IMDb-BEWERTUNG
7,3/10
5336
IHRE BEWERTUNG
Ein deutscher Konditor reist auf der Suche nach der Frau und dem Sohn seines toten Geliebten nach Israel.Ein deutscher Konditor reist auf der Suche nach der Frau und dem Sohn seines toten Geliebten nach Israel.Ein deutscher Konditor reist auf der Suche nach der Frau und dem Sohn seines toten Geliebten nach Israel.
- Auszeichnungen
- 18 Gewinne & 15 Nominierungen insgesamt
Roi Miller
- Oren Nachmias
- (as Roy Miller)
Sandra Sade
- Hanna
- (as Sandra Sadeh)
Tamir Ben Yehuda
- Itai Nachmias
- (as Tomer Ben Yehuda)
Eliezer Shimon
- Avram
- (as Eliezer Lipa Shimon)
David Koren
- Swimmer
- (as David Heedye Koren)
Empfohlene Bewertungen
Tim Kalkhof is such a great actor. Just by looking at his look and the expression on his face you can understand his deep feelings. Excellent movie.
This first feature from Israeli director Ofir Raul Graizer has been picking up prizes around the world. It's easy to see why. The story of a young German pastry chef who makes a pilgrimage to Jerusalem and inveigles his way into the life of his male lover's widow without revealing his identity is beautifully told and although tragic ultimately satisfying. At the London Film Festival, where the film was nominated for the Sutherland prize, Graizer revealed that he developed the story from one he'd heard. Each scene is simply but expertly shot and the overall effect is profoundly moving. The Israeli cast, particularly Sarah Adler as the widow, is as good as we've come to expect from this country's actors; but Tim Kalkhof as the boy - quiet melancholy masking a huge depth of emotion - is superb. An award for this role must be on the cards.The couple's sex scene in a kitchen, covered in only two takes, is electrifying. Along the way Graizer also deals with the mysteries of kosher rituals, while the food preparation becomes almost hypnotic. One expects the impossible situation that develops to be unresolvable and for the film to stop abruptly. But there is a suggestion of a happy ending. The characters are so well drawn that this is a film that will stay with you long after the final fade.
10maurodc
This is the first jewish film I've seen, and I have to say that I was pleasantly surprised by it. It is very well crafted, acted, directed and written.
Altough sometimes it is quite slow, the script is very good, melancholic and above all, real. The main confflict shows us kind of a love triangle that we have never seen before; a situation that is so strong that when you start thinking about it during the end credits of the movie, it's like "God, how the hell could this even happen at all?"
One of the things I liked the most about this film was the soundtrack. It is simple and beautiful and it always entered at the right time, giving it a more dramatic atmosphere during the scene. This, along with the excellent photography, made a great combination that makes you feel what the characters feel thanks to the very personal shots it has.
And obviously, the acting doesn't stay behind. The performances by the main protagonists were great and truly convincing; I liked a lot the job of the main protagonist, there was even a moment at the movie were I thought that his performance didn't look as a performance anymore. It looked as if he was living it rather than acting it. And that is something that every actor must do all the time.
Overall, it is totally worth to watch if you're someone that appreciates stories that make you think and engage with them from beggining to end.
Thanks for reading!
Altough sometimes it is quite slow, the script is very good, melancholic and above all, real. The main confflict shows us kind of a love triangle that we have never seen before; a situation that is so strong that when you start thinking about it during the end credits of the movie, it's like "God, how the hell could this even happen at all?"
One of the things I liked the most about this film was the soundtrack. It is simple and beautiful and it always entered at the right time, giving it a more dramatic atmosphere during the scene. This, along with the excellent photography, made a great combination that makes you feel what the characters feel thanks to the very personal shots it has.
And obviously, the acting doesn't stay behind. The performances by the main protagonists were great and truly convincing; I liked a lot the job of the main protagonist, there was even a moment at the movie were I thought that his performance didn't look as a performance anymore. It looked as if he was living it rather than acting it. And that is something that every actor must do all the time.
Overall, it is totally worth to watch if you're someone that appreciates stories that make you think and engage with them from beggining to end.
Thanks for reading!
A magnificent film. for the precise manner to build the emotions. for the art of detail. for impeccable performances. for gestures, silence and the breath of words. a film mixing in splendid manner the grace, the sensitivity, the clash of civilisations and the love stories. a graceful film. like the taste of a slice of Black Forest cake or the taste of cinnamon cookies. for me it was a revelation. because it is more than a good/beautiful film. it is more than a complex and almost mystic love story. it is more than a masterpiece. it is exactly the film who you need it.Sarah Adler , givind the salted gestures, words and emotions of her character. Tim Kalkhof creating a character of Romanticism in pure sense. the cooking becoming sensual and magic. all being absolutely perfect. delicate. convincing. and the package for the best gift. short, a graceful film.
Well, if I was interested in seeing a remake of the " Le fate ignoranti (2001)", I would search for an original one... Sorry guys!!!
Wusstest du schon
- WissenswertesOfficial submission of Israel for the 'Best Foreign Language Film' category of the 91st Academy Awards in 2019.
- VerbindungenReferenced in KVIFF Guide: Folge #1.8 (2017)
- SoundtracksJour de Pluie
Written and performed by Dominique Charpentier
From The Cakemaker - Original Motion Picture Soundtrack
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- The Cakemaker
- Drehorte
- Café Kredenz, Kantstraße 81, Berlin, Deutschland(Exterior, interiors, Thomas' workplace)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 875.751 $
- Eröffnungswochenende in den USA und in Kanada
- 33.384 $
- 1. Juli 2018
- Weltweiter Bruttoertrag
- 1.287.568 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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