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Eine Fernsehadaption des Spielfilms 'Hotel Transsylvanien' von 2012.Eine Fernsehadaption des Spielfilms 'Hotel Transsylvanien' von 2012.Eine Fernsehadaption des Spielfilms 'Hotel Transsylvanien' von 2012.
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Like all movies converted into a TV-series, this is supposed to happen before the first movie. Dracula only has a few cameos (The best character in the show!), they've added a really annoying slime/blob/nerd character and the main character has a completely different personality from the movie. The animation is just fine, it's not hand drawn and fluid, but flash animated and almost seems like it's missing frames. It just stutters a lot. The main character's design looks like someone from "Star vs the Forces of Evil", which isn't necessarily a bad thing. Too much slapstick, which doesn't really work when the animation is so limited and stiff. Horrible jokes too
Though my feelings about the movies are at best mixed, I found this to be a charming animated show that actually works better.
There's nothing too ground breaking in this supernatural sitcom set-up but I find that rather refreshing. I feel this feels more like something made in the early 2000s and that is not meant to be an insult with its fast paced stories providing easy, casual viewing.
The artistic direction and design is just superb. I really felt immersed in this homage to classic horror but with a slick, contemporary twist with rich world building in which I could believe there was a secret culture where marginalized creatures live beyond the domain of humans. The red-and-black interior design of the hotel is at once enticing and oddly soothing.
The humor is mostly narrative driven unless it plays off the setting and it can be somewhat repellent or juvenile which I didn't love but it does restrain itself quite a bit more than the movies in that respect.
I'm unsure, however, whether I am really a fan of the show or weather I am just a fan of Mavis. In the movies the plots revolved more about other characters doing things regarding her but here she is unambiguously the protagonist and they fleshed her out nicely. She is a sweet but mischievous girl who doesn't mind bending the rules or the truth to get what she wants but is loyal to her friends and has a very positive relationship with her doting father.
Her character animation and facial expressions are just delight after delight, the way she does her little joy dance or looks nonplussed when a plot thickens. She is naughty but nice.
I watched this mostly in the French and Polish dubs which were fabulous, especially Margarite D'amour and Zuzanna Bernat respectively as Mavis. However, Bryn McAuley was also amazing, all three being far more appealing than Gomez.
Also, Mavis' design translates to two dimensions so well.
I won't say this show wasn't somewhat disposable but sometimes you need something like that. I really want more episodes on Netflix!
There's nothing too ground breaking in this supernatural sitcom set-up but I find that rather refreshing. I feel this feels more like something made in the early 2000s and that is not meant to be an insult with its fast paced stories providing easy, casual viewing.
The artistic direction and design is just superb. I really felt immersed in this homage to classic horror but with a slick, contemporary twist with rich world building in which I could believe there was a secret culture where marginalized creatures live beyond the domain of humans. The red-and-black interior design of the hotel is at once enticing and oddly soothing.
The humor is mostly narrative driven unless it plays off the setting and it can be somewhat repellent or juvenile which I didn't love but it does restrain itself quite a bit more than the movies in that respect.
I'm unsure, however, whether I am really a fan of the show or weather I am just a fan of Mavis. In the movies the plots revolved more about other characters doing things regarding her but here she is unambiguously the protagonist and they fleshed her out nicely. She is a sweet but mischievous girl who doesn't mind bending the rules or the truth to get what she wants but is loyal to her friends and has a very positive relationship with her doting father.
Her character animation and facial expressions are just delight after delight, the way she does her little joy dance or looks nonplussed when a plot thickens. She is naughty but nice.
I watched this mostly in the French and Polish dubs which were fabulous, especially Margarite D'amour and Zuzanna Bernat respectively as Mavis. However, Bryn McAuley was also amazing, all three being far more appealing than Gomez.
Also, Mavis' design translates to two dimensions so well.
I won't say this show wasn't somewhat disposable but sometimes you need something like that. I really want more episodes on Netflix!
Once again Disney has a hit with a movie and the proceeds to ruin it by making it into a TV show with low quality animation.
It's OK to spend some of your money in order to produce a quality TV show for children.
By the way, it's not only my opinion. My kids hate the look of the show too!
It's OK to spend some of your money in order to produce a quality TV show for children.
By the way, it's not only my opinion. My kids hate the look of the show too!
Hotel Transylvania: TV Series is a pretty good show. Because it's based on an Animated original movie that takes place before Mavis Dracula, which is my favorite character so far, Mavis met Jonathan. In the show she had to take very good care of the Hotel as her father Count Dracula, puts her in charge of the Hotel. And this show is not half bad.
Why does everything need a franchise? What is so special about Hotel Transylvania to warrant a sequel and a T.V. series? When I first saw Hotel Transylvania for my fourteenth birthday, I thought that it was pretty fair and Mavis was cringe-worthily foolish as a child. And because I wasn't a big fan of the first film, I didn't know if I wanted to see the sequel.
This series is coming from a company that has never made a great animated film that I've seen from them. I caught the last 20 minutes of the first episode and the whole thing was just clichéd. It had lowbrow humor, a replaced voice cast when the original voice cast were okay, and an again, clichéd plot. I even want to say the animation is mostly bad but it's hard to get used to the new 2.D. animation.
This series doesn't seem to have anything to do with the sequel. Why do I need to know more about Mavis and company? They already showed her as a child, growing up, learning how to fly and I think that's enough.
This series is coming from a company that has never made a great animated film that I've seen from them. I caught the last 20 minutes of the first episode and the whole thing was just clichéd. It had lowbrow humor, a replaced voice cast when the original voice cast were okay, and an again, clichéd plot. I even want to say the animation is mostly bad but it's hard to get used to the new 2.D. animation.
This series doesn't seem to have anything to do with the sequel. Why do I need to know more about Mavis and company? They already showed her as a child, growing up, learning how to fly and I think that's enough.
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- WissenswertesNone of the Voice Actors from Hotel Transsilvanien (2012) and it's sequels reprised their roles in the TV Spinoff.
- PatzerThe series often features Mavis' Aunt Lydia, Cousin Klaus and Uncle Gene. Yet in Hotel Transylvania 2, when Mavis' mother-in-law asks if she has any cousins, Mavis states that she doesn't have any and it's only ever been herself and her father. Since the series was created AFTER Hotel Transylvania 2, this seems like a huge error on the part of the creators, who would have known that she had no other relatives (apart from her estranged grandfather, Vlad).
- VerbindungenReferenced in AniMat's Crazy Cartoon Cast: John Lasseter's Failed Comeback (2019)
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