IMDb-BEWERTUNG
7,2/10
2700
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuSet during the Philippine-American war, a short-tempered Philippine Revolutionary Army general faces an enemy more formidable than the American army: his own treacherous countrymen.Set during the Philippine-American war, a short-tempered Philippine Revolutionary Army general faces an enemy more formidable than the American army: his own treacherous countrymen.Set during the Philippine-American war, a short-tempered Philippine Revolutionary Army general faces an enemy more formidable than the American army: his own treacherous countrymen.
- Auszeichnungen
- 17 Gewinne & 20 Nominierungen insgesamt
Arthur Acuña
- Maj. Manuel Bernal
- (as Art Acuña)
Jeffrey Quizon
- Apolinario Mabini
- (as Epy Quizon)
Empfohlene Bewertungen
My review is about my personal view and belief about my understanding in history of my own country I believe Aguinaldo is hypocrite and those shrine they built in kawit are useless what for as a reminder of him being hypocrite.
He is also responsible for Anders Bonifacio death it was clear and until now this way is clearly happening in our country the love of the politicians to serve their self ,their own interest is the main reason why most of Pilipino people are poor.
It might sound personal but this movie might be serve as one of the eye opener that history repeatedly reveals the truth and I wish 🤞 we could learn and wake up this kind of nightmare.
He is also responsible for Anders Bonifacio death it was clear and until now this way is clearly happening in our country the love of the politicians to serve their self ,their own interest is the main reason why most of Pilipino people are poor.
It might sound personal but this movie might be serve as one of the eye opener that history repeatedly reveals the truth and I wish 🤞 we could learn and wake up this kind of nightmare.
"Heneral Luna" tells us a more detailed account of the life of one of the revolutionary heroes we learn about in school, yet know practically nothing about -- Gen. Antonio Luna. Practically all we know about him is that he had a very bad temper which gained him a lot of enemies, eventually leading to his assassination. Aside from telling us specific situations where this legendary temper flared up, we also get to meet him more intimately as a leader, a soldier, as a son and as a man.
Even from his intense penetrating gaze and formidable mustache in the poster alone, you already know John Arcilla will be excellent in this film. His comic timing was impeccable. It was a most vibrant performance of a most vivid man, making him really loom larger than life. He was over-the-top in his explosiveness, just the way Tarog wanted him to be. The way he was built up, we were ready for that climactic assassination scene, however outrageous the savagery.
Mon Confiado was a picture of ironic calm as President Emilio Aguinaldo. The more movies we watch about the revolution certainly brings up more and more questions about the controversial Aguinaldo. Nonie Buencamino was so slimy as his treacherous surname-sake Felipe Buencamino. That nonchalant look on Lorenz Martinez face was so hateful as he essayed the role of the equally haughty Gen. Tomas Mascardo.
It was also such a casting risk and surprise to put known comedians in such key roles, like Epy Quizon as Apolinario Mabini, Leo Martinez as Pedro Paterno and Ketchup Eusebio as the vengeful Capt. Pedro Janolino. I must admit their presence can be distracting in certain dramatic moments, particularly Eusebio. Or maybe that was their purpose -- to balance out the severe seriousness of those scenes.
You immediately upfront that the filmmakers were aiming high for this film. The initial introductory texts were written in English, signifying intentions for this film to make the rounds of foreign film festivals. (I read that there were even certain reels with English subtitles shown in some more upscale cinemas.) The presence of disclaimers stating that this is a work of fiction inspired by fact could somehow raise an uneasy question as to how much fiction was in there mixed among the facts.
This film will also grab you with its gorgeous cinematography. The images on the big screen had such vivid colors and innovative camera angles. The period production design and the costume design were meticulous in detail. During a beautifully-edited flashback sequence, there was a stylized scene about Rizal's execution that was so uniquely and hauntingly rendered. There are most gruesome and graphic special effects showing the violent brutality of warfare which will shock you.
The historical storytelling was very clear, exciting and engaging from beginning to end, with a fresh graphic novel feel to it. Humor was such an unexpected yet integral element of the script, from those crisp off- color expletives of Luna to those sarcastic side comments of Lt. Rusca (Archie Alemania) and many more in between of different shades. The patriotic sentiments were very poetically-written, but the way they were delivered here felt sincere. They did not sound preachy or cheesy, like when such lines were mouthed by Robin Padilla in "Bonifacio" or Jeorge E.R. Ejército in "El Presidente".
Just like a Marvel film, there was an extra scene in the middle of the closing credits, suggesting a next film featuring Paulo Avelino as Gen. Gregorio del Pilar. There was also a brief cameo appearance of Benjamin Alves as a young Manuel L. Quezon, hinting at a possible trilogy. This is a very exciting plan indeed which we all hope will materialize given the success of "Heneral Luna".
I hear this is also under consideration of being submitted for Oscar consideration, and I support that campaign. The screening I caught today was a full-house despite being 1:30 in the afternoon on a weekday. It was really gratifying to see a quality Filipino film have commercial success even if it was not an inane comedy or "kilig" teen flick with box-office stars in the cast.
Kudos to Artikulo Uno Productions and director-film editor-musical scorer Jerrold Tarog for coming up with what may just be the best, certainly the most audacious, Filipino film released this year to date. Like Gen. Luna, this film leads a mad charge on horseback with a raised fist against Filipinos who say they love their country yet look out for their personal interests first. Let's hope this strong message hits its targets. 9/10.
Even from his intense penetrating gaze and formidable mustache in the poster alone, you already know John Arcilla will be excellent in this film. His comic timing was impeccable. It was a most vibrant performance of a most vivid man, making him really loom larger than life. He was over-the-top in his explosiveness, just the way Tarog wanted him to be. The way he was built up, we were ready for that climactic assassination scene, however outrageous the savagery.
Mon Confiado was a picture of ironic calm as President Emilio Aguinaldo. The more movies we watch about the revolution certainly brings up more and more questions about the controversial Aguinaldo. Nonie Buencamino was so slimy as his treacherous surname-sake Felipe Buencamino. That nonchalant look on Lorenz Martinez face was so hateful as he essayed the role of the equally haughty Gen. Tomas Mascardo.
It was also such a casting risk and surprise to put known comedians in such key roles, like Epy Quizon as Apolinario Mabini, Leo Martinez as Pedro Paterno and Ketchup Eusebio as the vengeful Capt. Pedro Janolino. I must admit their presence can be distracting in certain dramatic moments, particularly Eusebio. Or maybe that was their purpose -- to balance out the severe seriousness of those scenes.
You immediately upfront that the filmmakers were aiming high for this film. The initial introductory texts were written in English, signifying intentions for this film to make the rounds of foreign film festivals. (I read that there were even certain reels with English subtitles shown in some more upscale cinemas.) The presence of disclaimers stating that this is a work of fiction inspired by fact could somehow raise an uneasy question as to how much fiction was in there mixed among the facts.
This film will also grab you with its gorgeous cinematography. The images on the big screen had such vivid colors and innovative camera angles. The period production design and the costume design were meticulous in detail. During a beautifully-edited flashback sequence, there was a stylized scene about Rizal's execution that was so uniquely and hauntingly rendered. There are most gruesome and graphic special effects showing the violent brutality of warfare which will shock you.
The historical storytelling was very clear, exciting and engaging from beginning to end, with a fresh graphic novel feel to it. Humor was such an unexpected yet integral element of the script, from those crisp off- color expletives of Luna to those sarcastic side comments of Lt. Rusca (Archie Alemania) and many more in between of different shades. The patriotic sentiments were very poetically-written, but the way they were delivered here felt sincere. They did not sound preachy or cheesy, like when such lines were mouthed by Robin Padilla in "Bonifacio" or Jeorge E.R. Ejército in "El Presidente".
Just like a Marvel film, there was an extra scene in the middle of the closing credits, suggesting a next film featuring Paulo Avelino as Gen. Gregorio del Pilar. There was also a brief cameo appearance of Benjamin Alves as a young Manuel L. Quezon, hinting at a possible trilogy. This is a very exciting plan indeed which we all hope will materialize given the success of "Heneral Luna".
I hear this is also under consideration of being submitted for Oscar consideration, and I support that campaign. The screening I caught today was a full-house despite being 1:30 in the afternoon on a weekday. It was really gratifying to see a quality Filipino film have commercial success even if it was not an inane comedy or "kilig" teen flick with box-office stars in the cast.
Kudos to Artikulo Uno Productions and director-film editor-musical scorer Jerrold Tarog for coming up with what may just be the best, certainly the most audacious, Filipino film released this year to date. Like Gen. Luna, this film leads a mad charge on horseback with a raised fist against Filipinos who say they love their country yet look out for their personal interests first. Let's hope this strong message hits its targets. 9/10.
Heneral Luna shares with its audience, a portrait of the historical character that is General Antonio Luna, the brilliant and hot-tempered patriot, who fought against the US during the Phil-American war. The film examines, without filter, how political in-fightings led to his assassination and the demise of Philippine independence.
General Luna was played by all time actor, John Arcilla and this film was ultimately his. His zesty & energetic portrayal is compelling, that I was eager to digest his every exposition. He delivers his scenes with ferocity and charisma, embodying Luna's straight-talking, no compromise brand of leadership. As a result, we find in full display, the icon's brilliance as a general & as a patriot through winning tactics, inspirational speeches & engaging arguments on how nations are built and preserved. On the other hand, weaknesses are revealed, weaknesses labelling Luna as a fanatic due to his crass nature, devoid of sympathy. Happily, Arcilla's fine acting is met head on by a strong supporting cast led by Mon Confiado as Pres. Aguinaldo, Nonie Buencamino as Felipe Buencamino, and Leo Martinez as Pedro Paterno, among others.
Under the helm of Director Jerrold Tarog, the film uses the above solid performances to create lively conversations that depict Luna's main adversaries: bureaucrats, cowards and homegrown skeptics who prefer compromise over conflict. This for me, is the film's most moving piece as we witness the frailty of patriotism.
Now, despite Tarog's success in storytelling, the film falls victim to the usual shortcomings of Philippine cinema, the B-movie distinction. The momentum of Arcilla's speeches noticeably drops off when war and battle takes center frame. They felt very staged and unconvincing. The actors (and lines) of the American characters were awkward, clumsy and unbelievable. There were glaring inconveniences in production design as well, such as Luna's ultra shiny nails during war and well dyed hair by its actors. Don't fret however, as Gen Luna remains the focal point here.
Overall, this is a deeply moving picture that gives us valuable insights into the general's personality. It also successfully reaches out to its audience and forces us to draw parallels between current political events vs those in Luna's time. Fine piece of work by both Tarog and Arcilla.
General Luna was played by all time actor, John Arcilla and this film was ultimately his. His zesty & energetic portrayal is compelling, that I was eager to digest his every exposition. He delivers his scenes with ferocity and charisma, embodying Luna's straight-talking, no compromise brand of leadership. As a result, we find in full display, the icon's brilliance as a general & as a patriot through winning tactics, inspirational speeches & engaging arguments on how nations are built and preserved. On the other hand, weaknesses are revealed, weaknesses labelling Luna as a fanatic due to his crass nature, devoid of sympathy. Happily, Arcilla's fine acting is met head on by a strong supporting cast led by Mon Confiado as Pres. Aguinaldo, Nonie Buencamino as Felipe Buencamino, and Leo Martinez as Pedro Paterno, among others.
Under the helm of Director Jerrold Tarog, the film uses the above solid performances to create lively conversations that depict Luna's main adversaries: bureaucrats, cowards and homegrown skeptics who prefer compromise over conflict. This for me, is the film's most moving piece as we witness the frailty of patriotism.
Now, despite Tarog's success in storytelling, the film falls victim to the usual shortcomings of Philippine cinema, the B-movie distinction. The momentum of Arcilla's speeches noticeably drops off when war and battle takes center frame. They felt very staged and unconvincing. The actors (and lines) of the American characters were awkward, clumsy and unbelievable. There were glaring inconveniences in production design as well, such as Luna's ultra shiny nails during war and well dyed hair by its actors. Don't fret however, as Gen Luna remains the focal point here.
Overall, this is a deeply moving picture that gives us valuable insights into the general's personality. It also successfully reaches out to its audience and forces us to draw parallels between current political events vs those in Luna's time. Fine piece of work by both Tarog and Arcilla.
I don't usually patronize historical movies/dramas as they could be biased depending on how the directors/writers/producers would like to portray the "heroes" in it, but HENERAL LUNA is different!
Hen. Antonio Luna wasn't portrayed as a mere hero without imperfections, but instead a human being who wasn't afraid to gain naysayers for the sake of Inang Bayan's "real" independence. You will admire him, hate him, disagree with him, sympathize with him...surely, these emotions are not enough to describe I how felt while watching the movie. John Arcilla, without a doubt gave life to Hen. Luna's character (all actors/actresses in the movie, actually).
Kudos to the director, Mr. Jerrold Tarog and everyone who made this masterpiece possible.
Watching this was worth every penny spent!!!
Hen. Antonio Luna wasn't portrayed as a mere hero without imperfections, but instead a human being who wasn't afraid to gain naysayers for the sake of Inang Bayan's "real" independence. You will admire him, hate him, disagree with him, sympathize with him...surely, these emotions are not enough to describe I how felt while watching the movie. John Arcilla, without a doubt gave life to Hen. Luna's character (all actors/actresses in the movie, actually).
Kudos to the director, Mr. Jerrold Tarog and everyone who made this masterpiece possible.
Watching this was worth every penny spent!!!
The notorious, bad-ass, and famous Gen. Antonio Luna was portrayed in the big screen that will make each Pilipino proud. This was one of the most outstanding performance for all of the actors involving in this film, well directed by Jerrold Tarog, and the cinematography and set pieces were jaw-dropping. The creativity and style in the part of the film where Gen. Luna closed his eyes while talking with his mother and reminisced the past days with their family and the past events that occurred in their lives and the people around them was astonishing.
BOTTOM LINE: Are you tired of watching Pinoy Movies (mostly) with lazy writing and predictable plot that focuses majority in Romance, Comedy, Romance (did I say Romance twice?)? Here is the movie that we can all be proud to say, this is how the movie should be done and treated (with CREATIVITY, WELL THOUGHT, WELL DIRECTED).
BOTTOM LINE: Are you tired of watching Pinoy Movies (mostly) with lazy writing and predictable plot that focuses majority in Romance, Comedy, Romance (did I say Romance twice?)? Here is the movie that we can all be proud to say, this is how the movie should be done and treated (with CREATIVITY, WELL THOUGHT, WELL DIRECTED).
Wusstest du schon
- WissenswertesAfter Luna is killed, he is dragged through one arm to the side of the convent, reminiscent of the famous Spolarium painting, which was painted by his brother Juan Luna.
- PatzerWhen General Luna and his men enter a church to pray briefly after hearing news of the American attack on Santa Mesa, several statues of the Virgin Mary can be seen near a window in the background. One of them is Our Lady of Fátima; the Fátima Apparitions occurred in 1917, almost two decades after the film's time period.
- Crazy CreditsIn a post-credits sequence, General Gregorio del Pilar (Paulo Avelino) is told there are not enough men left. He tells his aide to choose 60--the number of men he had with him when he tried to defend Aguinaldo's retreat from American soldiers at the Battle of Tirad Pass. The scene hints that Del Pilar will be the focus of the next film in a rumoured historical film trilogy by director Jerrold Tarog.
- VerbindungenFollowed by Goyo: Ang batang heneral (2018)
- SoundtracksHanggang wala nang bukas
Words and Music by Ebe Dancel
Vocals by Ebe Dancel
Guitars by Kettle Mata
Bass by Roger Alcantara
Drums by Jerrold Tarog
Recorded and mixed at Tower of Doom Records by Eric Perlas
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Heneral Luna?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Генерал Луна
- Drehorte
- Magdalena, Laguna, Philippinen(Stood in for Cabanatuan Church)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 206.040 $
- Eröffnungswochenende in den USA und in Kanada
- 15.485 $
- 1. Nov. 2015
- Weltweiter Bruttoertrag
- 4.625.639 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen