Amerikas meistgehasste Frau

The true story is fascinating. Unfortunately this film doesn't do it justice. However, with great actors and just enough interesting details the film is watchable.

This is a prime example of lazy screen writing. There are several things that the movie got wrong compared to the actual events. Plus, it's like they took the script directly from O'Hairs Wikipedia page or a quick google search. It offers nothing new to the story. Hopefully someone will redo it the right way, because it had so much potential.

The subject matter is interesting - it's about the woman who led the charge to make sure that state and religion were separate. She was an atheist, but in many ways, she was fighting for freedom of religion. However, this movie takes a very comedic tone to it all, and it covers so many landmark events in her life. So in the end, it feels more like a quirky montage of her life than anything that carries real emotional weight.

Of course that's her real name and not the one of the "character" (real life person) she portrays, but it's fitting nevertheless. She won't take anything from anybody, no matter what the point is. And she will stand up for something when others just idly stand by and maybe even just watch what is happening.

We go through a lot of history of what happened to this person and how she became a fighter and an atheist. The last fact alone may make her a bad apple for some and put her in a corner she can't recover from. But you know there is a reason for this title of hers (and the movie). Performance is grand and it's really a gripping story, jumping back and forth in time. It works and while not many will be completely satisfied with the work/movie itself, it's really something good, with flaws and all.

With poor acting and an extremely confusing script, the most hated woman in the United States tells the story of Madalyn Murray O'Hair, president and founder of the American atheist association, focused on her kidnapping in 1995. The ill-executed direction of the film portrays in a poorly planned manner the events preceding and explaining the abduction as well as the period in captivity the atheist activist and his family. When finished watching the film, the spectator can not visualize in detail neither the life of Madalyn nor his kidnapping. Badly made scenes of action, weak dialogues and a dubious photograph characterize this film that, unfortunately, does not live up to the importance of the figure of Madalyn and its history.