three actors playing the same character at various stages of his life. A lot of movies try this and it's rare that all three are so believable in their roles that you really do feel as if you're watching one character throughout a period. All three actors really did seem to have studied each other or at least had such great direction where they were all acting the same way, with the same emotions and as the film went along you could see how the teenager was in the younger version and how these two versions played a major role on the adult.

The performances here are simply wonderful with Hibbert, Sanders and Rhodes delivering some of the finest performances of the year. The amount of emotional and realism they bring this character is something really breathtaking to watch. Ali is the real standout though as he plays a man we meet and who at first we don't know anything about him. We slowly learn about his character but the presence Ali brings to the role is something truly excellent to watch and he delivers a knock out performance. Janelle Monáe is also wonderful as his girlfriend as is Naomie Harris as the boy's mother.

Director Barry Jenkins does an extremely wonderful job at keeping the film moving along. There's a terrific visual style including the opening sequence, which just grabs you and pulls you into this world. MOONLIGHT is one of the better character studies out there and it certainly takes you on a fantastic voyage of a boy trying to learn to be himself and become a man.

This movie is a beautiful piece of art from beginning to end. I was anxious to see this film but still nervous in hopes that the result would match the hype. Some of my expectations were not met (Janelle Monae's role) but those minor kinks do not take away from what the film was made to be.

I was curious as to how they'd tell a full story in three parts but it flowed well and each actor who portrayed the main character, Chiron, added so many nuances.. it just pulled you in. But the actors who stole the show are definitely Naomie Harris as the main character's Mother and Ashton Sanders who played the teenager version of the main character. Both commanded the screen in every scene they were in. On the surface, Naomie's character is despicable but she brought such heart that it made you feel for her. Ashton's version of Chiron was a great journey to watch. I was rooting for him the entire time. But I must point out that the entire cast was awesome.

Well written, well paced. The visuals. The music. I was blown away and definitely recommend it.

There were some places I wanted the story to go, as far as character interaction in certain areas. I was looking for some memorable monologues or some gritty drama between certain characters but I had to realize that this movie was more about the internal struggle. The subtlety is what made it unique.

"Moonlight" may very well be a breath of fresh air to others who are tired to death of our culture's obsession with labeling and categorizing everything in an attempt to understand it. If it can't be easily categorized, it's either frightening and something to be opposed to, or it's abnormal and therefore something to be marginalized.

The main conflict at the heart of "Moonlight," a beautiful movie about a young black man's coming of age in poor and drug-afflicted Miami, is our protagonist's inability to define himself in terms that his environment will allow. He doesn't fit into any of the categories available to him, so he sets out to force himself into one that seems like the best option. His name is Chiron, and the movie shows him to us at three stages of his life, portrayed by three different but wonderful actors. As a little boy, he struggles with loneliness and neglect thanks to a crack-addicted mom (played by Naomie Harris) and takes to the first person who offers to be a father figure to him. In a Dickensian twist, this person happens to be a drug dealer who nevertheless offers him sympathy and understanding not to be found anywhere else. The middle section depicts Chiron as a young man navigating his emerging homosexuality and the high school bullying that goes along with it. In the film's final and most breathtaking sequence, we follow Chiron as a man in his twenties to a reunion with a high school friend who gave him his first gay experience and whom he's never been able to completely move on from. This entire sequence is directed, written, and acted with utmost delicacy.

I can't think of a movie in recent memory that puts loneliness and anguish on screen more effectively than "Moonlight." It's a movie that asks us to see life from the perspective of a very specific individual but then draws universal conclusions from it that makes the superficial differences between him and the viewer (I'm not black, I'm not gay, I didn't grow up in a poor urban environment) melt away until you feel deep compassion and sympathy for a fellow human being who is doing what we all are -- navigating the complexities of living on this world and making the best of it we can.

Grade: A

Words cannot express how I felt after watching Moonlight. It's hard to write a review for a film that touches you so powerfully, so emotionally, because there is nothing else you can say aside from just how deeply you felt it. I felt it, possibly in a way I haven't felt a film in years. So simple in its premise, but incredibly written, directed, and acted. It may very well have one of the best final scenes I have ever seen. Something that also stood out that I didn't particularly expect was the amazing cinematography, so free flowing and so acutely able to capture the characters' feelings. This is a film that is not to be missed, a film to be celebrated through and through.

I watched this In two sittings and was glad of the break. The three ages of the main protagonist all play their part excellently, and each in their own way shows a sadness and sense of being trapped with a secret that is unacceptable to the people around them, as a child, teenager and adult. Not a world that I've ever seen portrayed before which is why I think it is worthy of its accolades. This feels like an insider account of growing up gay in a tough neighbourhood.

Brooding, challenging and sad but well worth the watch.