Tomato Red: Blood Money

Spectacular, is the only way to describe this "gem" of a Canadian movie. Though not sure how "Canadian" it is as mostly american and 1 british actors/actresses. Must be the money. Always follow the money : ( But still filmed in Canada, that counts for something (mostly tax credits, but what ever) Still is a very "great" movie. Lots of smoking (I'm a smoker, so I approve), and lots of quirky fun. How in the heck the Irish are involved I don't see, must be the money trail again. Capitalism soooo sucks : ( 10 out of 10 from me : )

There is nowhere in Arkansas that looks like this. It was filmed in British Columbia. That was my first issue with this film. I was intrigued to watch by the named actors.

Great beginning, 1st Q. Then it draws to a pace that, as visually artistic as it is, and it is, it just goes too long without dialog and movement. Lulls to a crawl. Good sub plots although the main plot is fairly monotone. Then the ending is really just stalled on a big decision. Short resolution that never does tell us why.

Decent Music. Very Good actors. The three main of them grew from this, I would imagine.

It's the pace, for me.

Julia garner is, as expected, mesmerizing. The role might hew a little too closely to the character she plays in Ozark, but in an hour and a half she brings similar nuance to a character she developed over many years in the Netflix show. Anna Friel as Bev is a subtle sensation and Nick Roux as Garner's on-screen brother is sublimely understated. Jake Weary as the male lead is in one of those roles where it's difficult to imagine anyone else doing it. He *is* Sammy.

Much of the dialogue is truly mesmerizing, a credit to Juanita Wilson whom it is impossible to imagine isn't from a trailer park somewhere in the impoverished American south. (I swear I'd read the ingredients panel on a Hostess snack cake were it written by her.)

This may be the most poorly titled film I've seen in a long time, the title suggesting the kind of story that we don't get. It's not an action flick. In fact, the genius of this film is that at almost no point is it about what you think it's going to be about. At one point it seems a light hearted caper, at another a wonderfully tragic and perverse love triangle, and at yet another a tale of revenge and regret and horrible choices to be made in horrible circumstances. But in that lies the movie's success. Separately these themes don't tell the story this movie is telling but woven together as they are the narrative theme coheres: being poor white trash is a desperate, powerless, anguishing situation, yet those who survive, survive. And sometimes we should pity them for it.

This film is why independent film exists and should continue to exist despite and especially because of the pressures the major motion picture industry exerts.

The title and poster led me to expect this to be a completely different film than it turned out to be, namely an action thriller, but actually it is Southern Gothic drama with some mild thriller elements. Now, this is not necessarily a problem for me personally because I am open to be surprised, but I wonder if this might have hurt the film's marketing.

The movie is competently executed and features passable acting, but I could just not get rid of a constant feeling of annoyance at watching one poor life choice after another, with practically no insight into the consequences, by several of the major characters, right up until just before the end of the movie. When, at that point-finally!-each of the three main characters attained an insight, it struck me as so profoundly cynical that I could not get myself to care about it.

I realize that this may very well be the point of the movie: to depict the grim lives of the bottom barrel of society, hopeless, with flawed moral systems and an inability of its members to find a way out of their situations, and where every poor choice is bound to both be punished more harshly than it deserves by society, and to serve as a prelude to further poor choices.

As far as what a drama could be about, it is actually a really good point. But when there is too much of that, then one eventually stops caring about the characters, and that is what happened to me here (except for the character of the mother, who did elicit some feelings of pity).

I'm generally biased against American films and their lack of subtlety but think I would watch any independent film with Julia Garner in it, she's that good. I also really enjoyed the honesty of the main character in his acknowledgment of his position in life. Sometimes a narration in a film comes across cheesy, and it was at times - but it was paramount to the film that the marginalized be given a voice. The cinematography is stunning also.