Midwinter of the Spirit

I liked the first episode of Midwinter of the Spirit, and look forward to future episodes. The biggest complaint I have is one that is fairly constant for many series and mini-series - the background noises, whether music or other sound effects, often overpower the dialogue. Some actors easily overcome this problem because their voices carry well enough that they can be heard and understood. Other actors are, naturally I suppose, more soft spoken, and I have to strain to understand what they are saying. For me, this really takes away from my enjoyment of the show. I found this to be true of this show, as much as any other. Otherwise, my rating would have been higher. I wish those in charge of sound effects would be more cognizant of this. As for those soft-spoken actors, I would exhort them to SPEAK UP!

The premise sounded good, but it could've been better executed. Needed another episode to give the story some breathing room. More time for some character development at the beginning and more substantial detective work in the plot.

Anna Maxwell Martin's character was rushed into her 'alternate' frame of mind so soon there wasn't a perceptible transition. We needed to see her as a strong willed character that went 'limp'. What we got was just a limp, wilted portrayal. I've seen her in other things, she's quite good at playing strong characters -- this time she didn't have the chance.

Overall it was a jumbled, blurry story rushed to conclusion with abrupt 'ah-ha' revelations during the last 20 minutes. Just 1 more episode could've given it the space needed to be something much better.

Excellent mini-series. This is how I want to watch TV (I'm 8 years late with the review but it's currently on ITVX). Succinct, compact, no wasted or drawn-out scenes. Three eposodes is perfect. Get it over with in a night.

Okay, so it's a little predictable villain-wise, but it weaves mysticism, religion, history, probably a fair bit of mumbo-jumbo, family problems, and is creepy enough to make you check that your doors are all locked before you turn in at night.

It's also a detective story as much as anything; think the da Vinci Code in Hereford. Sort of.

Get a bottle of wine out and knock yourself out.

Good supernatural drama (best seen before you read the book, or watched objectively). My only issue? Thank heavens for subtitles! I only have partial hearing and found some of the softer spoken actors impossible to hear without them. David Threlfall as Huw Owen absolutely owned the role he played. I sincerely hope there will be future adaptations of Phil Rickman's books, but with more episodes, as three hours wasn't long enough to do them full justice. 6 or 8 episodes would have been better. I look forward to watching without advert breaks. The locations used for filming were beautiful and atmospheric and the characters mostly well cast.