Elis

A touching portrait of one of Brazil's most iconic performers, beautifully photographed by Adrian Teijido and very well directed by Hugo Prata, who not only dominates the technical aspects of filmmaking, but also knows how to play with the language of music throughout his film. Andreia Horta shines as the troubled but yet brilliant singer. Julio Andrade surprises as a particularly spirited Lennie Dale. Besides great performances, the film leads you through the beginnings of MPB (Popular Brazilian Music) and what it meant to Brazil as a nation facing military dictatorship.

I definitely recommend Elis to anyone who appreciates good music, fascinating characters and great entertainment.

What a beautiful and touching movie! The sensitiveness of the director amazed me as he was able to show this great singer as an idol and a human being at the same time. It must have been tough to choose what events of her life to tell in only two hours as she's gone through so many things during her short lived life, but he was able to stay true to who she was and to show how she evolved from a talented young singer, to major success, and her early death fighting her own demons. No words to describe Andrea Horta!!! What an amazing and powerful acting!! Elis lived again through her. Beautiful photography, arts and costume designs!! A must see!!

I've had a passing fascination for Elis Regina for many years and was very surprised to see this film advertised on Amazon Prime Video as I had not heard anything about it. I immediately assumed it was a documentary because of its lack of promotion in Europe, so you could imagine my surprise when I started playing it and saw a list of actors in the opening credits.

I think the reason why this movie did not resonate too well outside of Brazil is because it was not written for a global audience. The film made too many assumptions: firstly, that you are familiar with Elis' recordings and secondly you were bought up knowing a lot about the Brazilian music industry. Perhaps even more vitally, it made the assumption that everybody is aware of the brutality that occurred during the dictatorship. This, I believe, made the film inaccessible to the world.

Andréia Horta, in my humble opinion, gave an absolutely stunning performance capturing a lot of the essence of Elis Regina that I had seen in her performances and her interviews but, something was badly paced in the actual storytelling. The film either needed to be (at least) another 30 minutes longer or it needed to spread the story more evenly over the course of her years under the spotlight. Up until her television performances, I feel the director got the story right. After that, it was like a needle skating across a record. First a child and then three as if by magic.

This wasn't the main problem for me, though. Again, the movie made the assumption that the audience would immediately know in which year the events were occurring. I found it difficult to know whether the story was still in the mid seventies or the early 80s.

I also have a feeling that the story of her involvement with drugs wasn't properly told. One minute she was trying peyote and the next, we are to suspect that she died of some sort of drug overdose despite saying that music and her children were the most important things in her life.

I could watch this movie again just to enjoy Adréia Horta's performance once more (the support cast were also wonderfully portrayed), but I will end up with the same sense of unfulfillment.

I don't think you needed to be a Ray Charles fan to have enjoyed his biopic and to have felt that you got to know him not only as a singer but as a person as well, but this movie left me with more questions than answers.

It's hard to imagine a better performance in the role of Elis Regina than the one turned in here by Andreia Horta. She even looks like Elis and captures her radiant smile perfectly. The lip-syncing to Elis' great songs is very well done; the physical movements, too. If the movie seems to be a bit short in showing Elis' turbulent life, well, remember that her life was tragically short.

This biographical film explores the professional and personal life of the singer Elis Regina. It offers a trip into the atmosphere of the Bresil of the sixties and the seventies. A real effort of reconstitution of the choreography, cloth, furniture, etc. has been made. The actress performs very well in different areas. Time passes quickly as it has several rebounds.