9/11

9/11 is a poignant and heartfelt film that pays tribute to the courage and resilience displayed during one of the darkest moments in American history. Directed by Martin Guigui, this powerful drama delicately explores the human stories behind the tragic events of September 11, 2001, without exploiting the immense pain and loss suffered by countless individuals.

The film centers around a group of strangers who find themselves trapped together in an elevator within the World Trade Center's North Tower on that fateful day. As they grapple with their fears and confront the harsh reality unfolding around them, their individual backgrounds, beliefs, and personal struggles are revealed. Through their interactions and shared experiences, the film beautifully captures the strength of the human spirit and the capacity for compassion and unity in the face of adversity.

The performances in 9/11 are exceptional, with a talented ensemble cast that includes Charlie Sheen, Gina Gershon, and Luis Guzmán. Each actor brings depth and authenticity to their respective roles, portraying characters who are flawed, vulnerable, and ultimately relatable. Their performances serve as a reminder of the countless real-life heroes who emerged from the tragedy, displaying extraordinary acts of bravery and selflessness.

Director Martin Guigui demonstrates great sensitivity in his approach to the subject matter. With a restrained and respectful tone, he allows the emotional weight of the story to unfold organically, capturing both the horror of the events and the triumph of the human spirit. The film avoids sensationalism and instead focuses on the universal themes of love, loss, and the indomitable strength that can emerge from even the most devastating circumstances.

While 9/11 may not offer groundbreaking storytelling, its true power lies in its ability to honor the memory of those who lost their lives and to recognize the heroism displayed by ordinary people during a time of immense tragedy. It serves as a poignant reminder of the importance of unity, compassion, and resilience in the face of unimaginable challenges.

In conclusion, 9/11 is a deeply moving and respectful tribute to the victims and survivors of the September 11 attacks. With its heartfelt performances, restrained direction, and powerful storytelling, it serves as a testament to the enduring human spirit and the capacity for hope even in the darkest of times.

There is no good place to start, as every aspect of filmmaking here was done wrong, so I'll name a few random points to paint you a picture: 1) There's a shot of Whoopi Goldberg walking down the street that looks like a shot from Birdemic. 2) Charlie Sheen's response to the courier randomly blurting out that Filipinos are the worst drivers because they're Asian is "Well that makes sense; the Phillipines are considered to be in Asia, so....*mumbles*". 3) Every shot of the towers is stock news footage. 4) Every 10 minutes the wife character has an emotional outburst in what is supposed to be a dramatic scene, but they cast a woman with a botox-frozen face to play her.

The acting is on the same level as Two and a Half Men, but whereas that is a sitcom that people watch for quick, cheap laughs, this movie is trying to be a serious drama. It switches from cringeworthy acting and dialog (that honestly made me laugh), to scenes of people crying while watching the towers collapsing. Instead of writing characters that we could care about, which would have led to some emotional weight, this movie tries to cheat its way to emotional weight by showing you stock news footage and some pretend firefighters running around, as if to say "Hey, remember THAT day? Sad, right? Remember how freaked out everyone was?".

9/11 (2017)

** (out of 4)

Jeffrey Cage (Charlie Sheen) and his wife (Gina Gershon) are in the North Tower of the World Trade Center where she is wanting him to sign some divorce papers. The two of them get on an elevator shared with Michael (Wood Harris), Tina (Olga Fonda) and Eddie (Luis Guzman) when they feel a violent shake and the elevator gets stuck. They soon learn from an elevator worker (Whoopi Goldberg) what is going on outside.

9/11 got released to some of the worst reviews that you're ever going to read. This was meant to be Sheen's big dramatic comeback picture but it barely got a release and what critics did see the picture really ripped it to pieces. Some called it a shameful piece of exploitation while others just called it a poorly made and acted film. This obviously wasn't the first film to take on that day and it wasn't even the first to use the 9/11 title. With that being said, the film certainly has some major flaws but at the same time it's not quite as bad as they made it out to be.

I think the biggest problem with the film is that the screenplay is based on fiction. There are so many stories of bravery that day and I'm not sure why the writer would elect to tell a fake story. Did they not want to pay someone for their story? I'm not sure what their reasons were but they picked a pretty poor story that would have been better suited for an Irwin Allen disaster picture. The entire subplot of the divorce leads to some very silly scenes and some even poorer dialogue. I won't ruin what happens to the people in the elevator but the ending is pretty bad on many levels.

With that said, I must say that I thought the performances were good for the most part and that includes the actors playing the people in the elevator. I thought Guzman was extremely good in his role as was Harris. Sheen also had some decent moments but I don't think the performance is what he would have hoped for. None of the actors were done any favors though because the dialogue is just pretty poor at times and the director never really builds up any tension throughout the time we're with these people in the elevator.

Another problem was that the film was shot 2.35:1, which really wasn't a wise move in a film like this where you're meant to feel claustrophobic in a tight space. It seems like I'm bashing most of the film but I will say that it held my attention throughout. The film was obviously working with a very small budget, which didn't help things and while the film isn't a success, I think it's bad reputation is a bit too harsh.

Since the opening scene you get a taste of the absolute mediocrity that follows for the rest of the film. There's so much wrong with it that I really don't even know where to start, but the first apparent serious problem seems to be the casting choice, and that's what probably made this movie fail in such disastrous proportions. This film needs to be shown in acting school as an example for how NOT to act, and I'm honestly very surprised that Whoopi Goldberg got herself involved in such an amateurish project, as there's a big difference between supporting a cause and agreeing to be part of a mediocre production. All the performances were terrible, but Sheen's acting in particular is so laughably bad that by the end of the movie I felt truly embarrassed for him. The script is extremely weak and lame - the dialogue between some of the characters is stupid and totally unnecessary in moments of tension that are supposed to be serious. The so called "comic relief" fails miserably and it clearly makes the scenes cringy and awkward for the actors themselves. The characters are so unlikable and annoying that at some point you actually stop caring about them, and when you have such a limited acting cast and this situation occurs you know the movie is in serious trouble. Generic camerawork and choppy editing makes the technical aspect of the production seem boring and unattractive. The overall tone of the movie is very confusing, as sometimes it feels like a low-budget horror film and other times it has the comedic vibe of a parody. All in all this has to be one of the absolute worst films of 2017.

I just realized the movie came out on the weekend before 9/11's 16th anniversary, but first and foremost, this movie is about people. It's a compelling story about how strangers from all walks of life, can just so happen in an elevator, set to the background of 9/11. These people start to bond as they attempt to survive.

It's trilling, suspenseful and very dramatic, especially the performance of Charlie Sheen, proving he is still capable of playing a character that's just not himself in a way (Don't even know the last time he played someone who was not named Charlie)

The whole movie feels like a play, and then I find out in the end credits that that's exactly what it was adapted from, a play called Elevator, a title I must admit I'd prefer over 9/11.

Though I understand why they called in 9/11, what's good about this character driven piece is the fact that it's about the characters and the story happens to be set on 9/11. I just love the good life lessons the story tells as these strangers get to know each other past the stereotypes we put on people on our first impressions. Very human.

Overall, it's not the best movie but I am impressed by the adaption. It really touches on the right emotions.

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